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 Last Updated August 15, 2008

Our goal this year is to provide movie-related information, education, and many fun events.  Happy 2007!

BLACK CINEMATHEQUE DALLAS

& South Dallas Cultural Center

request the honor of your presence @

 

11th Annual Black Men's Film Festival

Malcolm X Speaks for Us

 

All right family, let's get it going!  The 11th Annual Black Men's Film Festival is dedicated to loving, honoring, uplifting and paying tribute to men of

African descent.

 

It's time, waaaay past time to celebrate the beauty, honor the history and continue our legacy of excellence.

 

FRIDAY NIGHT@ the Black Men's Film Festival

 MAY 16, 2008   8:00 PM $5.00

Image PreviewMALCOLM X: His Own Story As It Really Happened
by Arnold Perl 1972 92 min.
A truly well crafted documentary this vintage film captures the spirit of Malcolm X as well as the cultural climate in which he operated. There is no backward narrator or newsperson offering up their distorted view of Malcolm X. Archival footage from his childhood to Boston, Harlem, Birmingham, and Mecca to vintage interviews with Betty Shabazz, Elijah Muhammad, Philbert X, Ella Collins Little, James Farmer and many others. From the opening of the film with Billy H oliday's  “Strange Fruit” to Ossie Davis' eulogy, this is truly the film to watch if you want to see Malcolm X's incredible journey to becoming El Hajj Malik El-Shabazz and the impact he made upon America and the world.

Remembering Ossie Davis Another Black Shining Prince

If anyone carried himself like a king not a ruler, but a leader, not above the masses but among them Ossie Davis did. His death challenges all of us to live our lives with meaning and purpose.  Ossie Davis represented the best of what Africans have to offer the world, and he stood fast against police brutality, war-mongers, racists -- all who insisted on offering the world their worst. It is such a measure of his incredible grace, kindness, integrity and solidarity with the righteous that in his eulogy of Malcolm X he referred to Malcolm as our "Black shining prince." With this tribute to Brother Ossie Davis, we can call him no less.
 

SATURDAY MORNING, MAY 17, 2008  10:00 AM  free free free

Malcolm X Birthday Party
Calling all children ages 5-18. 
Parents bring your children.youth Join us in celebrating Brother Malcolm’s birthday with a mini film festival,  music, cultural games and mmm-good food. Brother Malcolm loved music and musicians loved Brother Malcolm. We will explore the legacy of Duke Ellington using films, storytelling and learn to play some of his music. Children never forget, Brother Malcolm taught us to love our family, our community, our culture, our world, and ourselves.      

 

 

SATURDAY NIGHT @ THE BLACK MEN'S FILM FESTIVAL

MAY 17, 2008 8:00 PM  $5.00

Mumia: A Case For Reasonable Doubt?  
by John Edginton  74 min.

Journalist, writer, death-row inmate and political prisoner — from behind the walls, Mumia Abu-Jamal speaks for the first time in "Mumia: A Case for Reasonable Doubt”. A great deal has been said and written about whether journalist and death row inmate Mumia Abu Jamal should be executed for allegedly killing Philadelphia police officer Daniel Faulkner in December 1981. But little attention has been paid to the actual trial of the former Black Panther and the former head of the Philadelphia chapter of the National Association of Black Journalists. What actually happened on the night of December 9th 1981? What hard evidence implicates Mumia Abu Jamal in the murder of police officer Daniel Faulkner? And why did Mumia receive the death penalty?
 
Honoring a Saint -- Saint Clair Bourne 
BourneSt.Clair.jpg
Joe Marshall said of Saint Clair“his most outstanding virtue: his bone-deep commitment to black people and racial justice". Saint Clair Bourne was a remarkable filmmaker who completed 42 documentaries. At the time of his death, there were at least six on-going projects that he was working on. His documentaries chronicled the history of African Americans with biographies of John Henrik Clarke, Paul Robeson, Amiri Baraka, Spike Lee, Langston Hughes, Gordon Parks and many others.
 
where: south dallas cultural center
3400 s. fitzhugh street
sunny south dallas, texas  75210
 
call 214-426-1683 or 214-939-2787 for information
    




Miz Marilyn Clark

May you stay healthy, live long & live happy!

Black Cinematheque Dallas

214-426-1683


We are moving the Academy Awards information and favorite movies of 2006 up to the top of the homepage during the Academy Awards season so that we can reflect on the very best of 2006.  Luckily for us, movies don't ever have to go out of season any more because of VHS and DVD's and repertory screenings at theaters, which ensure we can choose just about any movie to watch that is still in existence and has made it to a public format.  The prescreening ticket pickup and free pass information is still here, just a little bit farther down the homepage.  Remember:  The 2007 festival season begins at Sundance in January, along with over 50 other festivals world-wide in that month alone.  For information on all the world's major film festivals throughout the year, please checkout http://www.insidefilm.com/ (from a member of the Dallas Angelika Roundtable--movie geeks who meet in the Dallas Angelika cafe each Monday from 7:30 p.m. on to discuss everything about movies) and  http://www.filmfestivals.com/index.shtml (from Joe). We will also be covering the 20 or so film festivals and film series held in the North Texas area each year and much, much more.. 

Kicking Off the Year in Style:

We need you to help fill the seats!!!  If you come, I know you will have a good titme! Here are just a few of the important cultural events we need YOU to support--"if we don't support  & protect our
african heritage, who will?"  ME & YOU, that's WHO!!!
find a young person in your family/community
and bring/drag them with you.
@@@@@@@@@@@@@@
 
Sunday, Feb. 25th
Around 6:00 pm. Movie SIG Attends the U.S.A. Film Festival's Oscar Night America Party, place and price to be determined  Come with us to see the red carpet walk and Oscar presentations on the large screen.  Imagine Charlize Theron at 16-feet tall  Try your hand at the movie paraphenalia silent action.  Enjoy the lavish buffet and good, good company. You need to make your own reservations with the U.S.A. ilm festive at http://www.usafilmfestival.com.  According to the PDQ's of North Texas Mensa members as of the end of December, movies are the number 2 interest of NTM members after computers.  Definitely, RSVP to me as well (Betty Jane Ferguson at (972) 495-5256 or bookies@gte.net. Only one Oscar Night America, the official Oscar-approved party, can be held in a city.  Sorry, the Studio Movie Grill is sold out.  You may attend a screening of the Oscars at both the Dallas and Plano Angeika and at the Magnolia for free.

Saturday, Feb. 17th and Sunday, Feb 18th
A Fair To Remember.  Free Screening at 
The Margaret and Al Hill Theater and Lecture Hall, The Hall of State in Fair Park, 3939 Grand Avenue, Dallas, Texas.  A Film By Allen Mondell and Cynthia Salzman Mondell, co-produced by Phillip Allen, narrated by Barry Corbin and original music by Brave Combo.  Both of these screenings will be FREE and OPEN TO THE PUBLIC -or- attend a screening, reception with fair food, and Q&A with film makers on February 15th at 6:30pm, admission is $25.00. For more information please contact Diane at(214) 421-4500 x101.

Sunday, Jan. 14th  7:30 PM
The Black Academy of Arts and Letters "Black Music and the Civil Rights Movement"  Morton H. Meyerson Center, 2501 Flora Street  $10.00. This moving performance dramatizes the Civil Rights Movement in film footage, narration and music performed by TBAAL’s 200 Voice Concert Choir. The concert features special guest artist KELLY PRICE.
http://www.tbaal.org/calendar/january07.html
###########
Black Cinematheque Dallas -- Jan. 19th 8:00 PM @ Black Forest Theater, 1920 MLK Blvd. $5.00
Martin Luther King Jr. Birthday Celebration
“Mighty Times: The Children’s March”
2005 Academy Award - Best Documentary Short is the never before told account of the most amazing act of civil disobedience in American history. In 1963, heavy intimidation by Birmingham authorities left Martin Luther King’s Civil Rights Movement floundering without supporters until thousands of children and young students rose up and became the unsung heroes.  The film examines Dr. Martin Luther King’s views on non-violence and how civil disobedience has long been exercised in protest of unjust laws.
 
#######################
Jan. 19, 2007 12 MidNight-3AM Free
South Dallas Cultural Center
Jammin' at the Center --a jazz jam session with critically acclaimed saxophonist Shelley Carrol, drummer Alan Green, pianist Caleb McCampbell and bassist Jonathan Fisher  at South Side on Lamar 1409 S. Lamar Street Loft# 001. ttp://www.dallasculture.org/
##########
 
Jan. 21, 2007  FREE
South Dallas Cultural Center presents
Reading the Writers
The African Company Presents Richard III
Dallas Public Library, 1515 Young St.  Dallas TX
African Company Presents Richard III, written by Carlyle Brown, is based on a true story dating back to 1821. Forty years before Lincoln abolished slavery and 50 years before Black Americans gained suffrage, the first Black theatrical group in America dared to present William Shakespeare’s work through their adaptation of Richard the III. Brown’s retelling of this pivotal event portrays the humor and challenges faced by the company as they prepare to unveil a classic tale, in a not-so-classic fashion. Info:http://www.dallasculture.org/
#############
 
Fri./Sat. Jan. 26/27  8:00 PM $10.
"David Batiste and the Gladitors"
Black Academy of Arts and Letters, 650 S. Griffin Street
Straight from the heart of New Orleans, this hot, soulful and funky jazz and pop band has become an American music icon. Smooth and rhythmic, this  irresistible group is known for rocking houses to standing room only audiences. Making their TBAAL debut, they’re a must see! http://www.tbaal.org/calendar/january07.html
 
##############
 
Feb. 1st-3rd Texas Black Film Commission presents
1st Annual Texas Black Film Festival
Studio Movie Grill, 5405 Beltline Rd. Addison
 
#################
 
A Close Up On Beah Richards
Saturday, Feb. 10 at 1 p.m.
The Black Academy of Arts and Letters
$5-Film Screening and one-on-one Talk with Filmmaker LisaGay Hamilton
She was more than a great American actress, she was a great human being! When she spoke of the plight of women and African American women in particular, she was profound and clear. She was great by anyone’s standard. She was one of the first to say yes to TBAAL. She was award-wining actress BEAH RICHARDS. For this anniversary year, TBAAL remembers Richards by showing some of her greatest work as an actress. Special guest actress of television, stage and screen and filmmaker, LISAGAY HAMILTON, will be on hand to talk about Richards and the making of film about Richard’s life and work.
#############
 
BLACK CINEMATHEQUE DALLAS/// Feb. 16, 2007  8:00 PM  $5.
Black Forest Theater, 1920 MLK Blvd.  Dallas
Freedom Never Dies: The Legacy of Harry T. Moore  90 min
The Legacy of Harry T. Moore explores the life and times of this enigmatic leader, a distinguished school teacher whose passionate crusade for justice could not be discouraged by either the white power structure or the more cautious factions of his own movement—the NAACP. Although Moore's assassination was an international cause celebre in 1951, it was overshadowed by following events and eventually almost forgotten.  Ossie Davis and Ruby Dee narrate.  Sweet Honey In The Rock and Toshi Reagon perform original music.
###################
 
Feb. 16, 2007 12 MidNight-3AM Free
South Dallas Cultural Center
Jammin' at the Center --a jazz jam session with critically acclaimed saxophonist Shelley Carrol, drummer Alan Green, pianist Caleb McCampbell and bassist Jonathan Fisher at South Side on Lamar 1409 S. Lamar Street Loft# 001. http://www.dallasculture.org/
 
################
 
The Heart Of Jazz Concert: Original Superstars Of Jazz Fusion
Saturday, Feb. 17 at 7:30 p.m
.--one night only-- The Black Academy of Arts and $30-Orchestra; $25-Mezzanine
Back on the touring circuit by popular demand, this 1982 show sold out to more than 40 US cities and now they’re all back on one stage in one evening! Don’t miss this fantastic concert of the original superstars of Jazz Fusion featuring ROY AYERS, JEAN CARNE, WAYNE HENDERSON, BOBBI HUMPHREY, JON LUCIEN and LONNIE LISTON SMITH. HOSTED BY BOARD MEMBER TONI HIGHTOWER.
##################
 
"The Spirit Of Marcus Garvey” & “A Rose Among Thorn
World Premiere
Saturday, Feb. 24 at 3 p.m. TBAAL, Naomi Bruton Main Stage $15
One refused to give in (Garvey) and the other refused to get up (Parks). This evening of incredible theatre features two of America’s pre-eminent actors. RON BOBB-SEMPLE, who portrays the role of the indomitable figure of Marcus Garvey, gives a breathtaking performance while film, television and theatre beloved icon, ELLA JOYCE, gives a stunning portrayal of the Civil Rights mother, Rosa Parks. http://www.tbaal.org/calendar/
 
 
Mark Your Calendars NOW:
March  3, 16 & 17
The Black Woman’s Film Festival
I Find, in Being Black,
a Thing of Beauty
****************
THE THIRD EYE
SPRING RISING LECTURE SERIES
April 21, 2007
 
**************
May 11, 12, 18, 19 
The Black Man’s Film Festival
Malcolm X:
A Global Perspective
 
Information: 214-426-1683
 


Miz Marilyn Clark

Black Cinematheque Dallas

214-426-1683

Special Treat:

Rejoice movie fans, there are 3 movie pass opportunities in this
week's Dallas Observer:

Pan Labyrinth
Pick up passes Saturday, 1/6, noon at:
Pull N Stuff
4815 A Columbia Ave,
Dallas 75226
214 827 4500
Screening, Thursday, 1/11, 7:30 PM at Angelika, Dallas
Trailer:
http://www.apple.com/trailers/picturehouse/panslabyrinth/

Alpha Dog
Pick up passes Saturday, 1/6, noon-2PM at:
Floyd's Barber Shop
5706 E. Mockingbird Ln. Suite 120
at Mockingbird and Greenville,
Dallas
214 827 5000
Screening on Wednesday, 1/9, 7:30 PM at Angelika, Dallas
Trailer:
http://www.apple.com/trailers/universal/alphadog/

Letters from Iwo Jima
Pick up passes, Saturday, 1/6, 12:30 PM - 2 PM at:
Tokyo No Hana
7525 Greenville, Ave
Dallas 75231
Screening on Monday, 1/8, 7:30 PM at Magnolia, Dallas
Trailer:
http://iwojimathemovie.warnerbros.com/lettersofiwojima/framework/fram
ework.html

(Note:  Each adult at the pass pickup will be given a pass for two people. Be sure to be at the pass pickup location about an hour early, especially for Letters from Iwo Jima (much award buzz garnered already).  All passes are usually gone within 10 minutes of the pickup time. Sometimes they still have them later, even days later, so it is always good to call before going.  Also, plan to be at the prescreening between an hour and an hour and a half before showtime, especially during Academy Awards season, which runs until the awards are given out in February.--bj)

(This above pass pickup information is from the DallasMoviePreScreeningsYahoo group website.  Before May, 2006, anyone who wanted to see the free prescreenings--one day to one month before the films were available to the public--had to find their own resources for movie passes.  Some people had been doing this for 15 years--we've been doing it for about 6.  One of the avid prescreeners (Jeff) set up an email list to release and trade passes that connected us to each other.  In May, another prescreener (Reesas) set up the Yahoo group.  There are 400 people on it now.  We share our information and extra passes and now the group has information available for nearly all of the prescreenings available in Dallas, and, occasionally, even some for other locations around the metroplex and around the state.  If you would like to check out this group, please go to DallasMoviePreScreenings@yahoogroups.com. You will spend a little more time to get tickets and wait in line, but the movie geeks in this group always have great conversations. We will not, in general, be putting up pass pickup locations on this site now because all the information is available to everyone using the DallasMoviePreScreenings yahoo group, which is open to the public and not a Mensa group, although it does have some Mensa members.)


YOU MIGHT WANT TO CHECK OUT THE ARCHIVES MENU SELECTION TO GET AN IDEA OF WHAT WE HAVE DONE AND WHAT WE HAVE FOUND OUT ABOUT.  OTHER NTM MEMBERS ARE INVITED TO SHARE THEIR MOVIE-RELATED  INFORMATION THROUGH THIS SITE.   ALSO, YOU MIGHT FIND THE OTHER SELECTIONS FROM THE MENU OF INTEREST, BUT THEY ARE ALSO BEING ADDED TO.   

BETTY JANE AND TOM FERGUSON,  EDITORS

Below this line are old 2006 postings that will be going to the archives soon. 

Special Event:
Paul Rusesabagina, the hotel manager who housed over a thousand Tutsis 
refugees during their struggle against the Hutu militia in Rwanda and
was portrayed by Don Cheadle in Hotel Rwanda will speak at 7 p.m. at
Highland Park United Methodist Church tomorrow (Thursday) night, April 20)(free).
http://www.hpumc.org/pages/Events-Speakers

Special Event:

Movie SIG Update:  The movie for tonight at the Kinomonda Film Series at TCU has been changed from Woman in the Dunes to A DAY without a Mexican, and the location has changed from Lecture Hall 3 to Lecture Hall 1.  Kinomonda at http://wholewideworld.tcu.edu/


free thought      **free food**    free cinema

 

    wholewideworld.tcu.edu

 

A DAY without a Mexican

<>                                          
Sergio Arau/2004/Spain

                                                                                

     6:30 pm, Wednesday, April 12th, 2006

 Sid Richardson Lecture Hall 1

 

A Day Without A Mexican:  Kinomonda proudly hosts this screening at the invitation of the Departments of Spanish and English, and in support of the current rallies taking place across the United States.  In a perfect world, this cross between “It’s a Wonderful Life” and “El Mariachi,” with a little “Reefer Madness” preachiness thrown in, might have been an interesting side note on the Latin American Experience in the United States.  Indeed, the major criticism in 2004 was that the film’s concept was too outlandish and it had one-dimensionalized extremists (don’t ask me how that is possible).  Anyway, the basic attack was that the premise is paranoia on the screen….hahaha.  What a difference a year makes  Presented as a fantasy “mockumentary” this low budget-film was thrust into relevancy partially thanks to the vivid creativity and imagination of our current political climate.  

 

Following the film:   PANEL Presentation with introduction by Bonnie Fredericksen (Chair, Department of Spanish) and featuring members of the TCU Faculties of English and Spanish (Australia Tarver, Juan Rojo), as well as community members active in the local marches (Maria Ibarra, Tammy Gomez), and International Author Juan Hernandez (former cabinent member to Vicente Fox for Mexicans Living Abroad).  Panel presentation will be audience-friendly (so please be panel friendly) question and answer.

 

Food: Blue Mesa Grill and Taqueria San Luis (no. 3) 

 

Special Announcement for North Texas Mensa Members:  The Academy Awards Panel event scheduled in the February M-Aura for Monday, February 27 was cancelled.  However, the Oscar Night America Academy Awards Watching event hosted by the USA Film Festival at the Addison Studio Movie Grill starting at 6:00 p.m. on Sunday, March 5 is on.  We are reserving $35 side section seats with buffet, plus.  If you would like to go, please call or contact Betty Jane Ferguson at bookies@gte.net ASAP as the USA Film Festival needs to receive your reservation and payment by Wednesday, March 1.  Hope you can come.  See you at the Academy Awards. --bj

It's off to Oscar Night America tonight with a group of NTM members, but before leaving, here are my Oscar picks:

Best Picture:  Brokeback Mountain
                     Also deserving: Crash

Best Actress:  Felicity Huffman in Transamerica
                      Also deserving:  Keira Knightley in Pride and Prejudice

Best Actor:  Philip Seymour Hoffman in Capote

Best Supporting Actress:  Rachel Weisz in The Constant Gardner
                                       Also deserving:  Amy Adams in Junebug                                      

Best Supporting Actor:  Paul Giamatti, Cinderella Man
                                     Also deserving:  Jake Gyllenhaal, Brokeback Mountain

Best Director:  Ang Lee, Brokeback Mountain
                       Also deserving:  Stephen Spielberg, Munich

Best Animated Feature:  Wallace and Gromit in the Curse of the Were-Rabbit

Achievement in Art Direction:  Memoirs of a Geisha
                                               Also deserving:  Pride and Prejudice

Achievement in Cinematography:  Memoirs of a Geisha
                                                    Also deserving:  The New World

Achievement in Costume Design:  Memoirs of a Geisha
                                                    Also deserving:  Pride and Prejudice

Best Documentary Feature:  March of the Penguins
                                            Also deserving:  Murderball

Best Documentary Short Subject:

Achievement in Film Editing:  Crash
                                             Also deserving:  Munich

Best Foreign Language Film:  Joyeux Noel
                                             Also deserving:  Paradise Now and Tsotsi

Achievement in Makeup:  The Chronicles of Narnia:  The Lion, the Witch, and the Wardrobe

Achievement in Music Written for Motion Pictures (Original Score):  John Williams for Memoirs of a Geisha
                                                                                                        Also deserving:  John Williams for Munich

Achievement for Music Written for Motion Pictures (Original Song):  It's Hard Out There for a Pimp from Hustle and Flow                                                                                                                                             Also deserving:  Travelin' Thru from Transamerica

Best Motion Picture Picture of the Year:  Brokeback Mountain
                                                                Also deserving:  Crash

Best Animated Short Film:

Best Live Action Short Film:

Achievement in Sound Editing:  Memoirs of a Geisha
                                                Also deserving:  War of the Worlds

Achievement in Sound Mixing:  Memoirs of a Geisha
                                                Also deserving:  Walk the Line

Achievement in Visual Effects:  King Kong

Adapted Screenplay:  Brokeback Mountain
                                  Also deserving:  Capote and Munich

Original Screenplay:  Crash
                                Also deserving:  Syriana

It's been a great year at the movies!--bj

The official 2006 Academy Award Winners can be found at oscars.org.
     
We are moving the Academy Awards information and favorite movies of 2005 up to the top of the homepage during the Academy Awards season so that we can reflect on the very best of 2005.  Luckily for us, movies don't ever have to go out of season any more because of VHS and DVD's and repertory screenings at theaters, which ensure we can choose just about any movie to watch that is still in existence and has made it to a public format.  The prescreening ticket pickup and free pass information is still here, just a little bit farther down the homepage.  Remember:  The festival season has already begun for 2006 (Sundance).



Betty Jane's Academy Award Nominations Picks:

What a grand year 2005 has been for movies--chock full of wonderful films worth remembering!

Best Picture:

Memoirs of a Geisha
Brokeback Mountain
Munich
Crash
Cinderella Man

Others of Note:

The Constant Gardener
Walk the Line
Good Night, and Good Luck
The New World
A History of Violence
Capote
King Kong
Pride and Prejudice

Best Actress:

Gwynneth Paltrow, Proof
Felicity Huffman, Transamerica
Ziyi Zhang, Memoirs of a Geisha
Reese Witherspoon, Walk the Line
Judi Dench, Mrs. Henderson Presents

Also of Note:

Charlize Theron, North Country
Joan Allen, The Upside of Anger
Q'orianka Kilcher, The New World
Natasha Richardson, The White Countess
Keira Knightley, Pride and Prejudice
Renee Zellweger, Cinderella Man

Best Actor:

Phillip Seymour Hoffman, Capote
Russell Crowe, Cinderella Man
David Strathairn, Good Night, and Good Luck
Eric Bana, Munich
Heath Ledger, Brokeback Mountain

Also of Note:

Ralph Fiennes, The Constant Gardener
Terence Howard, Hustle & Flow
Viggo Mortensen, A History of Violence
Jeff Daniels, The Squid and the Whale
Kevin Costner, The Upside of Anger
Joaquin Phoenix, Walk the Line
Anthony Hopkins, The World's Fastest Indian
Tommy Lee Jones, The Three Burials of Melquiades Estrada
Cillian Murphy, Breakfast on Pluto

Best Supporting Actress:

Gong Li, Memoirs of a Geisha
Rachel Weisz, The Constant Gardener
Amy Adams, Junebug
Maria Bello, A History of Violence
Catherine Keener, Capote

Also of Note:

Thankie Newton, Crash
Laura Linney, The Squid and the Whale
Brenda Blethyn, Pride and Prejudice
Michelle Williams, Brokeback Mountain
Shirley MacLaine, In Her Shoes
Taraji Henson, Hustle and Flow
Diane Keaton, The Family Stone
Tilda Swink, The Chronicles of Narnia:  The Lion, the Witch, and the Wardrobe

Best Supporting Actor:

Paul Giamatti, Cinderella Man
Jake Gyllenhaal, Brokeback Mountain
Terence Howard, Crash
Matt Dillon, Crash
George Clooney, Suriana

Also of Note:

William Hurt, A History of Violence
Donald Sutherland, Pride & Prejudice
Frank Langella, Good Night, and Good Luck
Richard Jenkins, North Country
Ed Harris, A History of Violence
Don Cheadle, Crash
Bob Hoskins, Mrs. Henderson Presents
Barry Pepper, The Three Burials of Melquiades Estrada
Matthew Broderick, The Producers

Best Director:

Ang Lee, Brokeback Mountain
Paul Haggis, Crash
Rob Marshall, Memoirs of a Geisha
Steven Spielberg, Munich
George Clooney, Good Night, and Good Luck

Also of Note:

Peter Jackson, King Kong
Ron Howard, Cinderella Man
Terrence Malick, The New World
Fernando Meirelles, The Constant Gardner
Bennett Miller, Capote
Stephen Frears, Mrs. Henderson Presents
James Mangold, Walk the Line
David Cronenberg, A History of Violence
Stephen Gaghan, Syriana

Best Adapted Screenplay:

Memoirs of a Geisha
Munich
Brokeback Mountain
The Constant Gardener
Capote

Also of Note:

A History of Violence
North Country
King Kong
Syriana
Walk the Line
Jarhead
Pride and Prejudice

Best Original Screenplay:

Crash
Cinderella Man
Good Night, and Good Luck
The Squid and the Whale
The Three Burials of Melquiades Estrada

Also of Note:

Me and You and Everyone We Know
Broken Flowers
Hustle and Flow
Mrs. Henderson Presents
Syriana
The Upside of Anger
The White Countess
Wallace and Gromit:  The Curse of the Were-Rabbit

Best Foreign Film:

Kong Fu Hustle
Paradise Now
2046
Fateless
Best of Youth

Also of Note:

L'Enfant
Tony Takitani
Dear Frankie
Nine Lives
Joyeux Noel
Tbilisi-Tbilisi
Tsotsi

Note:  Not all of the Best Foreign Films on my list were still in the running for an Academy Award at this time.

Best Animated Films:

Wallace and Gromit:  Curse of the Were-Rabbit
Howl's Moving Castle
Corpse Bride/Robots

Best Documentary Films:

March of the Penguins
Murderball
Darwin's Nightmare

Also of Note:

Enron:  The Smartest Guys in the Room
Rize
Mad Hot Ballroom
Favela Rising
39 Pounds of Love
The Boys of Baraka

Best Visual Effects:

King Kong
The Chronicles of Narnia:  The Lion, the Witch, and the Wardrobe
Harry Potter and the Goblet of Fire

Also of Note:

Star Wars: Episode III--The Revenge of the Sith
War of the Worlds
Charlie and the Chocolate Factory
Batman Begins

Best Musical Score:

John Williams, Memoirs of a Geisha

(Now to go see what the Academy thought this morning.:-)--bj 

The official 2006 Academy Award Nominations are  found at  oscars.org.


Joe's Academy Award Nominations Pics:

Best Picture -- 

Brokeback Mountain
Capote
Crash
Good Night, and Good Luck
Walk The Line

Best Actor --

Philip Seymour Hoffman
Joaquin Phoenix
Heath Ledger
David Strathairn
Russell Crowe

Best Actress --

Reese Witherspoon
Felicity Huffman
Charlize Theron
Joan Allen
Keira Knightley

Best Supporting Actor --

Paul Giamatti
Jake Gyllenhaal
Matt Dillon
George Clooney
William Hurt

Best Supporting Actress --

Rachel Weisz
Maria Bello
Amy Adams
Michelle Williams
Catherine Keener

Best Original Screenplay --

Crash
Good Night, and Good Luck
The Squid and the Whale
Hustle and Flow
Me and You and Everyone We Know

Best Adapted Screenplay --

Brokeback Mountain
Capote
The Constant Gardener
A History of Violence
Syriana

Best Director --

Ang Lee (Brokeback Mountain)
Bennett Miller (Capote)
George Clooney (Goodnight, and Good Luck)
James Mangold (Walk the Line)
Paul Haggis (Crash)

Bonus:
Best Foreign Film--

L'Enfant (The Child)
Fateless
Joyeux Noël
The Cave of the Yellow Dog
Paradise Now


SOME RECENT TOP PICKS

 (Still out there) Hustle and Flow, Pride and Prejudice, Wallace and Gromit in the Curse of the Were-Rabbit, Memoirs of a Geisha, Brokeback Mountain, Munich, King Kong, Good Night, and Good Luck, Capote, Walk the Line, Harry Potter and the Goblet of Fire, Syriana, The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe. 

Some other favorite films not to be missed (DVD lives! and VHS also, for now):  A History of Violence (in March), Proof, Kiss Kiss Bang Bang, Sin City, An Unfinished Life, The Interpreter, War of the Worlds, Deep Blue (2003), Walk on Water (2004), Crash, Innocent Voices (2004), Everything is Illuminated, March of the Penguins, Cinderella Man, The Parrots of Telegraph Hill, Rize, Batman Begins, Star Wars Episode III:  Revenge of the Sith, Saving Face, Unleashed, The Constant Gardner,  Murderball,  Mad Hot Ballroom, Grizzly Man, Howl's Moving Castle, The Sisterhood of the Traveling Pants, The Adventures of Shark Boy and Lava Girl in 3D (a movie where kids talk to the characters on the screen while the movie is going on  (i.e., really identify with),  Robots, Kong Fu Hustle, and Corpse Bride.  More to come.  What were your favorites this year?  Email us at bookies@gte.net.



Joe's Top 10 USA Films of 2005 (as of 12-27-2005):

1) Capote     Director Bennett Miller
2005 - USA - 115 min. - Feature, Color 

2) Brokeback Mountain Director Ang Lee
2005 - USA - 134 min. - Feature, Color

3) A Love Song For Bobby Long Director Shainee
Gabel
2004 - USA - 119 min. - Feature, Color

4) Mysterious Skin Director Gregg Araki
2004 - USA - 99 min. - Feature, Color

5) Broken Flowers Director Jim Jarmusch
2005 - USA - 107 min. - Feature, Color

6) The Ballad of Jack & Rose Director Rebecca
Miller
2004 - USA - 111 min. - Feature, Color

7) Cinderella Man Director Ron Howard
2005 - USA - 144 min. - Feature, Color

8) The Squid and the Whale Director Noah Baumbach
2005 - USA - 88 min. - Feature, Color

9) The Assassination of Richard Nixon Director Niels
Mueller
2004 - USA - 95 min. - Feature, Color

10) Jarhead Director Sam Mendes
2005 - USA - 123 min. - Feature, Color


Joe's Top 10 Foreign Films of 2005 (as of 12-27-2005):

1) 2046    
Director Wong Kar-Wai
2004 - China / Italy / France / Hong Kong - 123 min. -
Feature, Color

2) Paradise Now Director Hany Abu-Assad
2005 - Netherlands / Israel / Germany / France - 91
min. - Feature, Color

3) Don't Move Director Sergio Castellitto
2004 - Italy - 119 min. - Feature, Color

4) Dear Frankie Director Shona Auerbach
2004 - UK - 102 min. - Feature, Color

5) Saraband Director Ingmar Bergman
2003 - Sweden - 107 min. - Feature, Color

6) Tony Takitani Director Jun Ichikawa
2004 - Japan - 75 min. - Feature, Color

7) Notre Musique Director Jean-Luc Godard
2004 - Switzerland / France - 80 min. - Feature, Color

8) Nina's Tragedies Director Savi Gabizon
2003 - Israel - 110 min. - Feature, Color

9) Head-On Director Fatih Akin
2004 - Germany - 122 min. - Feature, Color

10) Kung Fu Hustle Director Stephen Chow
2004 - China / Hong Kong - 99 min. - Feature, Color

R E M E M B E R I N G   S O M E   O F   T H E   Y E A R ' S   T O P   M O V I E S :


The Chronicles of Narnia: The Lion, the Witch and the Wardrobe:

After the movie:  A solid 4.0 for this Christmas treat, a magical event well deserving of the glowing reviews it should garner.  C.S. Lewis's beloved novel has been brought to life for all ages using a perfect combination of real people and computer generated characters.  The four children are fresh faces: Georgie Henley as Lucy Pevensie, Skandar Keynes as Edmund, William Moseley as Peter, and Anna Popplewell as Susan, and they  do a fine job.  Jim Broadbent plays Professor Kirke.  Tilda Swink makes the perfect glaring, icy White Witch.  The great lion Aslan, voiced by Liam Neeson, shows us what great computer generation can do--you almost prefer Aslan to the real thing (but I know they used a real lion in there somewhere).  James McAvoy, as Mr. Tumnus, the Thorn, will steal your heart.  The film is about loyalty, friendship, and goodness.  It reminds me of one of my all-time favorites:  The NeverEnding Story.--bj

Murderball:

(Angelika Newsletter) SYNOPSIS:
Featuring fierce rivalry, stopwatch suspense, and larger-than- life personalities, MURDERBALL, Winner of the Documentary Audience Award and a Special Jury Prize for Editing at the 2005 Sundance Film Festival, is a film about tough, highly competitive rugby players. Quadriplegic rugby players. Whether by car wreck, fist fight, gun shot, or rogue bacteria, these men were forced to live life sitting down. In their own version of the full-contact sport, they smash the hell out of each other in custom-made gladiator-like wheelchairs. And no, they don't wear helmets.  From the gyms of middle America to the Olympic arena in Athens, Greece, MURDERBALL tells the story of a group of world-class athletes unlike any ever shown on screen. In addition to smashing chairs, it will smash every stereotype you ever had about "gimps" and "cripples." It is a film about family, revenge, honor, sex (yes, they can) and the triumph of love over loss. But most of all, it is a film about standing up, even after your spirit - and your spine - has been crushed. (Rated R; 86 min.) --from Angelika Newsletter

After the Movie:  ****. The synopsis above from the Angelika pretty much covers it.  I gained a new understanding and much respect for these guys and what they have accomplished.  One of them defined quadriplegic as having some form of diminished use in each of their four extremities. The team consists of 12 players.  Depending upon where the spinal cord was damaged, the quadriplegic has more or less physical control.  In the game they are "handicapped" by their level of injury and assigned a certain number of points.  Each team is allowed to have only a certain number of total points. The Paralympic Team USA has a coach, Mark Zupan, a "wild man" from Austin.  Team Canada also has a coach,  Joe Soares, a "defector" from Team USA.  Their rivalry every four years at the World Paralympics provides the main conflict in the film. It's a film applicable to anyone dealing with any type of injury that makes you change your game plan.  It will provide hope and guidance to let you continue on and move ahead.  Go to www.quadrugby.com for more information.-bj


Cinderella Man:

After the Movie: ****  "Cinderella Man" should definitely be nominated for an Academy Award, as should Russell Crowe for best actor and Reenee Zellweger and Paul Giamatti for supporting roles.  Craig Bierko also makes a good villain. Russell Crowe plays James J. Craddock, a hero for the common man during the depression.  Each look and tiny movement reveal multitudes about his character.  Because of the unavailability of other work, Craddock is forced to choose boxing as the only means to provide what he wants for his family.  As he responded when asked what he is fighting for, he is fighting for milk.  He is good and kind and strong and principled.  He will not condone his son stealing a loaf of bread to eat, but he will box for it because those risking their lives by boxing are adults willing to accept the price.  Russell gives a marvelous performance surrounded by a remarkable team that supports him all the way.  The cinematography is beautiful and appropriate.  The only flaw I found was the jarring effect of too much surrounding volume during the boxing matches.  It was enough to make me counscious of the volume going up, instead of feeling the effects intended of being very much a part of the crowd and at ringside.-bj 


Crash:

After the Movie:  **** I liked "Crash," but you might want to try approaching  it this way.  It is not an in-depth character study of these people, although the deft writing gives you the impression that these people are actual people with very full lives.  What you have instead is a broader representation of a problem and its various parts, causes, and its future if left unaddressed.  The problem is ignorance.  We've spent a lot of time and energy on how people from different ethnic backgrounds are different, but far too little time and energy has been spent on how we are similar.  Therefore, we are ignorant of our great similarities and we tend to fill in our picture with stereotypes.  What we don't know we tend to fear.  Fear manifests itself as anger; anger leads to hate; hate leads to violence. 

Now back to the movie. Writer and Director Paul Haggis gives us characters who are imperfect.  Some are prejudiced or racist, knowingly or unknowingly.  Some make false assumptions based on stereotypes or what they have been taught growing up.  Some of these assumptions lead quickly to fear, anger and attempted murder.  The effects of feeling prolonged stereotypical treatment also tend to deaden normal communication, and bad things happen because normal helpful responses do not occur to clear the air. Some are publicly unprejudiced, but privately, perhaps unconsciously racist. One has only the slightest dawning inkling that she might have been mistaken in one of her assumptions and still has no idea of the enormous pain she has been inflicting on others.  "Crash" was named because in New York City people don't have much personal contact (probably because of the number of people, which causes people to maintain any kind of personal space between them and other people that they can get and because they are always under time pressures that leave them little time to stop or even slow down to talk with others); in fact, one of the only ways left to get this contact is to crash into each other.  Of course "Crash" also refers to the car crash in the film which ties most of the characters together.  This movie is meant to start deeper discussion about the many faces, some broad and others subtle, of prejudice and racism--before we all end up in terrible crashes. The movie implies they are already happening.-bj.

2/17/2006 - After seeing "Crash" once again months later:  What hit home to me this time was that everyone needs everyone else's help to make it through.--bj


March of the Penguins:

After the Movie: ***** Extraordinary!  In my opinion, hands down the best documentary of the year.  And the dedication and effort it took to make this documentary, braving the 60-degree-below temperatures, should be the topic of another documentary as well.  We scheduled a children's movie party to see it (actually a family party because some of the parents came too) and everyone from 3 to 60-and-over loved it.  It left me with the same favorable reaction I had when seeing one of my earliest-viewed documentaries as a young teen (I came before the Sesame Street generation and there were no documentaries to watch on television or at theaters):  The Living Desert--totally swept up and carried away.  One of the teens captured it when she said: "It had everything a good movie should have--I laughed and I cried.  It made me happy and it made me sad."  Morgan Freeman's narration was so necessary to present this story of the life cycle of the penguins.  He had just the right words and tone of voice to reassure us when the penguins faced hard times, and he made us quickly transition to and enjoy the good times.  The cinematography is superb; you won't be able to forget the marching mass of male penguins, rotating in and out of the center to stay alive by sharing the warmth generated in the middle of the pack or the lovely mating rituals of the penguin couple.  The story of the emperor penguins, which delights each child in school once he/she learns about them continues to capture the children's hearts when the children of all ages watch the emperor penguins' story come to life on the screen. (It was also a film that spread like wildfire through word of mouth and didn't depend solely on the media for its success.)  My thanks to everyone involved with the making of this film.--bj



Special Event:

FESTIVAL OF INDIAN CINEMA at SMU

Thursday, March 23 - Sunday, March 26
http://people.smu.edu/iff/


Special Event:

BLACK CINEMATHEQUE DALLAS &
South Dallas Cultural Center
Invite you to
 
10th Annual Black Women’s Film Festival
 

Looking For Mr. Right or Mr. Right Now: Black Women and Relationships

 
New York filmmaker  Jaydee will travel to Dallas to discuss
 her dating rituals and filmmaking
 
One More Try by Jaydee
After years of disappointment, Adrienne, finally finds Mr. Right in JC.  Although destiny brings them together, Kathy (JC’s fiancée) seems to stand in their way, or so they think.

Closure by Jaydee

Jess is an attractive, progressive, normal woman in her 30’s, but her dating experiences have been far from that.  Join her on ten of those "dates from hell’ in this self-affirming, hilarious, urban comedy.
 
Oxtails - by Jacqueline McKinley
"Oxtails” is a comedy about the power of "Roots/Santeria" when added to food. "Roots" are spells put on a man to either trap them into a commitment or punishment. Xavier wants to avoid eating his girlfriend's food due to fear that she will put "roots" on him. While hanging out at the local bar, his friends lend support to his fear or give a more rational view of the myth of "roots." This is a comedy for anyone who believes in love with a little added help. "Oxtails" redefines the old adage, the way to a man's heart is through his stomach
Please bring your personal or  cousin mattie's daddy's peoples  "love spell or potion" to share with those of us who are romantically challenged.

 

When: Friday, March 24, 2006  7:30 PM  $5.00@ the door

Where?Magnolia Lounge
(inside Fair Park, Grand Street entry, between the African American Museum & Old Mill Inn)
 
214-426-1683 or 214-939-2787
 


Special Event:

BLACK CINEMATHEQUE DALLAS &
South Dallas Cultural Center
 
10th Annual Black Women's Film Festival
 
Looking for Mr. Right or Mr. Right Now:
Black Women and Relationships
 
 
Friday, March 17, 2006, 7:30PM@ Erykah Badu’s Black Forest Theater
1920 MLK Blvd, South Dallas, Texas $5.00 at the door
 
Saturday, March 18, 2006, 12:30 Noon @ Emerald City Bar & Grill  2532 MLK Blvd., South Dallas, Texas The Lunching and Loving Special includes lunch and three films, yes 3 films-- $12.00 for cold plate lunch $15.00 for hot lunch.
Reservations required 214-426-1683.
 
Friday, March 24, 2006, 7:30 PM Magnolia Lounge in Fair Park between the African American Museum and the Old Mill Inn. $5.00 at the door
 
 
THE CALL
                                                  It is time to move from rhetoric to reality.  We must work to restore and relearn our African traditions, so we can STOP looking for love in all the wrong places. 
                                                 
 
                                                      We must identify and embrace our traditions that will empower us to receive and give the righteous love that we want and deserve. 
 
                                     Our daughters and sons are looking to us for guidance and wisdom.  We must possess it in order to teach it! 
 
Join us for  ten powerful and sensuous films that tell all of our love stories – self-love, momma love, babydaddylove, community love,
 child love, revolutionary love
and yes looking for love! 
 
Tribute to Ms. Rosa Park and Ms. Coretta Scott-King and
Dr. Endesha Ida Mae Holland
 
Bring eva body -- women, men, youth and elders!!!
 
 For information the public should call 214-426-1683 or 214-939-2787.
 
Black Cinematheque is dedicated to bringing these stories to our community, our children and youth, giving us a mirror, so we can CELEBRATE OUR BEAUTIFUL BOLD SELVES and  see clearly  the full-range of challenges facing Black females in Dallas and in every part of the world.


Louie, Louie: A Portrait in Parkinson's

a film by Cynthia Salzman Mondell

http://www.mediaprojects.org

A poignant story of one man's determination to remain independent, while his family copes with the profound responsibilities associated with caregiving.

Sunday, March 12th at 2pm
Aaron Family Jewish Community Center
7900 Northhaven Road
Dallas, TX 75230
Admission: $5 donation at the door
for information: 214-369-8373

KDFW Fox 4's Rochelle Brown will moderate a panel on the Issues of Caregiving following the screening.

Panelists Include:

  • Richard B. Dewey, MD
    Director, Clinical Center for Movement Disorders,
    The University of Texas
    Southwestern Medical Center of Dallas
  • Sue Reed, LCSW
    Clinical Social Worker, Jewish Family Service
  • Caroline Kay, RN
    Administrator, Professional Caretakers
  • Cynthia Salzman Mondell
    Filmmaker, Media Projects, Inc.
  • Jean M. Jansen, RN, BS
    Professional Relations Manager,
    Visiting Nurse Association of Texas

http://www.dallasairamerica.org/wintersoldier/main.htm

  <>Dallas Air America Radio groups , Code Pink Ft. Worth , FunAsia and KXEB 910 am are pleased to present a very special event on Friday the 20th of January 2006. We will screen the film Winter Soldier and following the 90 minute film we will have a special presentation and discussion led by one of the veterans featured in the film, Scott Camil.   <>

Chronicling the extraordinary Winter Soldier Investigation conducted by Vietnam Veterans Against the War (VVAW) in Detroit during the winter of 1971, Winterfilm Collective shot footage of more than 125 
Vietnam veterans (including a very young John Kerry) that gave eyewitness testimony to war crimes and atrocities they either participated in or witnessed. Virtually unreported by the media, WINTER SOLDIER is the only record of this historic turning point in American history. Shown at the Cannes and Berlin Film Festivals and lauded throughout Europe. Thirty-five years later, the veterans' courage in testifying and their desire to prevent further atrocities and regain their own humanity makes WINTER SOLDIER an unforgettable experience. The recent abuses of prisoners of Abu Ghraib, and in Afghanistan and at Guantanamo have sometimes been reported as unprecedented. The voices of the veterans in Winter Soldier attest that they were not.

Winter Soldier is an amazingly relevant film, not only because it details what American wars of “liberation” actually mean for the people being “liberated,” also because it gives us insight into the experiences of soldiers fighting in Iraq today.

 Scott Camil is described in a recent Washington Post newspaper article-  Camil has become one of the film's most eloquent witnesses regarding the most shameful acts perpetrated on Vietnamese civilians by American forces -- acts that were either tacitly or explicitly considered standard operating procedure -- and the deep costs of those policies to soldiers in general and to him personally.



 
A Special Treat in Store for Children This Weekend:

The 22nd Annual KidFilm Festival at the Dallas Angelika

On January 21 and 22, 2006, the USA Film Festival will present the 22nd annual KidFilm, the oldest and largest children’s film festival in the United States. Film and video are our most accessible art forms (and one of our most valuable teaching/learning tools), and KidFilm gives audiences of all ages an important opportunity to see (and discuss) great films together!

The USA Film Festival invites you to The 22nd Annual Kid Film Festival
Saturday, January 21st & Sunday, January 22nd
at the Angelika Film Center Dallas

Tickets are $3 per program for children and adults ($2.50 for USA Film Festival members and their families). Tickets for all programs are available at the Angelika Film Center upstairs lobby sales table beginning at noon each day for that day’s shows only. For additional information, please call the USA Film Festival at 214.821.FILM.

Films for Kids and Adults of all ages, including:
BAMBI II
A BEAR NAMED WINNIE
WONDER DOGS
BAILEY’S BILLIONS
THE NAKED BROTHERS BAND
RETURN TO FRAGGLE ROCK
AKEELAH AND THE BEE
WILLY WONKA & THE CHOCOLATE FACTORY
An Animation Extravaganza
CURIOUS GEORGE
NANNY MCPHEE
(Angelika Newsletter)

(To get the complete schedule with times, go to usafilmfestival.com and click on the kidfilm icon.-bj)


Opera and the Movies

  
  TDO continues FREE Film and Lecture Series!

A mention of the opera doesn't usually bring movies to mind. But then again, movies and opera are linked (more often than you might think) through the medium of music. The Dallas Opera and Angelika Film Centers invite you to explore that link by attending our very first Film and Lecture Series.

After an entertaining showing of the BBC production of "Flashmob: The Opera," the Film and Lecture Series continues with "Raging Bull," Monday, Oct. 24th at The Shops at Legacy in Plano and Tuesday, Oct. 25th at Mockingbird Station in Dallas. Both showings begin at 7:00 pm. "Raging Bull" features music from Cavalleria rusticana, the first production of the 2005-06 Season at The Dallas Opera.

The Film and Lecture Series also includes: "Moulin Rouge," (Dec. 5 in Plano/Dec. 6 in Dallas at 7:00 pm) which includes Jaques Offenbach's famous "Can-Can". Offenbach is the man behind The Tales of Hoffmann, and this film contains excerpts from several of his delightful operettas.

"Amadeus," (Feb. 6 in Plano/Feb. 7 in Dallas at 7:00 pm) which includes portions of The Magic Flute, just in time to begin the celebration of Mozart's 250th birthday year!

"The Secret Lives of Dentists," (April 17 in Plano/April 18 in Dallas at 7:00 pm), - among the most ruthlessly comic. (Ty Burr, The Boston Globe) movies about the perils of family life, with connections to our 50th Anniversary Season.





E X T R A   T I C K E T S

Special Announcement:  Our members donate their extra tickets to many of the screenings.  If you can't go to a movie screening ticket pickup yourself, you can still check the extra-ticket-to-movie screening listing to see if any extra tickets are still available.

Upcoming movie prescreening ticket pickups are updated by each Friday, but some short notice ticket pickups and screenings do take place during the week, so it pays to check the site frequently to see if anything new has been posted.  Be sure to check out the Prescreenings Section on the site menu before you go if you are doing this for the first time.

Extra tickets still available from ticket pickups are updated on this site by each Sunday for the upcoming screenings we know about.
Email us if you are interested in any of the above prescreening passes at bookies@gte.net.  Use "Movie Prescreening" in the subject line.  You can find more information about these movies at IMDb.com, the International Movie Database.  You do not have to be a member of North Texas Mensa to go to ticket pickups or to ask for tickets.

As of April 17, we have passes for Silent Hill and The Sentinel.  We also have email passes for American Dreams.

As of March 23,  we have free email passes for a prescreening for
Lonesome Jim at 7:30 pm on Tuesday, April 4 at the Angelika Dallas Film Center.  Contact bookies@gte.net for email pass.

As of March 23,  Deep Ellum Film Festival will have a free prescreening at 7:30 pm on
Wednesday, March 29 of The Devil and Daniel Johnston.   Theater location will be provided at time of RSVP.  RSVP to gloria@def2.org

As of March 14, we have passes for She's the Man and Find Me Guilty.  We also have email passes for Joyeux Noel at 7:30 p.m. at the Dallas Angelika on Thursday, March 16, and for Tsotsi, Don't Come Knocking.

As of March 11, we have passes for She's the Man and Find Me Guilty.  Also, note the special announcement above for a screening of Louie, Louie:  A Portrait of Parkinson's on Sunday, March 6.

As of March 3, we have passes for The Shaggy Dog on March 6.  Contact bookies@gte.net.

As of February 21, all passes for Tristram Shandy we had are gone.

As of February 12, we have passes for Eight Below on February 13 and Tristram Shandy on February 22.

As of January 27, we have passes for The World's Fastest Indian.  See below under Screenings for email pass to The 3 Burials of Melquiades Estrada.

As of January 19, we have passes for Annapolis.

As of January 18, we have passes for Annapolis and Looking for Comedy in the Muslim World.

As of January 16, we have passes for Annapolis, Underworld Evolution, and Looking for Comedy in the Muslim World.

As of December 26, we have passes for Match Point on Thursday, December 29 at 7:30 p.m. at the Angelika Dallas.

As of December 18, we have passes for Munich on Monday, December 19 at 7:30 p.m. at the Magnolia.

As of December 17, we have passes for Casanova on Monday, December 19.

As of December 11, we have passes for The Family Stone on Wednesday, December 14.

As of December 4, we have passes available for The Producers on Wednesday, December 7.

As of December 1, we no longer have passes left for Syriana.

As of November  26, we have passes for  Syriana on December 5 and Aeon Flux on December 1.

As of November 8, we have passes for Derailed 11/10.

As of November 6, we have passes for Derailed 11/10, Kiss Kiss Bang Bang 11/8, and Zathura 11/7.

As of October 19, we have passes for "Stay" at Cinemark 17 on October 20, "Prime" at AMC Valler View on October 20, email passes to "Legend of Zorro" at Cinemark Legacy on October 20 and email passes to Raging Bull at the Angelika Plano on October 24 and Angelika Dallas on October 25.

As of October 9, we have passes for "The Prize Winner of Defiance, Ohio" on Monday, 10/10,  "Elizabethtown" on Tuesday, 10/11, and "Good Night, and Good Luck" on Wednesday, 10/12.

As of September 26, we have passes to "Oliver Twist" on Tuesday, 9/27, "Serenity" on Tuesday, 9/27, "Dreamer" on Thursday, 9/29, "Thumbsucker" on Thursday, 9/29.

As of September 23, we have email passes to "In Her Shoes" on September 28.

As of September 23, we have email passes to "Everything is Illuminated," but you must RSVP to the screening email address by Friday, September 23.  (See prescreening email under prescreenings below.)

As of September 19, we have email passes to "Proof" and "In Her Shoes."

As of September 8, we have tickets available for "Just Like Heaven" at 7:30 pm on Tuesday September 13  at AMC Valley View.

As of Sunday, August 14, we have tickets available for the prescreening of The Cave, Asylum, Red Eye, Supercross the Movie, The 40 Year Old Virgin, The Thing About My Folks, and Junebug.


As of Sunday, July 24, we have tickets available for the prescreening of "Stealth" at 7:30 p.m. on July 28 at Loews Keystone Park at the SW corner of Central and Spring Valley.

As of Sunday, July 3, we have tickets available for the prescreening of "Dark Water" from the author of "The Ring," starring Jennifer Connelly at 7:30 p.m. on Tuesday, July 5, at Loews Cityplace in the NE corner of Central (75) and Haskell.

As of Monday, June 6, go to http://www.weddingcrashersmovie.com/janeandlg/ to get a ticket printed for a prescreening of "Wedding Crashers" on Thursday, July 7.


See prescreenings below for details about these movies and also for information about other special events going on this week and in the near future.

Prescreenings and Special Events by Date: (Before going to pick up any tickets or going to a prescreening, please read the information in the Free Screening section of this web page, information like when to really show up.  It's different from the ticket  giveaway time posted).  To find out more about a particular movie, check out IMDb.com, the International Movie Database.


P-R-E-S-C-R-E-E-N-I-N-G-S

If you can't make the pickup time, call the pickup location; they often have tickets even a day or two later.

Monday, June 12
Lake House.
Free prescreening AMC Northpark 15 at 7:30 pm.  Passes may be picked up at Castle Gap Jewelery, 8300 Preston Road Suite 500 (south of Northwest Highway at Wentwood) Friday, June 2 between 11am and 3pm.

Monday, June 5
The Omen.
  Free prescreening at Cinemark 17 at 11:59pm.  Passes may be picked up after 12:00pm on Saturday, May 27 at Puff N Stuff 4815 Columbia Ave. (between Prairie and Fitzhugh) Dallas (214) 827-4500.

Thursday, June 1
An Inconvenient Truth.
  Free prescreening at  the Angelika Film Center in Plano at 7:30 pm.  Pick up passes at Richardson Bike Mart, 1451 W. Campbell Rd.  SE corner of Coit and Campbell on Saturday, May 27 at 1:00pm.

Thursday, May 18
Water. 
Free prescreening at 7:30 pm at The Dallas Museum of Art, Horchow Auditoriun.  Passes may be picked up at Urban Dog Coffee, 2720 Oak Lawn Ave. Dallas (214) 219-5511 on Saturday, May 13 at 2:00 pm.

Wednesday, May 17
Over the Hedge. 
Free prescreening at 7:30 at Tinseltown Plano. Passes may be picked up after 2:00 pm on Saturday, May 13, at COMIC BOOK CRAZE, 3112 N. Jupiter Suite 315 (NE Corner of Jupiter & Beltline) (on Beltline between Subway and CD Warehouse, Garland, TX 75044  (972) 907-8400.  They often have passes after the pickup date, call before going.

Thursday, May 4
The Promise. 
Free prescreening at 7:00pm at the Angelika Film Center, Dallas.  Passes may be picked up at 4:00pm at The Windmill Lounge, 5320 Maple Ave, Dallas (214) 443 7818 at 4:00 pm Saturday, April 29.

Tuesday, April 25
Stick It.
  Free prescreening at 7:30 p.m. at AMC Valley View (Valley View Mall).  Passes may be picked up after 2:00 p.m., Thursday, April 20 at Comic Book Craze, 3112 N. Jupiter Suite 315 (NE Corner of Jupiter & Beltline) (on Beltline between Subway and CD Warehouse, Garland, TX 75044,  (972) 414-8100.

Thursday, April 20
Silent Hill.  Free Prescreening at 8:00pm at Rave Hickory Creek 16 at 8380 S. Stemmons Freeway.  Passes may be picked up at Fast City Cycle, 2717 E. Beltline, Carrollton (corner of Beltline and Ventura) at 12:00 pm Saturday April 15.

Thursday, April 20
The Sentinel.
  Free Prescreening at 7:30 pm at Loews Keystone.  Passes may be picked up after 12:00pm on Saturday, April 15 at Puff N Stuff 4815 Columbia Ave. (between Prairie and Fitzhugh) Dallas (214) 827-4500.

Tuesday, April 18
American Dreamz. 
Free Prescreening at 7:30 pm at the Angelika Dallas.  Trade email for ticket at the ANGELIKA FILM CENTER CAFÉ anytime after 6:00 p.m. on Monday, April 17, 2006. Contact bookies@gte.net for email.

Tuesday, April 4
Lonesome Jim.
Free Prescreening at 7:30 pm at Angelika Dallas.  Contact bookies@gte.net for email pass.

Thursday, March 30
Slither. 
Free Prescreening at 9:00 pm at Loews Keystone.  Passes may be picked up after 12:00pm on Saturday, March 25 at Puff N Stuff 4815 Columbia Ave. (between Prairie and Fitzhugh) Dallas (214) 827-4500.

Wednesday, March 29
Take the Lead. 
Free Prescreening at 7:30 pm at Cinemark Tinseltown Plano. Pick up passes at Dance With Me 2165 W. Park Blvd. (NW corner of Park and Custer) on Friday March 24 between 12 and 10 and on Saturday, March 25 between 12 and 2.

Wednesday, March 29
The Devil and Daniel Johnston
.  Free Prescreening at 7:30 pm by Deep Ellum Film Festival.  Theater location will be provided at time of RSVP.  RSVP to gloria@def2.org

Wednesday, March 29
Brick.
Stop by ZEUS COMICS, 3878 Oaklawn Ave., Suite 1003, (214) 219-TOYS, on Saturday, March 24th after 12 noon to get a complimentary pass to BRICK.  The pass is good for two people, is limited to one per person and you must be 17 or older.  No infants allowed to this screening.  The screening is on Wednesday, March 29th.

Tuesday, March 28
Slither
.
 2viewmovies.com:

You and a guest are invited to a

SPECIAL SCREENING of

"SLITHER"

at 7:30 PM on TUESDAY, MARCH 28, 2006 at

LOEWS (AMC) CITYPLACE

2600 Haskell Ave (at Central EXPY).

 

You may pick up ONE pass (good for two)

( Since it is R rated, no children will be given a pass. )

on Saturday, March 25th

"AFTER 2:00 PM"

at COMIC BOOK CRAZE

3112 N. Jupiter, Suite #315
Garland, TX 75044

(972)-414-8100



Thursday, March 16
She's the Man.
A modern interpretation of Shakespeare's "Twelfth Night." Very funny. NightFree Prescreening at 7:30 pm at Loews/AMC Cityplace.  Passes may be picked up after 2:00 pm on Friday, March 10, at COMIC BOOK CRAZE, 3112 N. Jupiter Suite 315 (NE Corner of Jupiter & Beltline) (on Beltline between Subway and CD Warehouse, Garland, TX 75044  (972) 907-8400.  They often have passes after the pickup date, call before going.  Also passes may be picked up at Pokey O's, 3034 Mockingbird on Saturday, March 11 between 2 and 4 pm.

Thursday, March 16
Find Me Guilty.
A Sidney Lumet film starring Vin Diesel. Need we say more.  Free Prescreening at 7:30 pm at Loews Keystone.  Pick up passes at Urban Dog Coffee, 2720 Oak Lawn Ave. (214) 219-5511 on Saturday, March 11 between 2 and 4 pm.

Wednesday, March 15
The Zodiac. 
Free Prescreening at 7:30 pm at Loews Keystone.  Pick up passes at Hollywood 5&10, 3621 Parry Ave.  (214) 827-1680 on Saturday, March 11 between 3 and 5 pm.   Update:  Tickets were still available Monday afternoon.  They have variable hours.

Tuesday, March 14
Tsotsi.  (Winner of the 20006 Academy Award for Best Foreign Film.)  Free Prescreening at 7:30 p.m.at the Angelika Film Center and Café - PLANO 7205 Bishop Road, Suite E6 Plano, TX 75024.  For email pass, contact bookies@gte.net.

Monday, March 13
V For Vendetta. 
Free Prescreening at 7:30 pm at Cinemark Tinseltown Plano.  Passes may be picked up after 12:00pm on Saturday, March 11 at Puff N Stuff 4815 Columbia Ave. (between Prairie and Fitzhugh) Dallas (214) 827-4500.

Tuesday, March 7
Failure to Launch. 
Free Prescreening. Passes may be picked up at Zeus Comics Turtle Creek Village, 3878 Oaklawn Ave, Suite 100E
Dallas, TX 75219  (214) 219-TOYS.  February 23rd:  All passes at Zeus are gone.  Go to herorealm.com and select hrEvents for more information about the movie.

Monday, March 6
The Shaggy Dog. 
Free Prescreening at 7:30 pm at AMC Valley View.  Passes may be picked up after 1:00 pm on Friday, March 3, at COMIC BOOK CRAZE, 3112 N. Jupiter Suite 315 (NE Corner of Jupiter & Beltline) (on Beltline between Subway and CD Warehouse, Garland, TX 75044  (972) 907-8400.  They often have passes after the pickup date, call before going.

Wednesday, February 28
Night Watch. 
Free Prescreening passes available from noon on Tuesday, February 21 at Titan Comics 3701 W. Northwest Highway  (at  Marsh Ln, NW corner) Suite 125 Dallas, TX 75220  (214) 350-4420.  Call for time and location of screening.  Go to herorealm.com and select hrEvents for more information about the movie. They often have passes after the pickup date, call before going.

After the Movie:  **** Review coming.

Wednesday, February 22
Tristram Shandy: A Cock and Bull Story. 
Free Prescreening at 7:00 pm (NOTE: early time) at Dallas Angelika.  Passes may be picked up at Zeus Comics Turtle Creek Village, 3878 Oaklawn Ave, Suite 100E Dallas, TX 75219  (214) 219-TOYS.  They still had passes at 7:30 pm on Saturday, February 11.

After the Movie:  **** Review coming.

Monday, February 13
Eight Below. 
Free Prescreening. Passes may be picked up at Zeus Comics Turtle Creek Village, 3878 Oaklawn Ave, Suite 100E
Dallas, TX 75219  (214) 219-TOYS.  They still had passes at noon on Friday, February 10.

See review on February 1's listing.

Tuesday, February 7
Rising from the Rails. 

Please join Black Cinematheque Dallas in supporting this locally produced film.

After the Movie:  **** Review coming.

Thursday, February 2
When a Stranger Calls.
  Free Prescreening at 7:30 PM at Cinemark 17.  Passes may be picked up after 12:00pm on Saturday, January 28 at Puff N Stuff 4815 Columbia Ave. (between Prairie and Fitzhugh) Dallas (214) 827-4500.

Wednesday, February 1
Eight Below.
  (Disney film) Free Prescreening at 7:30 PM at Cinemark 17.  Passes may be picked up after 1:00 pm on Friday, January 27, at COMIC BOOK CRAZE, 3112 N. Jupiter Suite 315 (NE Corner of Jupiter & Beltline) (on Beltline between Subway and CD Warehouse, Garland, TX 75044)  (972) 907-8400. 

After the Movie:  ***1/2  (**** if you're a kid) Review coming soon.

Tuesday, January 31
The 3 Burials of Melquiades Estrada.  Free Prescreening at the Plano Angelika Film Center, which is located at The Shops at Legacy 7205 Bishop Road  Plano, TX 75024.  Email passes are available at http://www.wrr101.com/movies.shtml

Tuesday, January 31
The World's Fastest Indian.
  (Stars Anthony Hopkins and Diane Ladd.) Free Screening passes available from noon on Tuesday, January 24 atTitan Comics 3701 W. Northwest Highway  (at  Marsh Ln, NW corner) Suite 125 Dallas, TX 75220  (214) 350-4420.  Call for time and location of screening.  Go to herorealm.com and select hrEvents for more information about the movie.

Monday, January 23
Annapolis.  Free Screening at 7:30pm at AMC Valley View.  Passes may be picked up after 1:00 pm on Friday, December 13, at COMIC BOOK CRAZE, 3112 N. Jupiter Suite 315 (NE Corner of Jupiter & Beltline) (on Beltline between Subway and CD Warehouse, Garland, TX 75044  (972) 907-8400. 

Thursday, January 19
Underworld Evolution. 
Free Screening at 7:30 pm at Loews Keystone.  Pick up passes at Hollywood 5 and 10 3621 Parry Ave. Exposition Park (between 1st and Exposition across from Fair Park) (214) 827-1680 at 2:00pm on Saturday, January 14. (A few still available on January 18.)

After the Movie:  ****  Review coming.

Wednesday, January 18
Looking for Comedy in the Muslim World. 
Free Prescreening at 7:00 pm at the Angelika on Mockingbird.  Passes can be picked up after 12:00pm on Saturday, January 14 at Puff N Stuff 4815 Columbia Ave. (between Prairie and Fitzhugh) Dallas (214) 827-4500.  (A few still available on January 18.)

After the Movie:  ***  Review coming.

Wednesday, January 4
Glory Road. 
Free Screening at 7:30 pm at the Studio Movie Grill in Dallas on Beltline.  Passes may be picked up after 1:00 pm on Tuesday, December 3, at COMIC BOOK CRAZE, 3112 N. Jupiter Suite 315 (NE Corner of Jupiter & Beltline) (on Beltline between Subway and CD Warehouse, Garland, TX 75044  (972) 907-8400.  Sorry for the short notice, but we just got this information for the movie tomorrow.  Sometimes the passes are available a day or two later at the pickup site; it never hurts to give them a call to see if they have any left.  Comic Book Craze opens at 12 during the week and will close today and tomorrow at 6 pm.  Go to IMDB.com for everthing you might want to know up front about movies (search by title). IMDB says for the plot:  In 1966, Texas Western coach Don Haskins led the first all-black starting line-up for a college basketball team to the NCAA national championship.  (I think someone told me that it's by the same people who did Remember the Titans.)

After the Movie:  ****  Review coming.

Thursday, December 29
Match Point. 
Free Prescreening at 7:30 pm at the Angelika on Mockingbird.  Passes can be picked up after 1:00 PM on Friday, December 23, at COMIC BOOK CRAZE, 3112 N. Jupiter Suite 315 (NE Corner of Jupiter & Beltline) (on Beltline between Subway and CD Warehouse, Garland, TX 75044  (972) 907-8400.  (Hint: If after the pickup time, give them a call to see if any passes are left.)

After the Movie:  ***

Tuesday, December 20
The Producers. 
Free Prescreening at 7:30 pm at Loews Keystone.  Pick up passes at The Palm Restaurant, 701 Ross Ave. Dallas 75202 (214) 698-0470 (NE corner of Ross and Market)  on Monday, December 19 from 11:00 am - 10 pm and on Tuesday, December 20 from 11 am - 5 pm.  (I would call to see if they still had tickets left if you are going after Monday at 11:00 am.)

Monday, December 19
Casanova. 
Free Prescreening at 7:30 pm at Loews Cityplace.  Pick up passes at Sugarless Delite, 1389 W. Campbell Rd (SE corner of Coit and Campbell) Richardson  (972) 644-2000 on Saturday, December 17 at 10:00 am.

Monday, December 19
The Ringer.  Free Prescreening at 7:30 pm at Loews Keystone.  Pick up passes at White Rock Coffee, 10105 E Northwest Hwy (west of Easton between Thurgood and Golden) (214) 341-4774 on Saturday December 17 at 3:00 pm.

Wednesday, December 14
The Family Stone. 
Free Prescreening at 7:30 pm at Loews Keystone.  Pick up passes at Ella Bleu 3000 Blackburn St.Ste 130, Dallas (between Central and McKinney on north side of street) (214) 559-2322 on Saturday, December 10 at 1:00pm.

Tuesday, December 6
THE CHRONICLES OF NARNIA, The Lion, The Witch, and The Wardrobe.
  Free Prescreening  at 7:30 PM at the Cinemark 17.  Passes can be picked up after 1:00 PM nn Friday, December 2, 2005 at: COMIC BOOK CRAZE, 3112 N. Jupiter Suite 315 (NE Corner of Jupiter & Beltline) Garland, TX 75044  (972) 907-8400.

After the Movie:  **** See review at top of home page.

Monday, December 5
Syriana. 
Free Prescreening at 7:30 pm at Cinemark Tinseltown, Plano.  Pick up passes at Skylight Wireless 6205 Coit Road, (north of Spring Creek) Plano, (972) 867-7600 at 12:00 noon Saturday, November 26.

After the Movie:  ****  Review coming.

Thursday, December 1
Aeon Flux. 
Free Prescreening at 10:00 pm at Cinemark 17.  Pick up passes on Friday, November 25 at 12:00 noon at Zeus Comics, Turtle Creek Village, 3878 Oaklawn Ave, Suite 100E Dallas, TX 75219 (between Blackburn and Irving Ave.), phone (214) 219-TOYSAlso, pickup free passes at Titan Comics, 3701 W. NW Highway ( at Marsh Ln.) on Saturday, November 26 at 12:00  noon.  You must bring the picture of the EYE on page 44 of the Nov 24 Dallas Observer to trade for a pass at Titan.

After the Movie:  ***

Tuesday, November 29
First Descent. 
Free Prescreening at 7:30 pm at Loews Keystone.  Pick up passes at Doug and Lynda's Ski Shop 227 E. Louisiana, (at Tennessee St, east of Hwy 75) in McKinney, phone (972) 562-5743), after 10:00 am  on Saturday, November 26.

Thursday, November 17
The Producers. 
Free Prescreening at 7:30 pm at the Angelika on Mockingbird. Exchange email for pass at the Angelika Café anytime after 6:00
pm Monday, November 14th.  Contact bookies@gte.net for email to exchange.

Thursday, November 17
Walk The Line. 
Free Prescreening at 7:30 PM at Loews Cityplace.  Pass pickup is Saturday, November 12 at 1:00 PM at Quik Drop,
7517 Campbell Road, Suite 602, (west of Coit) Dallas 75248, phone (972)818-7845

After the Movie:  ***1/2.  Review coming.

Tuesday, November 15
Bee Season.  Free Prescreening at 7:30 PM at the Inwood.  Pass pickup is Saturday, November 12 at 2:00 PM at Windmill Lounge,
5320 Maple Avenue, (between Inwood anf Motor St.) Dallas 75235, phone (214)443-7818.

Thursday, November 10
Derailed.
  Free Prescreening at 7:30 pm at AMC Valley View.  Pick up passes at Eurasia Thai and Asian Cuisine, 5635 Alpha Rd. between Montfort and Preston (972)  960-1313 on Saturday, November 5 at 12:00 pm.

Tuesday, November 8
Kiss Kiss Bang Bang
.  Free Prescreening at 7:30 pm at Loews Keystone.  Pick up passes at Orbit Drop, 2410 McKinney Ave. between Maple and Fairmount (214) 220-2828 on Saturday, November 5 at 12:00 pm.

After the Movie:  ****

Monday,  November 7
Get Rich or Die Trying.
  Free Prescreening at Loews Keystone.  Pick up passes at Skylight Wireless 6205 Coit Rd, Plano north of Spring Creek Pkwy. (972) 867-7600  on Saturday November 7 at 12:00 pm.

Monday, November 7
Zathura. 
Free Prescreening at 7:00 pm at Loews Keystone.  For email pass, contact bookies@gte.net.

Tuesday, November 1

Shopgirl.  Free Prescreening at 7:30 PM at Lowes Cityplace.  Pass pickup is Saturday, October 29 at 2:00 PM at Gachet Coffee Lounge, 1804 Lower Greenville Ave., Dallas 75206, phone (214) 887-8095.

For more information about this film, go to its IMDb page.

Thursday, October 20
Stay. Free Prescreening at 7:30 PM at Cinemark 17. Pass pickup is Sunday, October 16 at 1:00 PM at Murray Street Coffee Shop, 103 Murray Street, Dallas 75226, phone (214) 655-2808

Tuesday, October 18
Dreamer. Free Prescreening at 7:30 PM at Studio Movie Grill. Pass pickup is Saturday, October 15 at 1:30 PM at Zuzu's, 4140 Abram's Road at Mockingbird Lane, Dallas 75214, phone (214) 828-2231

Tuesday, October 18
Doom.
Free Prescreening at 7:30 PM at Loews Keystone. Pass pickup is at Saturday, October 15 at 12:00 noon at Game Wyze, 3825 Spring Creek, Plano 75023, phone (972) 612-4133 and at Zeus Comics, Turtle Creek Village,  3878 Oaklawn Ave, Suite 100E,  Dallas, TX 75219.

Wednesday, October 12
Good Night, and Good Luck.
  Free Prescreening at 7:30 PM at the Magnolia.  Pass pickup is Friday, October 7 at 2:00 PM at Metropolitan Cafe, 2030 Main Street (between Harwood and Pearl), Dallas 75201, phone (214) 741-2233.

After the Movie:  ****

Tuesday, October 11
Elizabethtown.
  Free Prescreening at 7:30 PM at Cinemark 17.  Pass pickup is Friday, October 7 at 1:00 PM at Camille's Sidewalk Cafe, 1700 Pacific Avenue at Ervay #C101, Dallas 75201, phone (214) 855-0727.

After the Movie:  ****

Monday, October 10
The Prize Winner of Defiance, Ohio.
  Free Prescreening at 7:30 PM at the Dallas Angelika.  Pass pickup is Saturday, October 8 at 12:00 noon at Sugarless DeLite,1389 W. Campbell Road east of Coit, Richardson 75080, phone (972) 644-2000.

Thursday, October 6
Innocent Voices. 
Free Pree Screening at 7:30 pm at the Angelika Plano.  Pick up passes at Lady of America Plano, 4020 Hedgcoxe Road Suite 700, west of Coit Rd.  (972) 312-1482 on Saturday, October 1 between 11:00am and 1:00pm.

After the Movie:  **** Review coming.

Thursday, October 6
Everything is Illuminated. 
Free Preescreening  7:30 pm at Angelika on Mockingbird.  Pickup passes at the Windmill Lounge, 5320 Maple Ave.  (214) 443-7818

After the Movie:  ****  See September 27.

Wednesday, October 5
Domino. 
Free Prescreening at 7:30 at Loews Cityplace.  Pick up passes at Joe Willy's, 7033 Greenville Ave at Park Ln. (214) 691-8930 on Saturday October 1 from 2:00 to 4 pm.

Tuesday, October 4
Waiting. 
Free Prescreening at 7:30pm at AMC Valley View.  Pick up pass at Scott Discount Liquor, 969 Lamar St north of I30 on Saturday, October 1, at 12:00 pm.

Tuesday. October 4
Two For The Money. 
Free Prescreening at 8:00 pm at Loews Keystone.  Pick up passes at Page Call Wireless , 1433 S. Beltline Rd.  (972) 288-3708 on Saturday October 1 at 12:00pm.

Tuesday, October 4
The Curse of the Were-Rabbit. 
Free Preescreening at 7:30 pm at Loews Cityplace.  Pick up passes at Tart, Inc. at 5219 W. Lovers Lane Suite B just west of Inwood on Saturday October 1 from 10:30 am to 12:30 pm.

After the Movie:  **** Review coming.

Thursday, September 29
Dreamer.
  Free Prescreening at 7:30pm at AMC Valley View.  For email pass contact bookies@gte.net.

Thursday, September 29
Thumbsucker. 
Free Prescreening at 7:30 at Angelika Plano.  For email pass contact bookies@gte.net.

Wednesday, September 28
In Her Shoes. 
Free Prescreening at 7:30 at Cinemark 17 at Webb Chapel and LBJ.  For email pass contact bookies@gte.net.
by Friday, September 23.

Tuesday, September 27
SERENITY. 
Free Prescreening at 7:30 at Loews Keystone.  Stop by ZEUS COMICS at Turtle Creek Village 3878 Oaklawn Ave, Suite 100E Dallas, TX 75219  (between Blackburn and Irving Ave.)  (214) 219-TOYS on Saturday, September 24th after 12 noon to get a complimentary pass.

History and Review by Brigette Anderson

Here's how it was...

In the fall of 2002, Fox Network introduced Firefly, an offbeat series by Joss Whedon, the creator of the cult hits Buffy the Vampire Slayer and Angel.  It combined two seemingly disparate genres: western and science fiction.  It is set 500 years in the future after the human race has left Earth because it "got used up" and moved to a new star system.  In the wake of a massive civil war which pitted the Independents against the central Alliance, it centers on the adventures of a ragtag group of people (many of whom fought on the losing Independent side of the war) living aboard a ship called Serenity. 

The series was presented to the public in a way that, I can only assume, was designed to see it fail.  It was placed at 8/7 central on Friday (known as the "slot of death" to TV insiders).  The original pilot, which sets up the characters and introduces the world, was not shown first (it was actually shown last).  The episodes of this heavily serial show were shown out of order. The show was frequently preempted by sporting events.  They were given almost no advertising.  

Not too surprisingly, Firefly was cancelled in December of 2002 after only 11of the 14 episodes had been aired.  Normally, that would be the end of the story.   Each season, cancelled TV shows go away and are never heard from again.  But something kind of wonderful happened with Firefly.  The people who DID watch it (among whom I proudly count myself a member), fell in love with it.  They didn't want to let it go.  Fans joined together and even purchased an ad in Variety, begging Fox for the life of the show. 

The executives at Fox chose to ignore the pleas.  Fortunately, Joss Whedon was among those who did not want to let the show go.  He threw his soul into an effort to save Firefly, shopping it to other networks only to be rejected.  Finally, toward the end of 2003 after constant urging from fans (who had taken to calling themselves "Browncoats" after the Independents who remain defiant even in the face of defeat), Fox decided to release a DVD box set, which included the three unseen episodes. 

Fan response to the set was immediate and dramatic.  Sales SOARED, prompting some executives at Universal Pictures to take a look at Fox's abandoned property.   Eventually, this led to Universal signing a deal to llicense Firefly for a feature motion picture to be written and directed by Joss Whedon.  Thus was born Serenity (opening nationwide on September 30th)!

The review:

In Serenity, Joss Whedon has created a sci-fi tour de force.  It is a truly marvelous movie; one that reminds you what science fiction filmmaking can and should be.   It combines comedy, drama, action, and emotion into a seamless whole that pulls you into another world that feels real and leaves you wanting more.  It is a brilliant testament to the power of fandom and a two-hour emotional roller-coaster ride with few equals.

I freely admit, I am a fan of Firefly, but I've talked to folks who were unfamiliar or only passingly familiar with the series who saw screenings and they "got it" too. I think that's really the key here, do you "GET IT". If you do, you can see the brilliance that Joss and the cast have created. If not, you'll probably find something to whine about. But isn't that true of so very many truly brilliant pieces of art.

The acting in this movie is absolutely superb. Watching, you get a real sense of the tight knit nature of the cast. These people genuinely like working together. They like the characters they portray have formed a sort of family. And speaking of the characters, every character comes through as a complex human being who makes both good and bad decisions which affect their own lives as well as the lives of those around them. These are NOT cardboard cutouts that simply move against a beautiful backdrop. They have a reality... a history about them that gives them a weight that transcends most films.

In summation, this is an exceptional piece of filmmaking, a worthy big screen debut for Joss, and a new life for a series which should have had a long and fruitful television run. My rating, an unreserved and whole hearted 10/10.

Tuesday, September 27
Everything is Illuminated. 
Free Prescreening at 7:30 pm at Angelika on Mockingbird. For email pass contact bookies@gte.net. Read email pass carefully as you must RSVP to address shown by Friday, September 23.

After the Movie:  ****

Tuesday, September 27
Oliver Twist. 
Free Prescreening at Angelika on Mockingbird. Pick up a pass at the Angelika on Friday, September 23 in exchange for a
canned food donation for The Tarrant Area Food Bank.

Monday, September 26
Green Street Hooligans.
  Free Prescreening at 7:30 pm at Loews Cityplace.  Passes are available ar Goodfella's Pizza, 3010 Gaston Ave. (between Oak and Hall) (214)828-9448 on Saturday, September 24 at 2:00 pm.

Tuesday September 20
Proof.
Free Prescreening at 7:30 at Angelika on Mockingbird. For email pass contact bookies@gte.net. Read email carefully, you must RSVP to address shown.
 
After the Movie:  **** Review coming.

Tuesday, September 13
Just Like Heaven. 
Free Prescreening.  at 7:30 pm at AMC Valley View.  Pick up passes at Noon Tuesday, September 6 at Comic Book Craze, 3112 N.Jupiter RD Suite #315, Garland, TX 75044, (972) 414-8100.

Monday, September 12
A Streetcar Named Desire. 
The Angelika Film Center of Dallas is proud to present a screening of the classic 1951 film  to benefit the American Red Cross Hurricane Katrina relief efforts. A $10 (per person) minimum donation to the American Red Cross is required for admission. 100% of ticket proceeds will go to the American Red Cross for hurricane relief.

"A Streetcar Named Desire" is the story of Blanche DuBois, a fragile and faded Southern Belle on a desperate prowl for someplace in the world to call her own. Considered shocking and controversial in its day, the film won four Oscars including Best Actress (Vivien Leigh) and Best Supporting Actor and Actress (Karl Malden and Kim Hunter).

The film has become a classic and is included on the American Film Institute’s list of 100 Greatest American Films.

Thursday, September 8, 2005
TWO FOR THE MONEY
.  Free Prescreening at the Magnolia.  Tickets available at the Magnolia box office anytime after 12 noon on Tuesday, September 6th, 2005. Bring this email and exchange for a ticket (admit two) while supplies last. Tickets limited and are first-come, first served.  Request email to exchange  for pass from bookies@gte.net.

Thursday, September 1
The Dreamer.
Free preescreening at 7:30pm at the Cinemark 17 (635 and Webb Chapel).  For email pass, contact bookies@gte.net.

Kurt Russell ("Miracle," upcoming "Sky High"), Dakota Fanning ("War of the Worlds," "Man on Fire") and Kris Kristofferson ("Lone Star") star in a drama about a father who, for the love of his daughter, sacrifices almost everything to save the life of an injured racehorse and bring the promising filly back to her former glory.

Ben Crane (Kurt Russell) was once a great horseman, whose gifts as a trainer were now being wasted on making other men’s fortunes. Soñador—called Sonya—was a great horse whose promising future on the racetrack was suddenly cut short by a career-ending broken leg. Considered as good as dead to her owner, who also happens to be Ben’s boss, Sonya is given to Ben as severance pay, along with his walking papers. Now, it will take the unwavering faith and determination of Ben’s young daughter, Cale (Dakota Fanning), to bring these two damaged souls together in a quest for a seemingly impossible goal: to win the Breeders’ Cup Classic.

Kristofferson stars as Ben Crane’s father whose strained relationship with his son is bridged by their mutual hopes for Sonya. The main cast also includes Oscar® nominee Elisabeth Shue ("Leaving Las Vegas"), David Morse ("The Green Mile"), Freddy Rodriguez (HBO’s "Six Feet Under"), Luis Guzmán ("Traffic") and Oded Fehr ("The Mummy").


Thursday, September 1
The Baxter. 
Free Prescreening at the L:andmark Magnolia at 7:30 pm.  For email pass, contact bookies@gte.net.
Starring:
Michael Showalter, Elizabeth Banks, Michelle Williams, Peter Dinklage, Justin
Theroux, Michael Ian Black and Paul Rudd

Synopsis:
What's a "Baxter?" According to Elliott Sherman's grandmother, a "Baxter" is a
guy who never gets the girl. And Elliott certainly qualifies. An obsessive-
compulsive accountant prone to wrong moves, Elliot could very well miss out on
his perfect match as he pursues the blonde bombshell who will never love him
but who just might marry him.

Tuesday, August 30
The Greatest Game Ever Played
.  Free Prescreening AMC Valley View.  For email pass, contact bookies@gte.net.

Thursday, August 25
The Brothers Grimm. 
Free Prescreening at the Prestonwood Studio Movie Grill..  Pass pickup is Saturday, August 20th at 10:00am at Lone Star Comics, 511 E. Abrams at Mockingbird (NE corner) (next to Card & Party Factory), (214)-823-0934.

Wednesday, August 24
The Cave.
  Free Prescreening at Loews Keystone Park.  A new pass pickup will be on Saturday, August 20th at Larry Morgan Music at 510 S. Garland Ave near Forest Ln. (SE corner).  Previous pass pickup was Saturday, August 13th after 12 noon at TITAN COMICS 3701 W. Northwest Highway (at Marsh Lane, NW corner, Suite 125, Dallas, TX 75220, (214) 350-4420..

Wednesday, August 17
Asylum.
Free Prescreening at 7:30 PM at the Magnolia.  Pass pickup is Saturday, August 13 at 12:00 noon at Fat Ted's Bar & Grill, 2713 Commerce Street (and Clodus) in Deep Ellum, Dallas 75226, phone (214) 747-8337.

After the Movie:  **** Review coming.

Wednesday, August 17
Red Eye. Free Prescreening at 11:59 PM at the Prestonwood Studio Movie Grill.  Pass pickup is Saturday, August 13 at 3:00 PM at Buffalo Exchange, 3424 Greenville Avenue, (at McCommas), Dallas 75206, phone (214) 826-7544.

Tuesday, August 16
Supercross The Movie
. Free Prescreening at 7:30 PM at the Prestonwood Studio Movie Grill.  Pass pickup is Saturday, August 13 at 12:00 noon at Al Lamb's Dallas Honda, 9250 LBJ Freeway (on feeder, east of Greenville exit), Dallas 75243, phone (972) 238-7148.

Tuesday, August 16
The 40 Year-Old Virgin.
Free Prescreening at 7:30 PM at Loews Cityplace.  Pass pickup is on Saturday, August 13 at 2:00 PM at Hold Fast Tattoo, 2919 Greenville Avenue (actually Goodwin & Vanderbuilt), Dallas 75206, phone (214) 887-1471.

Thursday, April 11
THE EDUKATORS.
SPECIAL ADVANCE SCREENING. at 7:00pm at Angelika Film Center Dallas, Mockingbird Station, 5321 E. Mockingbird Lane.  Contact bookies@gte.net for email pass.

Monday, August 8
Grizzly Man.
Free prescreening at 7:30 PM at the Magnolia.  Pass pickup is Saturday, August 6 at 12:00 noon at Jamba Juice, 5923
Greenville Avenue, on the west side of street directly north of Lovers Lane, Dallas 75206, phone (214) 363-6461.

A devastating and heart-wrenching take on grizzly bear activists Timothy Treadwell and Amie Huguenard, who were killed in October of 2003 while living among grizzlies in Alaska

From Eye Weekly
GRIZZLY MAN

Dir Werner Herzog. 100 min. Apr 23, 1:30pm; Apr 29, 7pm. Bloor Cinema.

An examination of the life and death of Timothy Treadwell, the self-styled defender of Alaska's grizzly bears, Herzog's latest bundles together the director's favourite themes -- obsessive behaviour, the camera's ability to capture accidental moments of beauty and revelation, and mankind's contentious relationship with the natural world -- to staggering effect. Besides interviews and stentorian narration by Herzog, Grizzly Man consists of excerpts from the 100 hours of footage Treadwell collected in the five summers before one of his beloved bears killed him and his girlfriend Amie Huguenard in 2003. What emerges is an indelible portrait of a damaged man who refused to see the dangers in a place that gave him so much solace. JA



Sundance Film Festival
Year Result Award Category/Recipient(s)
2005 Won Alfred P. Sloan Feature Film Prize
Werner Herzog (director)

Nominated Grand Jury Prize World Cinema - Documentary
Werner Herzog

 

After the Movie:  **** Review coming.

Thurday, August 4
Red Eye. 
Free Prescreening at 7:30 pm at Cinemark 17, 11819 Webb Chapel, Dallas.  Contact bookies@gte.net for free email pass.

Wednesday. August 3
Broken Flowers.
Free Prescreening at 7:30 pm at the Magnolia Theater at the corner of Lemmon and Cole in Dallas.  Pass pickup is on Saturday, June 30 at 11:00 am at Taco Del Mar in the West End at 1001 Ross Ave. #124, Dallas. (near Ross and Griffin)

Tuesday, August 2
My Date With Drew. 
Free Prescreening at 7:30 pm at Cinemark 17.  Pass pickup is on Saturday, July 30 at 1:00 pm at Hooter's at 5005 Beltline in Addison. (near corner of Beltline and Quorum)

Monday, August 1
The Chumscrubber. 
Free Prescreening at 7:30 pm the Magnolia Theater at the corner of Lemmon and Cole in Dallas. Pass pickup is on Saturday, July 30 at 12:00 noon at Canine Commissary at 3614 Greenville, Dallas. (corner of Greenville and Martel)

Thursday, July 28
Stealth.   Free prescreening at 7:30 p.m. at Loews Keystone (SW corner of Central (75) and Spring Valley.  Pass pickup at noon on Saturday, July 23, at Lone Star Comics, 511 E. Abrams at Mockingbird (NE corner) (next to Card & Party Factory), (214)-823-0934.

For more information about this film, go to its IMDb page.

After the Movie:  ***

Wednesday, July 20
The Island. 
Free Screening at 7:30 pm at Loews Keystone.  Four passes available.  Contact bookies@gte.net

For more information about this film, go to its IMDb page.

Tuesday, July 19
Murderball.
Free Screening at 7:30 pm at the Angelika Film Center on Mockingbird.  See June 3 review.   Mark Zupan will be interviewed on KERA radio today (July 19) at noon, and he will be in attendance for a Q&A after the screening.  Three passes available, contact bookies@gte.net.

After the Movie:  ****See our review after the Friday, June 3rd screening.


Tuesday, July 13
The Island.
Free Screening  Stop by Titan Comics 3701 W. Northwest Highway (at Marsh Ln, NW corner) Suite 125 Dallas, TX 75220  214.350.4420 on Wednesday, July 6th after 12 noon to get a free pass

Monday, July 11
Wedding Crashers.  Free Screening.   Pass pickup is Tuesday, July 5th after 12 noon at Zeus Comics, Turtle Creek Village, 3878 Oaklawn Ave, Suite 100E, Dallas, TX  75219, 214.219.TOYS.  The pass is good for two people and is limited to one per person.  As of 11:31 a.m., Tuesday, July 6 tickest were still available.  Be sure to call before going.

Thursday, July 7
Fantastic Four.  Free Screening at 7:30 PM at UA Galaxy.  Pass pickup is Saturday, July 2 at 12:00 noon at Lone Star Comics, 6465 East
Mockingbird Lane, near Card & Party Factory, Dallas 75214, phone (214) 823-0934 and at Zeus Comics, Turtle Creek Village, 3878 Oaklawn Ave, Suite 100E, Dallas, TX  75219.  Tickets still available at Zeus Comics Turtle Creek Village 3878 Oaklawn Ave,  Suite 100E Dallas, TX  75219,  214.219.TOYS (call before going).

After the Movie: **** Review coming.

Thursday, July 7
Wedding Crashers. 
Free screening at 7:00 p.m. at the Cinemark 17 at Josey and Forest, just south of LBJ. Go to http://www.weddingcrashersmovie.com/janeandlg/ to get a ticket printed.  Rated R.

For more information about this film, go to its IMDb page.

Tuesday, July 5
Dark Water
. Free Screening at 7:30 PM at Loews Cityplace.  Pass pickup on  Saturday, July 2 at 5:30 PM at Home Bar, 5627 Dyer Street,
Dallas 75206, and pass pickup on Tuesday June 28 at noon at The Comic Asylum, 4750 N. Jupiter Rd. Suite 112, Garland, TX  75044 (972) 414-7760.

After the Movie:  ***1/2.  Review coming.

Thursday, June 30
You and Me and Everyone We Know. 
Free screening at 7:30 p.m. at the Angelika Film Center Dallas in Mockingbird Station in the northeast corner of Central (75) and Mockingbird Lane. Rated R.  Email us for a pass.  See screening on June 23 for description.

After the Movie:  ****

Tuesday, June 28
March of the Penguins.
Free Screening at 7:00 PM at the Magnolia. The movie website address is www.marchofthepenguins.com. The pass pickup, while supplies last, begins Saturday, June 25 at 11:00 AM at Sugarless DeLite, 1389 W. Campbell Road, Richardson 75080, phone (972)644-2000.

Amazing, beautiful looking film, 14 June 2005

Author: Jeff Beachnau (beachna9@msu.edu) from Bridgman, Michigan

For more information about this film, go to its IMDb page.

After the movie:  ***** Extraordinary!  Review coming.

Thursday, June 23
You and Me and Everyone We Know. 
Free screening at 7:30 p.m. at the Angelika Film Center Dallas in Mockingbird Station in the northeast corner of Central (75) and Mockingbird Lane. Rated R.  Email us for a pass.
Me and You and Everyone We Know is a poetic and penetrating observation of how people struggle to connect with one another in an isolating and contemporary world.  Christine Jesperson is a lonely artist and "Eldercab" driver who uses her fantastical artistic visions to draw her aspirations and objects of desire closer to her.  Richard Swersey (John Hawkes), a newly single shoe salesman and father of two boys, is prepared for amazing things to happen. But when he meets the captivating Christine, he panics. Life is not so oblique for Richard's seven-year-old Robby, who is having a risquÈ internet romance with a stranger, and his fourteen-year-old brother Peter who becomes the guinea pig for neighborhood girls--practicing for their future of romance and marriage.

In July's modern world, the mundane is transcendent and everyday people become radiant characters who speak their innermost thoughts, act on secret impulses, and experience truthful human moments that at times approach the surreal. They seek togetherness through tortured routes and find redemption in small moments that connect them to someone else on earth. --from Angelika Newsletter

After the Movie: **** Review coming.

Thursday, June 16
Bewitched.
The Addison Studio Movie Grill is pleased to offer a limited number of passes to a Special Girls' Night Out with Julie from the New Morning Mix featuring "Bewitched" at 7:30 p.m. this Thursday, June 16. Pick up the passes at the Addison Studio Movie Grill at 11:00 a.m. (come early), Wednesday,June 15 at the Addison Studio Movie Grill, 5405 Belt Line Rd. in Addison (972) 991-6684. It is located on the NW corner of Belt Line and Prestonwood--between the Dallas North Tollway and Preston.

After the Movie: **1/2. Ultra-light. Movies should have more substance than the TV show they are made from, and certainly not less. Disappointing.

Tuesday, June 14
The Perfect Man.
(Hilary Duff and Heather Locklear) Free prescreening at 7:30 p.m. at Loews Keystone. The movie website address is www.theperfectmanmovie.com. The pass pickup location starting Monday, 6/13, while they last, is Movie Trading Company (SW corner of Greenville and Southwestern), 5809 Greenville Avenue, Dallas 75206, phone (214)361-8287. Call before going to make sure they haven't run out.)Rated PG.

For more information about this film, go to its IMDb page.
 
Tuesday, June 14
Howl's Moving Castle.
(Directed by Hayao Miyazaki of "Mononoke" and "Spirited Away.") Free prescreening at 7:30 p.m. at the Magnolia. (See Prescreening section for directions to the Magnolia Theater.) The movie website address is disney.go.com/disneypictures/castle. The pass pickup, while supplies last, begins Saturday, June 11 at 12:00 noon at Titan Comics, 3701 W. Northwest Highway Suite 125, NW corner of Northwest Highway and Marsh, in Dallas, phone (214) 350-4420. Rated PG

For more information about this film, go to its IMDb page.

After the Movie: **** Review coming.
Tuesday, June 7
Up for Grabs.   Free Screening at 7:30  p.m. at the Angelika Film Center Dallas in Mockingbird Station in the northeast corner of Central (75) and Mockingbird Lane. 
ABOUT THE FILM
Website: http://www.upforgrabsmovie.com/

Michael Wranovics' UP FOR GRABS might have been considered the next can't-miss mockumentary, except it's all REAL. This bitingly funny picture exposes the custody fight that erupted over Barry Bonds' record-setting 73rd home run ball. From the embattled litigants who wouldn't settle, to the impassioned eyewitnesses and their contradictory accounts, to the bemused reporters who covered the bizarre case, Wranovics presents a rich cast of characters who prove that truth is funnier than fiction.

With all the farcical qualities of This is Spinal Tap or Best in Show, UP FOR GRABS invites us to laugh, and sometimes cringe, at the outrageous behavior of two grown men chasing down an elusive pot of gold. Winner of the Audience Award for Best Documentary at the Los Angeles Film Festival, UP FOR GRABS tells a tale of absurdity that will leave you muttering "only in America." --from Angelika Newsletter.

After the Movie: ***1/2 Review coming.
Tuesday, June 7
The Honeymooners. Free Screening at 7:30 PM at Loews Cityplace. The pass pickup will be Monday, June 6, at noon (come earlier), at  The Ritz of Dallas, 3906 W. Camp Wisdom Road, Suite 110 (at the intersection of Camp Wisdom and Westmoreland between Haverty's and Coulters), Dallas 75237, phone number (972) 283-8829. Call to make sure that tickets are still available. (As of 5:16 pm on 5/6, passes were still available.  They close today at 7 pm, but will be open tomorrow at 10:00 a.m.  Rated PG-13.

For more information about this film, go to its IMDb page.

Monday, June 6
High Tension. Free Screening at 7:30 PM at AMC Valley View. The pass pickup, while supplies last, begins Saturday, June 4  at 12:00 noon at Candy Dandies, 1617 N. Central Expressway, Plano 75075,   phone number (972) 665-0424. 

Two worlds collide disastrously -- a rusted delivery van barrels through cornfields; meanwhile, Alex has brought her friend Marie to spend the weekend at her parents' country farmhouse to escape the hectic pace of Paris. Behind the van's wheel, the driver caresses ripped photos of young women; at the same time the girls get ready for bed dishing girly gossip. At the end of the road lies an isolated house, caught in the van's headlights; as the girls close their eyes, an intruder is about to turn their innocent dreams into a relentless and bloody nightmare.

 
Shalom Y’all is a funny and heart-warming
Bain takes the viewer 4200 miles through the South and chronicles the Jewish people and places encountered along the way – a small-town store owner, an African American-Jewish police chief, the town that once claimed to be the "Catskills of the South", a Golden Gloves boxer, a former Congressman, a kosher butcher, a hoop-skirted tour guide, Texas’ own gubernatorial candidate Kinky Friedman and many more.
 
After the screening, Bain will discuss the city of New Orleans, where his home was destroyed by Hurricane Katrina. Bain will also share information and stories on how the storm has affected the Jewish community on the Gulf Coast.


Deep Ellum Film Festival 2005

This week the 2005 Deep Ellum Film Festival begins at the Inwood,  Magnolia, Angelika Theatres and various locations throughout Dallas. The festival runs November 17-23 and kicks off Thursday night with BREAKFAST ON PLUTO and a Q&A with director Neil Jordan at the Inwood Theatre. For more information about the festival, please check out all of the details including a complete schedule of films and locations at www.def2.org.

Music in the Meadows Free Concert Series

Presents Halloween Showing of Vampire Silent Film Classic Nosferatu Sunday, October 30 at 3:00 pm

Celebrate Halloween the old fashioned way: with the granddaddy of silent horror films, the 1922 vampire classic Nosferatu, accompanied by a live film score improvised by BL Lacerta.

Introducing the show will be horror film expert Kevin Heffernan, associate professor in the Division of Cinema-Television at SMU’s Meadows School of the Arts and author of a recent book on horror movies, Ghouls, Gimmicks and Gold.

The event is this month’s offering in the “Music at the Meadows” series at SMU’s Meadows Museum; showtime is at 3 p.m. on Sunday, Oct. 30, in the auditorium of the Museum, 5900 Bishop Blvd. on the SMU campus. The showing is free and open to the public.

Nosferatu, based on Bram Stoker’s Dracula and directed by F.W. Murnau, electrified audiences when it debuted in Berlin in 1922. It features a shocking portrayal of Count Graf Orlock by the legendary actor Max Shreck. Though it was not the first Dracula movie, its striking visuals have had a major influence on monster, horror and action film genres.

The live, electro-acoustic film score will be provided by BL Lacerta, combining jazz, classical, rock, electronica and world rhythms. The group is led by Kim Corbet, who has taught at SMU for 23 years and has played and recorded with a variety of classical, jazz, rock and avant garde improvisational groups across the Southwest. A multi-instrumentalist, he will bring synthesizers, loopers, and “assorted toys” for the performance. Joining him will be electronic drummer Chad Evans, who joined Lacerta in 1998, and Kenny Withrow, long-time guitarist with the New Bohemians and newest member of the trio. BL Lacerta traces its roots to an improvisational classical ensemble at North Texas State University in 1976, with notable residencies at the DMA, Arts Magnet, UTD and the Bath House Cultural Center.

“To prepare, we rehearse with the movie, getting to know the characters and plot, the emotional direction of the film,” said Corbet. “We learn the story and echo it sonically. Each playing of the score is uniquely fresh and influenced by the performance environment, the moment and the audience.”

The “Music in the Meadows” series features performances by the outstanding music faculty and students at the Meadows School in an informal setting that encourages audience interaction. Concerts are held once a month in the fall and spring at the Meadows Museum. All concerts are FREE and open to the public with seating on a first-come, first-served basis. Convenient, free parking is available in the museum garage. For more information, please call 214-768-2516.



"BATMAN BEGINS"! North Texas Mensa Movie Special Interest Group is doing it again.  We're going to the Addison Studio Movie Grill on Tuesday, June 14, for the midnight screening of "Batman Begins", before it opens to everyone later on Wednesday.  We had a good time at "Star Wars" and there will probably be another early celebration for "War of the Worlds," which opens for everyone on June 28.   Details:

As an added Calendar Event for June, the NTM Movie SIG is hosting a midnight, Tuesday, June 14, movie party to see Batman Begins at the Addison Studio Movie Grill, 5405 Belt Line Rd. in Addison (972) 991-6684.  It is located on the NW corner of Belt Line and Prestonwood--between the Dallas North Tollway and Preston.) We need to be there by 10:30 p.m. as the doors open at 11:15. Full service food and drinks are available. Go to studiomoviegrill.com for more info and to order tickets online. You can also buy them in advance at the theater. The auditorium holds 280 and may sell out.  The movie is rated PG13. The price for adults is $7.75, seniors (age 55 and up) and students with IDs is $6.25, and children  (age 1-10 is $5.00), plus whatever you eat. RSVP to me as well, so that we can sit together. This should be fun!  --Betty Jane Ferguson, bookies@gte.net.

Instead of the Event:  **** We found out about a free "Batman Begins" screening last Tuesday, and those interested (TeenSIG members and others who could respond to very short notice) went to see it a day earlier.   Director Christopher Nolan's Batman Rocks!  I was pleased by this movie more than "Star Wars."  It  changed up the original comic book legend a bit (borrowing from "The Saint" and "The Shadow" in particular, but what they came out with is well worth your attention).  The special effects were great and not overdone.  They didn't scream at you, "Look at my special effects!  The story, acting (
Christian Bale, Katy Holmes, Michael Caine, Morgan Freeman, Gary Oldman, Liam Neeson, Ken Watanabe, Cillian Murphy, and Tom Wilkinson), direction, costumes, props, setting, etc., acted as a unit.  Christian Bale's is the best Batman out there, and he sets the pace for the rest of the cast.  Great performance, Christian!.  The relationships in the movie were sustained and believable and interesting.  This movie stands alone and doesn't even need a series to back it up.  There may be more coming before we get up to the first Batman movie, and I would like to see them, especially if they are made by this same crew.  "Batman Begins" is rated PG-13 for intense action violence, disturbing images and some thematic elements. I would not take very young children to see it because of the disturbing images, meant in the story to produce fear in adult characters.  Young children in the audience would be afraid. -bj


Review of Star Wars: Episode III -  Revenge of the Sith

I weep for Padme.  First let me say the 12:01 a.m. outing at the Addison Studio Movie Grill was fun. I was with a small group in a room filled with appreciative Star Wars fans, eagerly anticipating the rolling prologue, and our seeing it on the big screen  was definitely the way to experience it.  First off, you must go see it.  It does bring to full circle all of the Star Wars movies you have been brought up on for years.  Just to see R2-D2, C-3PO, Chewbacca, the Wookiees, and Yoda again in all their glory, brings all the Star Wars memories back to life.  Thank you, George Lucas, for the memories. Yoda nearly steals the show.  His wit is sharper, punctuated with some sharp, decisive moves; and he is even more lovable, if that is possible.  Lucas moves through the characters one by one, re-establishing their place in the saga and their place in this movie:  Obi-Wan Kenobi (Ewan McGregor), Anakin Skywalker (played passionately by Hayden Christensen), Supreme Chancellor Palpatine (Ian McDiarmid--those eyes!), Mace Windu (Samuel L. Jackson), and Senator Bail Organa (Jimmy Smits). (Even George Lucas takes an uncredited turn as Baron Papanoida.)

The digital animation (Yoda comes alive!) and the special effects were very impressive and even more spectacular than ever before.  I do feel they were overused at times--you can only watch so much light saber fighting.  It felt at times as if the special effects editor got too wrapped up in the special effects, even, in a couple of instances, to the detriment of the smooth flow of the story.

Because of the darker nature of this movie, it is not recommended for young children.

And then there is Padme (Natalie Portman).  I weep for her because she is not given the same full life that the other characters received, and her life and what she is really like and her deep relationship with Anakin are crucial to our understanding and acceptance of the turning of Anakin to the dark side.  Padme is not the strong, courageous woman from the previous two films.  She is barely developed at all here, and she is reduced to a symbol, the wife of Anakin and the future mother of his progeny.  We needed to see her fire here and we needed to see actions with  Adakin that showed the intensity of their love and devotion (perhaps a discreet, real love scene was needed...I never thought I would say, put in a love scene, but I am).  Instead, we do not see them together much after the initial embrace, and only hear about their relationship through Adakin's proclamations of his devotion to her and willingness to do anything to protect her.  Sorry,  George.  We needed to have Padme complete her fully developed life circle as well.  Go see it, and tell me what you thought of it. -bj

Special Announcement:   Check out TCU's KinoMonda (world wide films) Film Series on Wednesdays throughout the summer as well as all the last school year in the film series section for free movies and complimentary complementary cuisine.  This film series is also special because you may nominate the films you would like to see, write up the descriptions, and suggest the food!  For example, last week's offering:

       free thought      **free food **    free cinema

                                                wholewideworld.tcu.edu

        Cinema Paradiso
                                           Giuseppe Tornatore/Italy/1989      
                                  Food around 8:00  Movie at sunset!!!  June 22nd, 2005
                                                      Rosemarine Theater Outdoor Pavillion                       
                                                                                1440 Main Street       
    

  
Cinema Paradiso

Ok, here I deviate from critics and anyone else who disagrees, for that matter, about this incredible film.  Cinema Paradiso remains one of my favorites ever, top 3 certainly and on occassion my favorite of all.  I like that it is film about film, I like that it contains all of the important subjects in the world--life, death, sex, ambivalence--but is not about any of those things.   I like that it is Italian.   Tomorrow night you will be spectators not only of the film, but observers also of my own wish of wanting to see it outdoors.  There will be bugs and cars on Main Street.  I hope you can make it.

POT LUCK!!!

You are also invited to bring a dish of food and/or a picnic.  Heck, bring anything you wish.   Sapristi! will provide a few wonderful dishes but we welcome your contributions as well.  I will bring ceviche(or I would if I wasn't organizing this)  :)  I feel like I'm writing to my cousin.....

Hope to see you there!

Directions:   The Rose Marine Theater is located at 1440 N. Main St. between downtown Fort Worth and the Stockyards Conveniently located near I-35, the Plaza has ample nearby parking.

The physical address is:
1440 N. Main St.
Fort Worth, TX 76106

Click
here  to map location.

[I could not resist putting in the comments on Cinema Paradiso, on many, many days my favorite movie as well. -bj)  During the year he publishes the chosen nominated choices with excellent information about them.  See Film Series for some great films he has offered.  Many of them are probably on your best movie list.  And for other wonderful films and different perspectives on making lists, please check out the Top Picks section. -bj

Throughout the Summer--
Dr. Pepper's Summer Children's Series at Studio Movie Grill. 
http://studiomoviegrill.com/Upcoming.html#summer.

Other theaters, like AMC, also offer summer children's movies.  Check to see if your favorite theater has something going on.

Announcement

We need help picking up tickets to March of the Penguins on Saturday, June 25 at 11:00 AM at Sugarless DeLite, 1389 W. Campbell Road, Richardson 75080, phone (972)644-2000.  We want to get enough for some North Texas Mensa children to go. -Thanks for your help.



SPECIAL EVENT

"BATMAN BEGINS"! North Texas Mensa Movie Special Interest Group is doing it again.  We're going to the Addison Studio Movie Grill on Tuesday, June 14, for the midnight screening of "Batman Begins", before it opens to everyone later on Wednesday.  We had a good time at "Star Wars" and there will probably be another early celebration for "War of the Worlds," which opens for everyone on June 28.   Details:

As an added Calendar Event for June, the NTM Movie SIG is hosting a midnight, Tuesday, June 14, movie party to see Batman Begins at the Addison Studio Movie Grill, 5405 Belt Line Rd. in Addison (972) 991-6684.  It is located on the NW corner of Belt Line and Prestonwood--between the Dallas North Tollway and Preston.) We need to be there by 10:30 p.m. as the doors open at 11:15. Full service food and drinks are available. Go to studiomoviegrill.com for more info and to order tickets online. You can also buy them in advance at the theater. The auditorium holds 280 and may sell out.  The movie is rated PG13. The price for adults is $7.75, seniors (age 55 and up) and students with IDs is $6.25, and children  (age 1-10 is $5.00), plus whatever you eat. RSVP to me as well, so that we can sit together. This should be fun!  --Betty Jane Ferguson, bookies@gte.net.

Instead of the Event:  **** We found out about a free "Batman Begins" screening last Tuesday, and those interested (TeenSIG members and others who could respond to very short notice) went to see it a day earlier.   Director Christopher Nolan's Batman Rocks!  I was pleased by this movie more than "Star Wars."  It  changed up the original comic book legend a bit (borrowing from "The Saint" and "The Shadow" in particular, but what they came out with is well worth your attention).  The special effects were great and not overdone.  They didn't scream at you, "Look at my special effects!  The story, acting (
Christian Bale, Katy Holmes, Michael Caine, Morgan Freeman, Gary Oldman, Liam Neeson, Ken Watanabe, Cillian Murphy, and Tom Wilkinson), direction, costumes, props, setting, etc., acted as a unit.  Christian Bale's is the best Batman out there, and he sets the pace for the rest of the cast.  Great performance, Christian!.  The relationships in the movie were sustained and believable and interesting.  This movie stands alone and doesn't even need a series to back it up.  There may be more coming before we get up to the first Batman movie, and I would like to see them, especially if they are made by this same crew.  "Batman Begins" is rated PG-13 for intense action violence, disturbing images and some thematic elements. I would not take very young children to see it because of the disturbing images, meant in the story to produce fear in adult characters.  Young children in the audience would be afraid. -bj

Short Notice Special Announcement

       free thought      **free food **    free cinema

                                                wholewideworld.tcu.edu

 
       Buena Vista Social Club
                                           Wim Wenders/USA/1999
                                                6:30 pm, June 8th, 2005
                                                                  TCU                                                       

                                                     Sid Richardson Lecture Hall #4
                                                                          (bldg next to Library/basement floor)                  

                                                                                  

 
Buena Vista Social Club:

Remember when?  This film is a documentary which looks at one of Cuba's most overlooked exports--her beautiful music.  If you have not seen this film, please come join us tonight.  It is amazing!  The Ry Cooder soundtrack is sublime....

jls


VERY SPECIAL ANNOUNCEMENT

Please come to the North Texas Mensa Movie SIG special get-together on Sunday, May 22 at the Angelika Film Center located in Mockingbird Station on the northeast corner of Central Expressway (75) and Mockingbird Lane.  The Wild Parrots of Telegraph Hill (rated G,  for all ages and for great movie and gorgeous photography) will screen at 3:40 pm, so come at 3:00 to meet and greet everyone find out more about the movie special interest group.  The matinee ticket price for everyone is $5.50.  After the show, if anyone wants to, we can get something to drink at  The King and I (right next door) (sign still says Noodles Kitchen) and talk about this inspirational movie.  See more about the movie below under May 22 calendar event.  [I'm sorry that those of you around the world who have been coming to the site won't be able to meet up with us, but we'll be thinking about you.)

Special Announcement:  The after-the-Oscars rest break is officially over.  Two highly innovative movies are responsible for this:  Kung Fu Hustle (the Blazing Saddles of martial arts--you will be silent with shock for the first few minutes, but after the first person breaks out in uncontrollable laughter, everyone gets caught up in what's really happening [with allusions to the Matrix, Gangs of New York, shoot outs in the street from many westerns, The Road Runner cartoon, The Shining, Bruce Lee, Forest Gump, Kill Bill, pinball machines, musical instrument tuning, the game Twister, Dick and Jane books, and more]), and Sin City, an artistic marvel in bringing Frank Miller's graphic novels to life.  The acting and makeup are wonderful, with Mickey Rourke creating an unforgettable character.  (I didn't recognize him at all).  Warning:  Sin City is extremely violent, but the violence is essential to the movie because the movie is about violence. (Is the most violent character the most evil character?)  Both movies are highly innovative and well worth seeing.  

And don't forget that the USA Film Festival runs from April 21-28 in Dallas. Opening night is at the Inwood and will be House of D, the writing and directing debut of David Duchovny (he also acts in it).  Erykah Badu also stars in it and will be in attendance with guests. (David Duchovny also came.)  The rest of the festival will be held at the Angelika on Mockingbird. See festival section for more information.
Special Announcement:  Tonight is finally Oscar night (February 27, 2005), the culmination of a year of great movies.  A few of us will be viewing the Oscars on the big screen at the Studio Movie Grill in Addison as part of the USA Film Festival's Oscar Night America celebration.  There were enough really good performances and films to make the choices difficult.  Please go to Top Picks to find out what we chose as the winners. bj

Special Announcement:  Check out the Black Man Film Festival from Friday, May 20 - Friday, May 27 in the Festivals section.

Special Announcement:  In a couple of hours (5:30a.m. on Tuesday, the 25th of January) the 2004 Ocar nominations will be announced.  Please go to Top Picks to find out what we liked this year.  Please send us your choices as well.
As of Monday, June 6, go to http://www.weddingcrashersmovie.com/janeandlg/ to get a ticket printed for a prescreening of "Wedding Crashers" on Thursday, July 7.


As of Sunday, June 26, we have an email pass to an additional prescreening of "Me and You and Everyone We Know" on Thursday, June 30.

As of Wednesday, June 15, we have three extra individual tickets to the Special Girls' Night Out prescreening of "Bewitched" on Thursday, June 16.

As of Tuesday, June 14, we have no extra passes to a prescreening of "Howl's Moving Castle" on Tuesday, June 14.

As of tuesday, June 14, we have no extra passes to a prescreening of "The Perfect Man" on Tuesday, June 14.

As of Monday, June 6, we have no email passes left to a prescreening of "Up for Grabs" on Tuesday, June 7.

As of Monday, June 6, we have no tickets available to a prescreening of "High Tension" (Rated "R"; see write-up) on Monday, June 6.  We also have no email passes to this event.

As of Wednesday, June 3,  we have no email passes to a prescreening of "Murderball"  (quadriplegic rugby) at 10 a.m. (note the time) on Friday, June 3.

As of Monday, May 30, we have no tickets  left  available to a prescreening of "Lords of Dogtown," (skateboarding and founders of extreme sports) on Thursday, June 2.

As of  Tuesday, May 31, we have no tickets left  available to a prescreening of "Into the West" (western) on Wednesday, June 1.

As of Tuesday, May 31, we have no tickets left available to a prescreening of "Rock School" (school to teach you to be a rock and roll star) on Tuesday, May 31.

As of Monday, May 30, we have no tickets left available to a prescreening of "The Sisterhood of the Traveling Pants" on Tuesday, May 31.

As of Monday, May 30, we have  no tickets left available to another prescreening of "Mad Hot Ball Room" (free middle school ball room dance competition classes in New York [these dancing classes should be available nation wide] on Tuesday, May 31

As of Saturday, May 21, we have tickets available to a prescreening of "Mad Hot Ballroom," on Wednesday, May 25.

As of Friday, May 20, we have email passes available for an advanced screening of "Rock School" featuring a special performance by the students of Zounds Sounds prior to the screening on Wednesday, May 25.

We also have email passes available for the "My Summer of Love" prescreening with Director Pawel Pawlikowski and co-lead actress, Emily Blunt in attendance on Tuesday, 5/24.
Thursday, June 30
You and Me and Everyone We Know. 
Free screening at 7:30 p.m. at the Angelika Film Center Dallas in Mockingbird Station in the northeast corner of Central (75) and Mockingbird Lane. Rated R.  Email us for a pass.  See screening on June 23 for description.

Tuesday, June 28
March of the Penguins.
Free Screening at 7:00 PM at the Magnolia. The movie website address is www.marchofthepenguins.com. The pass pickup, while supplies last, begins Saturday, June 25 at 11:00 AM at Sugarless DeLite, 1389 W. Campbell Road, Richardson 75080, phone (972)644-2000.

For more information about this film, go to its IMDb page.


Thursday, June 23
You and Me and Everyone We Know. 
Free screening at 7:30 p.m. at the Angelika Film Center Dallas in Mockingbird Station in the northeast corner of Central (75) and Mockingbird Lane. Rated R.  Email us for a pass.
Me and You and Everyone We Know is a poetic and penetrating observation of how people struggle to connect with one another in an isolating and contemporary world.  Christine Jesperson is a lonely artist and "Eldercab" driver who uses her fantastical artistic visions to draw her aspirations and objects of desire closer to her.  Richard Swersey (John Hawkes), a newly single shoe salesman and father of two boys, is prepared for amazing things to happen. But when he meets the captivating Christine, he panics. Life is not so oblique for Richard's seven-year-old Robby, who is having a risquÈ internet romance with a stranger, and his fourteen-year-old brother Peter who becomes the guinea pig for neighborhood girls--practicing for their future of romance and marriage.

In July's modern world, the mundane is transcendent and everyday people become radiant characters who speak their innermost thoughts, act on secret impulses, and experience truthful human moments that at times approach the surreal. They seek togetherness through tortured routes and find redemption in small moments that connect them to someone else on earth. --from Angelika Newsletter

Thursday, June 16
Bewitched.
The Addison Studio Movie Grill is pleased to offer a limited number of passes to a Special Girls' Night Out with Julie from the New Morning Mix featuring "Bewitched" at 7:30 p.m. this Thursday, June 16. Pick up the passes at the Addison Studio Movie Grill at 11:00 a.m. (come early), Wednesday,June 15 at the Addison Studio Movie Grill, 5405 Belt Line Rd. in Addison (972) 991-6684. It is located on the NW corner of Belt Line and Prestonwood--between the Dallas North Tollway and Preston.

After the Movie: **1/2. Ultra-light. Movies should have more substance than the TV show they are made from, and certainly not less. Disappointing.

Tuesday, June 14
The Perfect Man.
(Hilary Duff and Heather Locklear) Free prescreening at 7:30 p.m. at Loews Keystone. The movie website address is www.theperfectmanmovie.com. The pass pickup location starting Monday, 6/13, while they last, is Movie Trading Company (SW corner of Greenville and Southwestern), 5809 Greenville Avenue, Dallas 75206, phone (214)361-8287. Call before going to make sure they haven't run out.)Rated PG.

For more information about this film, go to its IMDb page.
 
Tuesday, June 14
Howl's Moving Castle.
(Directed by Hayao Miyazaki of "Mononoke" and "Spirited Away.") Free prescreening at 7:30 p.m. at the Magnolia. (See Prescreening section for directions to the Magnolia Theater.) The movie website address is disney.go.com/disneypictures/castle. The pass pickup, while supplies last, begins Saturday, June 11 at 12:00 noon at Titan Comics, 3701 W. Northwest Highway Suite 125, NW corner of Northwest Highway and Marsh, in Dallas, phone (214) 350-4420. Rated PG

For more information about this film, go to its IMDb page.

After the Movie: **** Review coming.
Tuesday, June 7
Up for Grabs.   Free Screening at 7:30  p.m. at the Angelika Film Center Dallas in Mockingbird Station in the northeast corner of Central (75) and Mockingbird Lane. 
ABOUT THE FILM
Website: http://www.upforgrabsmovie.com/

Michael Wranovics' UP FOR GRABS might have been considered the next can't-miss mockumentary, except it's all REAL. This bitingly funny picture exposes the custody fight that erupted over Barry Bonds' record-setting 73rd home run ball. From the embattled litigants who wouldn't settle, to the impassioned eyewitnesses and their contradictory accounts, to the bemused reporters who covered the bizarre case, Wranovics presents a rich cast of characters who prove that truth is funnier than fiction.

With all the farcical qualities of This is Spinal Tap or Best in Show, UP FOR GRABS invites us to laugh, and sometimes cringe, at the outrageous behavior of two grown men chasing down an elusive pot of gold. Winner of the Audience Award for Best Documentary at the Los Angeles Film Festival, UP FOR GRABS tells a tale of absurdity that will leave you muttering "only in America." --from Angelika Newsletter.

After the Movie: ***1/2 Review coming.
Tuesday, June 7
The Honeymooners. Free Screening at 7:30 PM at Loews Cityplace. The pass pickup will be Monday, June 6, at noon (come earlier), at  The Ritz of Dallas, 3906 W. Camp Wisdom Road, Suite 110 (at the intersection of Camp Wisdom and Westmoreland between Haverty's and Coulters), Dallas 75237, phone number (972) 283-8829. Call to make sure that tickets are still available. (As of 5:16 pm on 5/6, passes were still available.  They close today at 7 pm, but will be open tomorrow at 10:00 a.m.  Rated PG-13.

For more information about this film, go to its IMDb page.


Monday, June 6
High Tension. Free Screening at 7:30 PM at AMC Valley View. The pass pickup, while supplies last, begins Saturday, June 4  at 12:00 noon at Candy Dandies, 1617 N. Central Expressway, Plano 75075,   phone number (972) 665-0424. 

Two worlds collide disastrously -- a rusted delivery van barrels through cornfields; meanwhile, Alex has brought her friend Marie to spend the weekend at her parents' country farmhouse to escape the hectic pace of Paris. Behind the van's wheel, the driver caresses ripped photos of young women; at the same time the girls get ready for bed dishing girly gossip. At the end of the road lies an isolated house, caught in the van's headlights; as the girls close their eyes, an intruder is about to turn their innocent dreams into a relentless and bloody nightmare.

MPAA Rating:   R for graphic bloody killings, terror, sexual content and language.

MORE ABOUT THE FILM
Rating: R
Website: http://www.hightensionmovie.com/

Marie and Alexia are schoolmates and best friends. Hoping to prepare for
their college exams in peace and quiet, they decide to spend a weekend in
the country at Alexia’s parents’ secluded farmhouse. But in the dead of
night, a stranger knocks on the front door. And with the first swing of his
knife, the girls’ idyllic weekend turns into an endless night of terror…

Prepare to take a white-knuckle journey into the heart of fear with Lions
Gate Films’ HIGH TENSION, the terrifying story of two girls’ battle for
survival at the hands of a sadistic psychopath. Marking a return to the
nightmarish intensity of 1970s horror classics, director Alexandre Aja
reduces the genre to its bare essentials, building a narrative of
intensifying dread that culminates in a truly shocking climax. Relentlessly
tightening the screws of suspense, HIGH TENSION will have you struggling to
catch your breath. The film stars Cécile de France, Maïwenn and Philippe
Nahon, from a script by Aja and Gregory Levasseur.

After the Movie: ***1/2 (without the ending) "High Tension" delivers what its title promises. I squeezed my husband's hand so hard all through the movie, my hand went numb. First off, warning: Not recommended at all for anyone except for mature adults primarily for two instances, one act of violence that convinces you up front that the villain is evil beyond all limits, and another gratuitous sexual incident that could easily have been left out and comes across like soft porn. Children should not watch this film. My opinion, and I'm sticking with it.

Now for the rest of the movie. It is not original, but the writer borrows so expertly the best of other horror films, such as "Joy Ride," "Hide and Seek," "Amityville Horror," The Tool Box Murders," among others that the concoction flows seemlessly and powerfully. However, at the end, the writer, not fully convinced that he had done enough, decided to put in a twist that is unnessary, and physically impossible after what has come before if you think about it. I like to think about it and have the whole thing work together. Therefore, if you are a mature adult, the movie is excellent horror, but you don't want to stay after the twist starts. The movie should be reissued without it.-bj

Friday, June 3
MURDERBALL.  Free Screening at 10:00 AM (note the time) at Angelika Film Center - DALLAS.  Email passes. Check with us at bookies@gte.net
SYNOPSIS:
Featuring fierce rivalry, stopwatch suspense, and larger-than- life personalities, MURDERBALL, Winner of the Documentary Audience Award and a Special Jury Prize for Editing at the 2005 Sundance Film Festival, is a film about tough, highly competitive rugby players. Quadriplegic rugby players. Whether by car wreck, fist fight, gun shot, or rogue bacteria, these men were forced to live life sitting down. In their own version of the full-contact sport, they smash the hell out of each other in custom-made gladiator-like wheelchairs. And no, they don't wear helmets.  From the gyms of middle America to the Olympic arena in Athens, Greece, MURDERBALL tells the story of a group of world-class athletes unlike any ever shown on screen. In addition to smashing chairs, it will smash every stereotype you ever had about "gimps" and "cripples." It is a film about family, revenge, honor, sex (yes, they can) and the triumph of love over loss. But most of all, it is a film about standing up, even after your spirit - and your spine - has been crushed. (Rated R; 86 min.) --from Angelika Newsletter

After the Movie:  ****. The synopsis above from the Angelika pretty much covers it.  I gained a new understanding and much respect for these guys and what they have accomplished.  One of them defined quadriplegic as having some form of diminishment in each of their four  extremities. The team consists of 12 players.  Depending upon where the spinal cord was damaged, the quadriplegic has move or less physical control.  In the game they are "handicapped" by their level of injury and assigned a certain number of points.  Each team is allowed to only have a certain number of total points. The Paralympic Team USA has a coach, Mark Zupan, a "wild man" from Austin.  Team Canada also has a coach,   Joe Soares, a "defector" from Team USA.  Their rivalry every four years at the World Paralympics provides the main conflict in the film. It's a film applicable to anyone dealing with any type of injury that makes you change your game plan.  It will provide hope and guidance to let you continue on and move ahead.  Go to www.quadrugby.com for more information.-bj

Thursday, June 2
Cinderella Man.  Free screening at 7:30 pm at the Angelika Film Center - Dallas.

After the Movie: ****  "Cinderella Man" should definitely be nominated for an Academy Award, as should Russell Crowe for best actor and Reenee Zellweger and Paul Giamatti for supporting roles.  Craig Bierko also makes a good villain. Russell Crowe plays James J. Craddock, a hero for the common man during the depression.  Each look and tiny movement reveal multitudes about his character.  Because of the unavailability of other work, Craddock is forced to choose boxing as the only means to provide what he wants for his family.  As he responded when asked what he is fighting for, he is fighting for milk.  He is good and kind and strong and principled.  He will not condone his son stealing a loaf of bread to eat, but he will box for it because those risking their lives by boxing are adults willing to accept the price.  Russell gives a marvelous performance surrounded by a remarkable team that supports him all the way.  The cinematography is beautiful and appropriate.  The only flaw I found was the jarring effect of too much surrounding volume during the boxing matches.  It was enough to make me counscious of the volume going up, instead of feeling the effects intended of being very much a part of the crowd and at ringside.-bj 

Thursday, June 2
The Lords of Dogtown. 
Free screening at 7:30 pm at Loews Keystone, Spring Valley and Central Expwy.  [We would appreciate it if someone else could go for this pick-up as we will be at the Rock School pick-up at the same time.--bj]

A second chance to pick up these tickets at TITAN COMICS has been added on Saturday, May 28th after noon [be there by 11:30 or earlier--bj].

A third chance to pick up these tickets is at Cyclone Indoor Skate Park,  975 North Central Expressway, McKinney 750570, phone (972) 562-2752 on Saturday, May 28 at noon [be there by 11:30 or earlier--bj].


Stop by  TITAN COMICS on Saturday, May 21th after 12 noon [be there by 11:30-bj] to get a free pass to THE LORDS OF DOGTOWN.  The pass is good for two people and is limited to one per person.  The screening is on June 2nd.

Titan Comics
3701 W. Northwest Highway (between Marsh and Webb Chapel)
Suite 125
Dallas, TX 75220
(214) 350-4420

In the 1970's, a group of teenage surfers from a tough neighborhood known as "Dogtown" in Venice, California pioneered a revolutionary new style of skateboarding. Riding the waves at the Pacific Ocean Park pier, the Z-Boys, known for their aggressive style and hard street attitude, combined the death-defying moves of surfing with the art of skateboarding and became overnight sensations and local legends. With empty pools as their canvas, the Z-Boys paved the way to what is now referred to as "extreme sports," and created a lifestyle that spread infectiously to become a worldwide counterculture phenomenon. But all of this fame would take its toll on the friendships that they thought would last a lifetime as the sport that started out as an afternoon hobby turned into big business.

--© Sony Pictures
(from Hero Realm)

Wednesday, June 1
Into the West.  Free prescreening at 7:30 pm at the Angelika Film Center Dallas in Mockingbird Station in the northeast corner of Central (75) and Mockingbird Lane.  This screening will have some part of the TNT weekend miniseries from Steven Spielberg that starts screening on Friday, June 10 on TNT.

After the Movie:  **** The screening showed the first 2-hour episode in the 6-week miniseries on TNT.  It is reminiscent of "Lonesome Dove."  Two of the stars were there for a Q&A, autographic signing, and just general conversation.  Both of them were very nice and personable: Zahn McClarnon plays "Running Fox";  Michael Spears plays "Dog Star."  Michael has been acting for about 15 years; you might remember him as "Otter" from "Dancing with Wolves."  Both of the actors are from the Lakota tribe. The story is told from the perspective of two families; one white, and one native American.  If you can't see the whole series on NTM, it will be released on DVD in September.-bj  

Tuesday, May 31
Mad Hot Ballroom. 
Another prescreening at 7:30 pm at the Angelika Film Center Dallas in Mockingbird Station in the northeast corner of Central (75) and Mockingbird Lane.  See information about film and review below on 5/25 showing.


Tuesday, May 31
Rock School.  Another prescreening at 7:30 PM at the Magnolia.  Pass pickup begins Saturday, May 28 at 12:00 noon (come early) at CD Universe, 4043 Trinity Mills,  Suite 104, Dallas 75287 (NW corner of Trinity Mills and Midway), phone (972)307-3337.  See write-up on 5/31 showing.

Tuesday, May 31
The Sisterhood of the Traveling Pants.  Free prescreening at 7:30 pm at the Cinemark Tinseltown USA, 3800 Dallas Pkwy, Plano, Texas (NW corner of the Dallas North Tollway and Parker).  Use IMDb.com for more information on the movie.

After the movie:  ****  This is a  great movie about enduring, supportive friendships among four teenage girls.  Bring your Posh Puffs, but you will be very glad you saw it.  You'll wake up the next morning feeling a little bit wiser, sweeter, and kinder.  And, oh, those lovely white Greek buildings on one of the girl's trips!  After buying a "magical" pair of jeans that perfectly fits all four of them, even though they all  have different shapes and sizes, they go their separate ways for the first time over the summer.  Each  one of them has the chance to wear the goodluck jeans during part of the summer.  America Ferrera, who was outstanding in "Real Women Have Curves," was my favorite with her strong, very realistic performance as "Carmen." -bj

Wednesday, May 25
Mad Hot Ballroom. 
Free prescreening at 7:30 pm at the Angelika Film Center Dallas in Mockingbird Station in the northeast corner of Central (75) and Mockingbird Lane.

  This film is rated PG for some thematic elements.

No infants or children under 4 years please.

Due to security, moviegoers are encouraged to leave cell phones in cars/home.

Use of cell phones inside the auditorium is prohibited - no exceptions.

Security will remove anyone making or taking calls during this preview.

No outside food or drink admitted in auditoriums.

......Ordinary Kids. An Extraordinary Journey.

MAD HOT BALLROOM made its world premiere in January 2005 as the opening night film for the 2005 Slamdance Film Festival in Park City, Utah. The film is directed by Marilyn Agrelo and produced by both Agrelo and Amy Sewell.

Like SPELLBOUND before it, MAD HOT BALLROOM portrays the fierce passion that kids can bring to a competition. Yet it also celebrates the small steps of everyday life and reminds us of a moment in time when it seemed as if anything was possible. Amid the complexity of big city life, these kids take on a totally unfamiliar challenge and rise to the occasion. Some kids come from relative privilege; others from mean streets where gangs and drugs present daily danger, but they all learn to see past the borders. Dance becomes a way kids can express their individuality and explore the richness of a community – all at the same moment, all with the same movements. Filled with wrenching emotion and joyful triumph, this documentary feature is a resounding exclamation point for growing up in America.

MAD HOT BALLROOM is an inspiring look inside the lives of New York City school kids on a journey into the world of ballroom dancing – a new and unexpected arena where they discover home truths about attitude, movement, style and commitment. Told from the candid, sometimes hilarious perspective of the boys and girls themselves, the picture chronicles their transformation from typical urban kids to “ladies and gentlemen,” as their school teams aim towards a final citywide competition.

Providing unique insight into the incredible cultural diversity that is truly the soul of New York City, first time feature filmmakers Marilyn Agrelo and Amy Sewell profile eleven-year-olds from three public elementary schools. Shooting in neighborhoods, classrooms and in the fifth-graders’ homes, the filmmakers show all the contradictions of this dynamic and intriguing age, when growing pressure to become a “cool” teenager vies with rambunctious childlike innocence.

American Ballroom Theater’s (ABrT) Dancing Classrooms is the nonprofit organization that currently provides instruction in ballroom dance at over sixty public schools in New York City. The program was introduced in two schools ten years ago. In ten weeks of intense, required classes, the program’s skilled and passionately inventive teachers take their students through a dance repertory: the merengue, the rumba, the tango, the foxtrot and swing dancing. In the process, we see boys and girls learn a whole lot more than just how to make the right steps.

Near the end of the program, schools are given the choice to compete in what is called the Rainbow Team Matches. Each dance team is made up of five couples -- one for each of the five dances, plus an alternate couple who must know how to do every dance well, as back-up in case of illness. Forty-eight schools chose to compete last year; only nine made it to the final round.

(from the Angelika)

The trailer looks great! -bj

After the Movie:  ****  This ballroom dance program should, in my opinion, be spread out alll over the country, especially if it comes with the level of caring teachers that we see in this movie.  The teachers obviously care about the whole child and about every single one of their students.  What a  wonderful way to get children excited about coming to school. What a wonderful way to introduce 11 and 12 year olds to social skills that build their self-esteem and guide them gracefully into the teenage years.  You will be enchanted by the children and their teachers.  You'll also want to dance, using the dance instruction tips provided for fox trot, swing, tango, and merengue.  Everybody, dance now! -bj

Wednesday, May 25
Rock School.

Advanced screening of

ROCK SCHOOL *

*featuring a special performance by the students of Zounds Sounds prior to the screening

7:00 PM Concert
7:30 PM Screening

Angelika Film Center - DALLAS location

SYNOPSIS:
"Joyous and righteously entertaining." - Lewis Beale, Film Journal International

"EXHILARATING!" - Karen Durbin, Elle

Rocks Stars. Guitar Gods. Kids. At some point in their lives, most everyone dreams of becoming a rock star: feeling the roar of the crowd; basking in the adoration of legions of fans; experiencing the adventures of life on the road. Now imagine fulfilling that fantasy as a child. Welcome to ROCK SCHOOL. Filmmaker Don Argott traces the ups-and-downs of the Paul Green School of Rock Music, dedicated to teaching children the ins-and-outs of rock and roll. ROCK SCHOOL follows an entire season of classes, in the process establishing school founder, director, and self-proclaimed "überlord" Paul Green as one of the most complex, contradictory and unforgettable characters in recent films. A meditation on talent and teaching, ROCK SCHOOL is a celebration of youthful promise and steadfast dreams.

This film is Rated R.

(from the Angelika Film Center)

Tuesday, May 24
The Longest Yard. Free prescreening at 7:30 PM at Loews Cityplace. The movie website address is LongestYard.com. The pass pickup location, while supplies last (call first before going), is Buddy's Sporting Goods, 123 West Jefferson (between Zang and Beckley), Dallas 75208, phone (214)941-5506. Check imdb.com for reviews and more information.

Tuesday, May 24
My Summer of Love. 
Free prescreening at 7:30 pm.
Pawel Pawlikowski (Director - one of Daily Variety¹s ³10 Directors to
Watch²) and Emily Blunt (co-lead actress) will be in attendance

Angelika Film Center
Mockingbird Station - Dallas

Winner of the BAFTA Award for the Outstanding British Film of the Year (the Alexander Korda Award)

Natalie Press as Mona and Emily Blunt as Tamsin star in Pawel Pawlikowski¹s MY SUMMER OF LOVE, a Focus Features release.

MPAA Rating: "R"

Synopsis

My Summer of Love is this summer¹s most intoxicating and intriguing romance. From Pawel Pawlikowski, the award-winning director of Last Resort, comes a tale of obsession and deception, and the struggle for love and faith in a world where both seem impossible. My Summer of Love was the winner of the top prize at the Edinburgh International Film Festival, seduced audiences at the Toronto International Film Festival, and recently won a BAFTA Award.

The passionate, droll, and mysterious drama features striking performances from its two lead actresses, both of whom are movie newcomers.

The film vibrantly charts the emotional and physical hothouse effects that bloom one summer for two young women (Natalie Press and Emily Blunt). Mona (played by Ms. Press), behind a spiky exterior, hides an untapped intelligence and a yearning for something beyond the emptiness of her daily life. Tamsin (Ms. Blunt) is well-educated, spoiled, and cynical. As they are complete opposites, each is wary of the other¹s differences when they first meet, but this coolness soon melts into mutual fascination, amusement, and attraction.

Adding further volatility is Mona¹s older brother Phil (Paddy Considine), who has renounced his criminal past for religious fervor ­ which he tries to impose upon his sister. Mona, however, is experiencing her own rapture. ³We must never be parted,² Tamsin intones to Mona...but can Mona completely trust her?

AWARDS

Winner of the top prize (the Michael Powell Award for Best British Feature) at the 2004 Edinburgh International Film Festival

Winner of the BAFTA Award for the Outstanding British Film of the Year (the Alexander Korda Award)

Winner of 2 Evening Standard British Film Awards: Best Screenplay (Pawel
Pawlikowski) and [the ITV London award for] Most Promising Newcomer ([jointly,] Natalie Press and Emily Blunt)

Winner of the London Film Critics¹ Circle award for Best British Newcomer (Natalie Press)

Nominated for 5 additional London Film Critics¹ Circle awards: The Attenborough Award for Best British Film, Best British Director (Pawel Pawlikowski), Best British Actress (Natalie Press), Best British Newcomer (Emily Blunt), and Best British Screenwriter (Pawel Pawlikowski)

Nominated for 5 British Independent Film Awards: Best Film, Best Director (Pawel Pawlikowski), Best Actress (Natalie Press), Best Supporting Actor (Paddy Considine), and Most Promising Newcomer (Emily Blunt)

Nominated for the Hollywood European Award (for Best European Film of the Year) at the Hollywood Awards

Pawel Pawlikowski (Director/Screenwriter)

In January 2005, Pawel Pawlikowski was named one of Daily Variety¹s ³10 Directors to Watch.²

His last feature as writer/director, Last Resort, won him BAFTA¹s Carl Foreman Award for Most Promising Newcomer. The film also earned the top prize at the Edinburgh International Film Festival ­ as did My Summer of Love four years later.

He has also directed a number of award-winning documentaries, such as Vaclav Havel, From Moscow to Pietushki, Serbian Epics, and Dostoevsky¹s Travels.

Additionally, Pawel won the Evening Standard Film Award for Best Screenplay, for My Summer of Love.

Emily Blunt (Tamsin)

For her feature film debut performance in My Summer of Love, Emily Blunt won the Evening Standard British Film Award for Most Promising Newcomer (shared with Natalie Press), and earned a British Independent Film Award nomination for Most Promising Newcomer as well as a London Film Critics¹ Circle award nomination for Best British Newcomer.

She made her professional acting debut onstage, opposite Dame Judi Dench, in Sir Peter Hall¹s production of The Royal Family at the Haymarket Theatre Royal. Her performance in the play won her the Evening Standard Award for Best Newcomer. She subsequently starred onstage in Richard Eyre¹s award-winning production of Vincent in Brixton, at the National Theatre, and in Romeo and Juliet.

www.mysummeroflovemovie.com <http://www.mysummeroflovemovie.com/>

(from Focus Features and the Deep Ellum Film Festival)
Please email us at bookies@gte.net if interested.


Tuesday, May 24
The Longest Yard.  Free Screening . 
Stop by THE COMIC ASYLUM at 450 N. Jupiter Rd. Suite 112 Garland, TX  75044 (southeast corner of Jupiter and Arapaho) on Tuesday, May 16th after 12 noon to get a free pass to THE LONGEST YARD.  The pass is good for two people and is limited to one per person.

Monday, May 23
Madagascar.  Being touted as this year's Shrek--IMDB it for more information (http://www.imdb.com). 
Free screening at 7:30 pm at Loews Cityplace.  15-20 free passes were still available at 2:00 pm today, 5/12, at Cold Stone Creamery, 1001 Ross Avenue, Suite 120, downtown between Lamar and Griffin, Dallas 75202, phone (214) 720-1320 before you go to make sure they are still available.  A great after-the-end-of-school or needed-break-before-the-end-of-school animated treat for children.
For more information about this film, go to its IMDb page.


After the Movie:  ***1/2  It was a very funny movie with the required "aw shucks" portions required by law.  The kids thought it was great, funny and sad, and they loved the happy ending.  I thought it was mostly funny, but slow in parts as the writers, Mark Burton and Billy Frolick,  ponderously attempted to jerk those tears from their audience.... as they have from time immemorial..... sometimes more successfully than others.  It was no FINDING NEMO, but it was pretty good, and I will say this:  sometimes I laughed so hard, especially at the beginning, that I had trouble catching my breath.  And all this for free!  Can't beat that!  -Ellen

Very Special Event (See additional write-up at the top of the hompage.)
Sunday, May 22
3:00 pm (Note the time change from 2:00 pm) NTM  (North Texas Mensa) Movie SIG (Special Interest Group) Meet and Greet at the Angelika Film Center at Central and Mockingbird.  Please RSVP so we'll know to look for you. We'll watch the next showing (3:40 pm) of The  Parrots of Telegraph Hill and then go to The King and I (right next door)  for drinks and/or snacks and discussion about the movie and the SIG.  I think we'll be safe with this selection because it has been so popular that it has been showing for months in some cities.  If this movie is not showing, we'll vote on another one.  [5/21-It's going to be there for us!]  We look forward to meeting you there just outside the front door.  Contact Tom and Betty Jane Ferguson for more information and to RSVP by email bookies@gte.net.  I've seen the movie three times and it's excellent.  If you saw this movie as a child, you might become a vet or go to med school.  If you saw this movie and didn't like animals, you would probably become an animal lover.  It 's a movie to keep in your heart.

YOUR ATTENTION, PLEASE:

Help to keep this one in Dallas and get it the attendance it deserves.  Some movie data base surveys rate "The Parrots of Telegraph Hill" almost as high as "Million Dollar Baby."  It should definitely be nominated for Best Documentary.

THE WILD PARROTS OF TELEGRAPH HILL

"That rare documentary that has romance, comedy and a surprise ending that makes you feel like you could fly out of the theater..."-San Jose Mercury News

The Wild Parrots of Telegraph Hill is the true story of a Bohemian St. Francis and his remarkable relationship with a flock of wild green-and-red parrots. Mark Bittner, a homeless street musician in San Francisco, falls in with the flock as he searches for meaning in his life, unaware that the wild parrots will bring him everything he needs. Although he is no scientist and this is not a "nature film," Mark becomes something of an expert himself as he consults local birders, and as he feeds, names, studies, and protects the cherry-headed conures. This touching story featuring a surprise ending is sure to move and inspire all audiences alike. (Rated G; 83 min.)

After the movie, but before the event: **** Can't wait to see it again for the fifth time with more friends.

Special Event
Wednesday, May 18
11:00pm. NTM  (North Texas Mensa) Movie SIG (Special Interest Group) As an added Calendar Event for May, the NTM Movie SIG is hosting a 12:01am, Wednesday, May 18th, movie party to see Star Wars: Episode III - Revenge of the Sith on opening day at the ADDISON (not Plano--although both locations are having the  early movie) Movie Grill, 5405 Belt Line Rd. in Addison. (The theater is on the NW corner of Belt Line and Prestonwood--between the Dallas North Tollway and Preston.) We need to be there by 11 pm as the doors open at 11:15. Full service food and drinks are available. Go to studiomoviegrill.com for more info and to order tickets online. You can also buy them in advance at the theater. The auditorium holds 280 and I know tickets are still available, but should be going fast.  They are expecting a sell-out. It is rated PG13. The price for each person is $8.25, plus whatever you eat. RSVP to me as well, as we might be able to guarantee sitting together if we have 20 people going. This should be fun!
Betty Jane Ferguson, bookies@gte.net.

After the event:  **** A great time had by all!  See review at the top of the home page.


Tuesday, May 17.

SAVING FACE

**Director, Alice Wu, in attendance for a Q&A following the film**

Date: Tuesday, May 17th

Time: 7:30PM

Place: Angelika Film Center Mockingbird Station

**Opens Friday, June 17 - Angelika Film Center - DALLAS!

 

Saving Face:

2004 Toronto International Film Festival

2005 Sundance Film Festival

2005 San Francisco International Asian American Film Festival

 

Saving Face is a sexy, charming comic gem about 28-year old New Yorker Wilhelmina (Michelle Krusiec), who juggles a promising career as a surgeon and her responsibilities as a dutiful daughter – but also—to the chagrin of her 48-year-old widowed Ma (Joan Chen)— is still single. During weekly socials in the tightly knit Chinese community of Flushing, Queens, Ma and her cronies nudge eligible bachelors toward Wil, but her eyes are fixed instead on a gorgeous young woman, Vivian (Lynn Chen). This crowd pleasing directorial debut of Alice Wu is the story of unspoken loves, contemporary and cultural taboos, and the journey of two women towards living their lives honestly.

 
After the Event: ****  Alice Lu is a refreshing new writer and director.  She talked with us after the movie.  It's hard to believe that this is her first film.  She wrote this film for her mother, to let her know that there is always a fresh new life to live each day, regardless of your age, if you are willing to go for it and just believe in yourself.   She also delicately and lovingly  presents a love between the two young women (both first-time actors who are definitely going places) that is heartfelt and clearly understandable.  The movie also laughs at the stereotypical Asian parent's views on dating and marriage, but we quickly understand that the same attitudes can be found everywhere in some form or another.  And did I say it was very, very funny.  I laughed and laughed and laughed, and you will too.   Don't miss it.-bj

Monday, May 16
Cinderella Man. 
Free screening at 7:30pm at the Addison Studio Movie Grill.  Contact us immediately for an email pass at bookies@gte.net

Thursday, May 12.
Monster-in-Law. 
Free screening at 7:30pm at Cinemark Tinseltown Plano, Dallas North Tollway at Parker Rd.

After the Movie: ***  I saw this one, waited awhile, saw it again, waited awhile, all for Jane Fonda's sake, and it just didn't help.  It's a poor imitation of "Meet the Parents."  Skip it and rent "Meet the Parents."  Hint:  A film like this works better if you see it with your son or daughter and their potential spouse and you make menacing growling noises through it.  Like when we read a book and fill in the blanks with our imagination and characteristics of people we know, when we see a movie we bring to it our own baggage, our experiences and the experiences of our friends and relatives.  And we relate all this to the movie we are watching.  No wonder we have differing opinions about the same movie--the movie experience, like reading books, is different for each of us.-bj

Tuesday, May 10
Unleashed. 
Free screening at 7:30pm at Loews CITYPLACE, Central Expressway at Haskell Ave. 

After the movie:  ****  One of my favorite gems for the summer.  Jet Li, Morgan Freeman, Bob Hoskins, and Kerry Condon create a superb ensemble piece.  Jet Li (Danny) wears a special dog collar that was put on him as a young boy.  He was trained by Bob Hoskins (Bart) to wreak havoc when it is removed and to be Bart's debt enforcer and fighter.  Danny encounters blind piano tuner Sam (Morgan Freeman) and then his daughter Victoria (Kerry Condon).  Kerry is the weak spot here.  She is quirky enough to carry the part, but the writer should never have let her state her age as "18."  Most works purposely leave out ages and other  personal descriptions.  Each time she is on the screen, I find myself observing that she's too old for the part if she is supposed to be 18.  Morgan Freeman takes credit for suggesting that his character be blind so as to better see the inner qualities of Danny,   To me this sets off parallels to Boris Karloff's Frankenstein, who was also created, kept,  and dangerous when loose.  Like Frankenstein, Danny was also soothed by music, had an encounter with someone who was blind, and was capable of bringing great harm to those he cared for.  Luckily for Danny, the analogy does not hold up after this.  Jet Li's martial arts are impeccable here, smoothly  and quickly moving with special sound effects adding the crunch. Having Woo-ping Yuen, the same master martial arts choreographer from  "The Matrix," "Crouching Tiger, Hidden Dragon."  "Kill Bill," "Once Upon a Time in China," " Drunken Master," and "Kung Fu Hustle" insured this.  Jet Li should be commended for creating a very sympathetic character visually, without uttering more than a few words throughout.  I'll probably go see it again soon.-bj

Tuesday,  May 10
Kicking & Screaming.
  Free screening at 7:00 pm (note time) at the AMC Valley View 16 (top floor of Valley View Mall - LBJ at Preston Road). Contact us for tickets.

Monday, May 9

Bit Parts (Comedy Horror Film).  Free Private Screening at 8:00pm (note the time) at the Dallas Angelika Film Center at Mockingbird and Central (75).   18 to 34 year olds only.  Limited seats.  First come, first served. Just show up.  This is not a premiere; no press please.

After the Movie:  Well, not really.  Heather went to this one and walked out after 10 minutes saying it was too bad to sit through.  Not a good sign.

Thursday, May 5
Crash. 
Free screening at 7:30 pm  at the Cinemark 17 at Josey and Forest, just south of LBJ.  

Seating has probably been overbooked, so you will need to be at the theater by 6:00 - 6:15 to ensure a seat.  This was one of the hits at the USA Film Festival last week.

Info from Internet Movie Database:.

Crash (2004)

cover Directed by
Paul Haggis

Writing credits (WGA)
Paul Haggis (story)
Paul Haggis (screenplay) ...
 (more)


Genre: Drama / Crime / Mystery (more)
 
Tagline: You think you know who you are. You have no idea. (more)

Plot Outline: A car accident brings together a group of strangers in Los Angeles. (view trailer)

User Comments: Good movie, But a little over the top (more)

User Rating: *******___7.2/10 (264 votes)

Cast overview, first billed only:
Sandra Bullock .... Jean
Don Cheadle .... Graham
Matt Dillon .... Officer Ryan
Jennifer Esposito .... Ria
William Fichtner .... Flanagan
Brendan Fraser .... Rick
Terrence Dashon Howard .... Cameron (as Terrence Howard)
Ludacris .... Anthony (as Chris 'Ludacris' Bridges)
Thandie Newton .... Christine
Ryan Phillippe .... Officer Hanson
Larenz Tate .... Peter
Tony Danza .... Fred
Keith David .... Lt. Dixon
Shaun Toub .... Farhad
Loretta Devine .... Shaniqua
  (more)

MPAA: Rated R for language, sexual content and some violence.
Runtime: 100 min
Country: USA / Germany
Language: English
Color: Color
Sound Mix: Dolby Digital
Certification: UK:15 / USA:R

After the Movie:  **** I liked "Crash," but you might want to try approaching  it differently.  It is not an in-depth character study of these people, although the deft writing gives you the impression that these people are actual people with very full lives.  What you have instead is a broader representation of a problem and its various parts, causes, and its future if left unaddressed.  The problem is ignorance.  We've spent a lot of time and energy on how people from different ethnic backgrounds are different, but far too little time and energy has been spent on how we are similar.  Therefore, we are ignorant of our great similarities and we tend to fill in our picture with stereotypes.  What we don't know we tend to fear.  Fear manifests itself as anger; anger leads to hate; hate leads to violence. 

Now back to the movie. Writer and Director Paul Haggis gives us characters who are imperfect.  Some are prejudiced or racist knowingly or unknowingly.  Some make false assumptions based on stereotypes or what they have been taught growing up.  Some of these assumptions lead quickly to fear, anger and attempted murder.  The effects of feeling prolonged stereotypical treatment also tend to deaden normal communication, and bad things happen because normal helpful responses do not occur to clear the air. Some are publicly unprejudiced, but privately, perhaps unconsciously racist. One has only the slightest dawning inkling that she might have been mistaken in one of her assumptions and still has no idea of the enormous pain she has been inflicting on others.  "Crash" was named because in New York City people don't have much personal contact (probably because of the number of people which causes people to maintain any kind of personal space between them and other people that they can get and because they are always under time pressures that leave them little time to stop or even slow down to talk with others); in fact, one of the only ways left to get this contact is to crash into each other.  Of course 'Crash" also refers to THE Crash which ties most of the characters together.  This movie is meant to start deeper discussion about the many faces, some broad and others subtle, of prejudice and racism--before we all end up in terrible crashes. The movie implies they are already happening.-bj.

Monday, May 2

Monster-in-Law (comedy with Jane Fonda and Jennifer Lopez).  Free screening at 7:30 pm at the Dallas Angelika (Mockingbird Station - northeast corner of 75 and Mockingbird Lane.  Passes (1 pass is good for 2 people) may be picked up on Saturday, April 30 at 11:00 am at Cymbidium, 5307 E. Mockingbird Lane, Suite 140, in Dallas (in Mockingbird Station next to Cafe Express), phone (214) 823-4311.

Tuesday, April 26

xXx State of the Union.  Free screening at 7:30 pm at AMC Valley View 16 at Preston and LBJ.  Passes may be picked up on FRIDAY, April 22 at 4:00 pm at The Car Stereo Store 6130 Greenville Ave. Dallas  75206, phone (214) 696-9988. 

(Vin Diesel is not in it, but his character is.  That translates to "We need to see it to know what happens next in the continuing saga, particularly to his character Zander, but we REALLY wanted to see Vin continuing as Zander." This is also what happened with the sequel to Fast and the Furious.  [I guess you have figured out that I want to see Vin Diesel in anything he does.  And, yes, I have see everything he has done.  I remember seeing him first in Fast and Furious at a dollar movie.  We slipped in for the last show and I was surprised to find the auditorium totally packed with very supportive, interactive fans.  Whole families were sitting on the floor in the back with their families, picnicking.)  After the movie let out, lots of cars left the parking lot in full Fast and Furious mode. You do know that you have to see what happens AFTER the credits to find out how things finally turned out.  Vin has the charisma to be here from now on. If you haven't caught his rising star yet, start out with Fast and the Furious, then go backwards and forwards to see his other movies.])

After the Movie:  **1/2.  I did not like this movie very much, if at all.  Yes, there were fast cars to draw in the "Fast and the Furious " fans.  There were some shooting and action scenes to draw in the "xXx" fans.  But trying to make xXx into a franchise like 007, switching out people and the main character's profile willy-nilly, doesn't cut it for me.  Let me have the extreme sports and special effects that are really special. 
Bring back the exotic villains and the strong women who give Vin, oops, xXx, a run for his money.  Don't give me plain ole ordinary, find-them-every-day-in-the-news greedy, corrupt politicians for villains.   Ice Cube plays well in family films, but he is not tough enough to be a true xXx; we need a pirate (good/bad); we need Vin.  Please, rethink your original concept before you get so far away from what made xXx great that you can't return.

Monday, April 25
The Hitchhiker's Guide to the Galaxy free screening at 7:30 pm at Cinemark 17, 11819 Webb Chapel Rd (635 and Webb Chapel), Dallas Texas.  Passes may be picked up on Saturday, April 23 at 12 pm at Duffy's Sports Grille, 8604 MacArthur Blvd in IRVING, two blocks north of LBJ, phone (972) 409-9122. 

Arthur Dent lives a perfectly ordinary life, which changes one fateful day when the Earth is destroyed by an evil alien construction crew. Dent's friend Ford Prefect reveals himself to be an alien reseacher for The Hitchhiker's Guide to the Galaxy, who was in charge of the entry for Earth (he eventually settled on "mostly harmless"), and rescues Dent in the nick of time. Dent is taken to Prefect's ship, which also houses the sexy Trillian and the eternally depressed and sarcastic Marvin the Paranoid Android. Together, this crew is all set to go on a fantastic adventure across the galaxy, with Arthur left to simply keep in mind the motto written in large, friendly letters on the Guide's cover: DON'T PANIC.  (from Internet Movie Database)

After the movie:  **** Review coming soon.

SPECIAL EVENT Benefiting The Lone Star Film Society
Thursday, April 21
Fort Worth Film Series
, RAVE Motion Pictures  2300 Green Oaks - Ridgmar Mall Admission $5.

Z Channel

Launched in 1974 in Los Angeles, Z Channel was one of the country's first pay cable stations.  Z Channel's prominence was solidified in 1980 when maverick programmer Jerry Harvey took over as head of programming.  Z's uniqueness was attributed to Harvey and his staff's determination, diverse taste and encyclopedic knowledge of cinema.  Harvey's programming showcased a combination of classic, international, independent, and Hollywood films. Z was the first to develop programming innovations such as 'director's cuts' and uniquely themed on-air festivals, while also airing many rare and never before seen exclusives and critically acclaimed films not in the mainstream.

The documentary chronicles Harvey's emergence as a brilliant programmer, but also explores Harvey's emotional and psychological descent, which eventually resulted in a shocking murder/suicide and the eventual demise of Z Channel itself.

Seventy 8

Renny Meeks is a lonely, mentally challenged man with an IQ of 78.  A series of murders on film strangely begin to occur again.  Scared, with nowhere and no one to turn to, he finds shelter in Alice.  She sees a lot of herself in Renny. 
The outside world becomes a more dangerous place than they could ever imagine.  In a tumultuous and surprise ending, Renny and Alice must face an entire town intent on seeing Renny die for the crimes they believe he committed. 
"A suspense thriller that keeps the viewer on edge."
- Bobbie Wygant, NBC 5
"Strong performances, with a Hitchcockian air."
- Jane Sumner, Dallas Morning News

Wednesday, April 20

Beautiful Boxer free screening at 7:00 PM at Regent Highland Park Village. Pass pickup is Saturday, April 16 at 1:00 PM at Andrew's Fine Beverages, 2520 Ross Avenue, Dallas 75201, phone (214)965-9118.  We also have email passes to this one.  Contact us at bookies@gte.net.

Based on the real life story of Parinya Charoenphol, a Muaythai boxer who underwent a sex change operation to become a woman. The movie chronicles her life from a young boy who likes to wear lipstick and wear flowers to her sensational career as kickboxer whose specialty is ancient Muaythai boxing moves which she can execute expertly with grace and finally her confrontation with her own sexuality which led to her sex change op. (from Internet Movie Database)

Wednesday, April 20
Winter Solstice free screening at 7:30 PM at the Angelika on Mockingbird. Pass pickup is Saturday, April 16 at 10:00 AM at ZJ's Portal, 15615 Coit Road #120, southwest corner of Coit & Arapaho, Dallas 75248, phone (214)237-5922

In this suburban drama, a widower (played by Anthony LaPaglia) confronts his older son's (played by Aaron Stanford) decision to leave home and his younger son's self-destructive behavior. (from Internet Movie Database)

After the movie:  **1/2.  Please understand that if I fall asleep in a movie, I try to see it again before reviewing it negatively because I don't know whether I was just exhausted or the movie put me to sleep.  In this case I didn't fall asleep again, but the people with me either fell asleep or asked to leave because they were so bored--thus the rating.  In a movie, even the most potentially interesting stories can be made lethargic without writing that zings.

SPECIAL EVENT
Tuesday, April 19
Cost of War Free but donations accepted.
Reception at 6:30, film at 7:00 p.m, followed by discussion with the filmmaker and an Iraq war veteran featured in the film.  This new documentary by Patrick Phillips will be screened at the McKinney Avenue Contemporary, 3120 McKinney Avenue.  Freewill donations will go to the filmmaker and the Dallas Peace Center.

"Never before has truth suffered so greatly in time of war. This documentary seeks to give voice to truth through the experiences and observations of soldiers, veterans, and their families. 
 
"The Cost of War offers only a brief glimpse of the war in Iraq and its incalculable human, personal, psychological and social costs but it comes from a critical source - the perspective of those who have experienced war first hand. 
 
"In The Cost of War, Iraq war veterans recount their views prior to deployment, their experiences in Iraq, and how those experiences changed them. Families and loved ones of those called on to fight in Iraq recount how the experiences of their loved ones have affected those they left behind. 
 
"Veterans of Korea, Vietnam and Operation Desert Storm provide a perspective on these current wars, informed by their own experiences in those earlier conflicts and the truths they came to know. 
 
"With an understanding of true patriotism born of experience, these men and women explain why they reject the claim that supporting the war is 'supporting the troops.'  They represent a long established and rapidly growing group of service members, veterans and military families who challenge the notion that blind loyalty in time of war is the mark of the patriot. 
 
"The Cost of War explores the costs - in lives ended, families destroyed, health sacrificed and dreams lost - of waging war. It is not a pretty story with flags waving and music playing. It is the truth. It is a truth that every citizen of this country who really seeks to 'support the troops' must learn.  

"How the story ends is up to us".  (from the filmmaker)

After the event:  **** Review coming soon.

Monday, April 18
A Lot Like Love free screening at 7:30 PM at Loews Cityplace. Pass pickup is Saturday, April 16 at 12:00 noon at Dancemasters, 10675 E. Northwest Highway, Dallas 75238, phone (214)553-5188. 

On a flight from Los Angeles to New York, Oliver (Kutcher) and Emily (Peet) make a connection, only to decide that they are poorly suited to be together. Over the next seven years, however, they are reunited time and time again, they go from being acquaintances to close friends to ... lovers? (from Internet Movie Database)

Thursday, April 7
The Dallas Film Series screens  films on Thursday, April 7 beginning with Z CHANNEL at 7:30 followed by SEVENTY-8 at approximately 9:00.  Dallas Film Series screenings are held at Studio Movie Grill (5405 Beltline Road - Addison) and admission is $5.

Thursday, April 7

Kung Fu Hustle free screening at AMC GRAND 24 10110 Technology Blvd. East (I-35 Stemmons Fwy & Northwest Hwy), Dallas, Texas. Contact Betty Jane at bookies@gte.net for email pass.

After the movie: **** See top of the home page for review.

Wednesday, April 6
Sahara
free screening.  Pass pickup is at Saturday, March 26th after 12 noon at TITAN COMICS, 3701 W. NW Highway Suite 125 Dallas, TX 75220.

Wednesday, April 6

Fever Pitch free screening at 7:30 PM at Loews Keystone. Pass pickup is Sunday, April 3 at 2:00 PM at Rawlings All American Grille, 1000 Ballpark Way, Suite 401 at Ameriquest Field in Arlington.

Monday, April 4
Sahara free screening at 7:30 PM at AMC Valley View. Pass pickup: Friday, April 1 at 4:00 PM at The Car Stereo Store, 6130 Greenville Avenue, Dallas 75206

Thursday, March 31
Sin City
free screening.  Pass pickup is at Saturday, March 26th after 12 noon at Zeus Comics Turtle Creek Village 3878 Oaklawn Ave, Suite 100E, Dallas, TX 75219.

After the movie:  **** See top of the home page for review.

Tuesday, March 29
The Ballad of Jack and Rose free screening at 7:30 PM at the Plano Angelika. Pass pickup begins Saturday, March 26 at 11:00 AM at Forever Floral, 560 W. Parker Road at the North Dallas Tollway, on the southeast corner, Plano 75093

Tuesday, March 22
Guess Who
free screening at 7:30 pm Cinemark 17 11819 Webb Chapel Road, Dallas.  The pass pickup is on Friday, March 18 at 4:00 pm at The Car Stereo Store 6130 Greenville Ave between Lovers Lane and Caruth Haven.

Wednesday, March 16

The Upside of Anger free screening at 7:30 PM at Cinemark Tinseltown Plano
Pass pickup begins Saturday, March 12 at 1:00 PM at Elbow Room, 3010 Gaston Avenue, Dallas 75226, phone (214)828-9488.

After the movie:  ***1/2 Review coming soon.

Wednesday, March 16
The Ring Two free screening at 9:00 PM at Cinemark 17.  Pass pickup begins Friday, March 11 at 5:00 PM at Lone Star Comics, 6465 E. Mockingbird at Abrams, Dallas 75214, phone (214)823-0934.

After the movie:  *** Review coming soon.

Tuesday, March 15
Nobody Knows free screening at 7:30 PM at Angelika Film Center at Mockingbird Station. Screening is sponsered the Asian Film Festival of Dallas.  Contact Betty Jane at bookies@gte.net for email pass, be sure to put Movie SIG in the subject line.

Monday, March 14, 2005
Millions free Screening at 7:30pm at Inwood Theatre (newly remodeled!) 5458 W. Lovers Lane At Inwood Road.  Admission is FREE but you must RESERVE YOUR TICKETS via the USA Film Festival.  After the film screening, director Danny Boyle will answer questions from the audience - from both kids and adults - and will autograph posters of MILLIONS.  TO RESERVE TICKETS - Please contact the USA Film Festival via email at USAFilmFest@aol.com - Please include your DAYTIME TELEPHONE number and the NUMBER OF TICKETS you would like to reserve.  You will receive email confirmation and further instructions.

Saturday, March 12
Millions
Free Screening at 11:00 AM at AMC Valley View.  Pass pickup is on Saturday, March 5 at 11:00 AM at ZJ's Portal, 15615 Coit Road, Suite 201 in Dallas, phone (214) 237-5922.


Thursday, January 27
The Merchant of Venice. 
Free Screening at the Angelika Film Center at 7205 Biship Road, PLANO, TX 75024 at 7:30pm.  A free pass may be printed out at http://www.wrr101.com/headlines/merchant_venice.shtml.

Thursday, January 27
Hide and Seek.  Free Screening at Lowes Keystone at 7:30pm.  Pick up a pass on Saturday, January 22, from noon to 2 PM at: CD UNIVERSE, 4043 Trinity Mills Suite 104, Dallas, TX 75287.

Tuesday, January 25
THE CHORUS (LES CHORISTES). In French with subtitles.  Free Screening at 7:30pm at Landmark's Magnolia Theater.  Contact bookies@gte.net for copy of email pass.

Tuesday January18
ASSAULT ON PRECINCT 13 Free Screening at Cinemark 17 at 11819 Webb Chapel Road at LBJ, Dallas, TX  75234 at 7:30 PM.  Available from KLLI Radio by email at http://live1053.com/movies.asp

Thursday, January 13
ASSAULT ON PRECINCT 13 Free Screening at Cinemark 17 at 11819 Webb Chapel Road at LBJ, Dallas, TX  75234 at 7:30 PM.  Pick up a pass on Saturday, January 8 from 11 to 2 PM at any P.D. Johnson's
Location:
P D Johnson Deli 2711 McKinney Avenue between Worthington and Boll, Dallas, TX 75204 (214) 720-2223
P D Johnson Deli 6026 Luther Lane between Preston and Tollway south of NW Hwy, Dallas, TX 75225 (214) 691-8100
P D Johnsons Deli 1520 Main Street downtown east of Akard, Dallas, TX 75201 (214) 760-9990

Wednesday, January 12
ELEKTRA Free Screening at Loews Cityplace at 2600 North Haskell Avenue east of Central, Dallas, TX  75204 at 7:30 PM.  Pick up a pass on Saturday, January 8 from 11 to 2 PM at: NODDING DOG CAFE 500 N. Bishop Avenue at E. Davis (Hwy 180), Dallas, Texas (214) 941-1166 Also available on Saturday, Janurary 8 at 1:00pm at Zeus Comics at Turtle Creek Village 3878 Oaklawn Ave south of Avondale, Suite 100E Dallas, TX 75219. 214.219.TOYS.

Monday, January 10
COACH CARTER
Free Screening at Cinemark 17 at 11819 Webb Chapel Road at LBJ, Dallas, TX  75234 at 7:30 PM.  Pick up a pass on Saturday, January 8 from 11 to 2 PM at: JUICE ZONE 3001 Knox Suite 101 at Central Expwy, Dallas, Texas. (214) 526-1811.

Monday, January 10
THE ASSASINATION OF RICHARD NIXON.
Free Screening at the Magnolia at 3699 McKinney Avenue at Lemmon, Dallas, TX  75204 at 7:30 PM.  Pick up a pass on Saturday, January  8 at 1 PM at: ANDREW'S FINE BEVERAGES 2520 Ross at Hawkins, Dallas, Texas (214) 965-9118.

Monday, January 10
THE CHORUS (LES CHORISTES). In French with subtitles.  Free Screening at 7:30pm at the Dallas Angelika Film Center, 5321 E. Mockingbird Lane #230, Dallas, TX  75206. The director of the film, Christophe Barratier, will host a Q&A after the screening. As a courtesy to him please stay seated after the film.  Contact bookies@gte.net for copy of email pass.

Thursday, January 6
HOTEL RWANDA Free Screening at 7:30pm at the Dallas Angelika Film Center 5321 E. Mockingbird Lane #230, Dallas TX  75206 www.mgm.com/ua/hotelrwanda Pick up a pass on Sun Jan 2 from 11-2 PM at: TEJANO MEXICAN RESTAURANT 110 W. Davis St at N. Beckley Dallas, TX 75208 214-943-8610

Wednesday, January 5
IN GOOD COMPANY Free Screening at 7:30 PM at Loews Cityplace www.ingoodcompanymovie.com.  Pick up a pass on Sat 1/1 and Sun 1/2 at 3:30 PM at:INSOMNIA COFFEEHOUSE & ART CAFE, 2640 Elm St. between Good Latimer and Crowdus, Dallas, TX 75226 (214-573-6655)


Tuesday, Janurary 4
MILLION DOLLAR BABY Free Screening at 7:30pm at the Dallas Angelika Film Center, 5321 E. Mockingbird Lane #230, Dallas, TX  75206.   www.milliondollarbabymovie.net.  Pick up a pass on Saturday, Jan. 1, 3-5 PM at: ALFREDO'S 4043 Trinity Mills Rd at Westgrove East of Midway, Dallas, TX 75287.  972-307-1678

Tuesday, Janurary 4
WHITE NOISE, www.whitenoisemovie.com, free screening at 7:30 PM at Loews Cityplace. Pick up a pass on Sun, Jan 2, from 12-3 PM at :MURPHY'S MUSIC, 940 W. Airport Freeway 183 east of MacArthur, Irving, TX 75062, (Next to Crystal's Pizza) 972-554-6030

Tuesday, Janurary 4
THE WOODSMAN Free Screening at 7:30pm at the Dallas Angelika Film Center, 5321 E. Mockingbird Lane #230, Dallas TX  75206 www.thewoodsmanfilm.com Pick up a pass on Sat, Jan 1 from 11-2 PM at: JUICE ZONE, 3001 Knox St at Central Expwy, Suite #101, Dallas, TX 75205.  214-526-1811

Wednesday, December 22
POSTMEN IN THE MOUNTAINS.  Free Screening at 7:30pm at the Dallas Angelika Film Center 5321 E. Mockingbird Lane #230, Dallas TX  75206.  The film won a trio of awards, including Best Picture and Best Actor, at China's top Golden Rooster Movie Awards. The film also won People's Choice Award at Montreal World Film Festival and nominated for Grand Prix des Ameriques. Contact bookies@gte.net for copy of email pass.

In a remote mountain village in southern China, a son accompanies his father on his last trip as the village mail carrier. The trip is long and arduous, but the struggle signifies to the son the journey his father's life has taken as well as the magnitude and honor of the responsibilities that are now being handed down to him. The village postman delivers letters and newspapers in the mountain area by foot. Day after day, year after year, he comes and goes, comes and goes... Although the work is monotonous, the postman never complains. In his eyes, the tedious work proves his worthiness to the society.

After the Show: ***1/2 This is a very rewarding simple, understated film with only a father, a son, a mother, a dog, and a few villagers in it, but it is a great film, beautifully photographed in Hunan that will teach you more about  values and relationships and the rural life in China in 10 minutes than you will learn watching other entire films.  Be aware that the name of the dog before being mistranslated, means "second son."  The whole family would enjoy it, provided attention spans are not too short because it slowly unrolls its treasures.  It is not flashy, but it is filled with beauty.

Tuesday, December 21
BEYOND THE SEA. Free Screening at 7:30 PM at Cinemark Tinseltown Plano (Tollway @ Parker). Contact bookies@gte.net for copy of email pass.

Tuesday, December 21
The Aviator. Free Screening at 7:00pm at the Dallas Angelika Film Center 5321 E. Mockingbird Lane #230, Dallas TX  75206. The pass pickup, while supplies last, begins Saturday, December 18 at 11:00 AM at Juice Zone, 3001 Knox, Suite 101, Dallas 75205.  Be sure to arrive 1 1/2 hours before showtime to get a seat.

After the show:  ****Definite front runner for an Oscar for both best film and best actor (Leonardo DiCaprio) and possibly best actress (Cate Blanchette).  Very well done!  You won't dare take the time to get a cough drop because you might miss something.  It covers 20 very exciting years in his life, both his achievements in film making and the aircraft industry, as well as insights into his personal and public life that may have been publicized back in the day, but will be news to most of us.  No, you won't get a definitive key to Howard Hughes (yes, you will feel his mother taught him some very strange lessons about life--yet you know there was more going on with him than just being taught to be paranoid), but you will definitely feel his genius and his pain.  DiCaprio does a  wonderful job of seeing to this. Cate plays Katherine to a farethewell, but DiCaprio is Howard Hughes.   The whole movie works beautifully.  And, yes, that means Scorsese is definitely worth a nomination for best director.
Added tip not found in film:  Check out the Evergreen Aviation Museum (close to McMinn, Oregon) website to find out where the Spruce Goose (oops, I mean the Hercules/HK1/H4) is now.

Monday, December 20
The Phantom of the Opera. Free screening at 7:30pm at Loews Keystone at 13933 N. Central Expy at Spring Valley Rd., Dallas, TX 75243 Phone: 972-671-1020. The pass pickup, while supplies last, begins Friday, December 18 at 11:30 AM at The RoomStore, 4265 LBJ Freeway at Midway Road (northeast corner), Dallas 75244

After the Show:  ***3/4.  For days after the music and the fine quality of the singing by the three main parts will be floating around in your head, leaving you to ask when the cd for the movie will be available.  The sets, the costumes, the fine performances by the three leads all helped me believe the tale being told.  I saw the original movie on TV many times, but  long ago, and have yet not had the pleasure of seeing the play, so I came to the movie with fresh eyes, and the story has come to life for me.  What I remember as basically a black and white use-your-imagination film has sprung to life with sets and costumes so creative and elaborate, you will not soon forget them.  I  also loved the way the last scene was done.  Enough said, go hear it, see it, enjoy it soon.  Oh, Minnie Driver's part, though providing definite comic relief broke the spell a few times for me.  Also, the whole thing is music, a very original, beautiful, lyrical music.

Monday, December 13

A VERY LONG ENGAGEMENT. Free Screening at 7:30 at The Dallas Angelika. Pass pickup on Saturday, December 11, 11AM-2PM at JUICE ZONE, 3001 Knox, Suite 101, Dallas 75206, inside Mockingbird Station, phone (214)526-1811 http://wip.warnerbros.com/avle/#

After the Movie:  **** After seeing the previews, I assumed the title meant a very long romantic engagement.   After  about  15 minutes of  Private Ryan first scene horror done up for WWI (and which I've heard was being emulated on purpose), I realized that this was going to be a very long MILITARY engagement instead.  Luckily it shifted gears soon and became both, as well as a very fine mystery.  Audrey Tatou delivers the film, along with a slew of supporting characters.  The ending, ah, the ending.  The movie is in French with subtitles.  Do not be distracted when  Jodie Foster enters the scene for a short part speaking fluent French.  Nominations for Audrey Tatou and the movie (best foreign film?)  With all the excellent films around the world this year, it's going to be a tough choice, or perhaps a tie.

Tuesday, December 14

SPANGLISH. Free Screening at 7:30 at Loews Cityplace.  Pass pickup on Saturday, December 11, 2PM-5PM at MATT'S RANCHO MARTINEZ, 6312 La Vista, Dallas (214)823-5517  http://www.sonypictures.com/movies/spanglish/

Wednesday, December 15
HOUSE OF FLYING DAGGERS.  Free Screening at 7:30 at The Magnolia.  Pass pickup on Saturday, December 11, at noon at ASIAN MINT, 11617 N.
Central, SW Corner Forest, phone (214)363-6655. http://www.sonyclassics.com/houseofflyingdaggers/

After the Movie:  **** A stunning full ranging film from the director of Hero, a smaller, yet exquisitely lovely film, that should be seen for its visual effects alone.  I think House of Flying Daggers is better than Crouching Tiger, Hidden Dragon, and it is because of the cinematography and special effects from the same person who gave us Hero.  And if you saw the cinematography in Crouching Tiger, you know this film must be really, really special.  It is.  Of course, the acting is excellent thanks to one of the stars from Crouching Tiger, and the other members of the cast.  The plot is based on a true story and has surprising twists and turns, perhaps one time too much, but, it is based on a true tale and if that's how it happened, then that's how it happened.  It delivers feats in combat and weaponry that far surpass anything I have seen before.  It also deals with all-encompassing true love between individuals, as opposed to the all-encompassing love for country as found in Hero.

Thursday, December 16
THE LIFE AQUATIC WITH STEVE ZISSOU.  Free Screening at 7:30 at The Magnolia.  Pass pickup on Saturday, December 11, from 11AM-3PM at FISH GALLERY, 6955  Greenville Ave, Dallas, (214)750-7002. http://lifeaquatic.movies.go.com/splash.html


Saturday, December 11
Lemony Snicket's A Series of Unfortunate Events
Free Screening on December 11th.  Passes may be picked up at at 11am on December 4th at Zeus Comics at Turtle Creel Village 3878 Oaklawn Ave. Suite 100A Dallas, TX 75219,  Phone: (214) 219-TOYS

This is the story of the Bauedelaires, three young orphans, Violet (Browning), Klaus (Aiken) and Sunny, looking for a new home, who are taken in by a series of odd relatives and other people, including Lemony Snicket, who narrates the film, and starting with the cunning and dastardly Count Olaf (Carrey), who hopes to snatch their inheritance from them.


Tuesday, November 9
FINDING NEVERLAND Free Screening at 7:30pm at Angelika Film Center 5321 E. Mockingbird Lane #230, Dallas TX  75206.  Contact Betty Jane for email pass at bookies@gte.net  See the **** review for this film from August 18 below on this page.

Thursday, November 4
After the Sunset.  Free Screening at Loews City Place Central Expey and Haskell Ave. at 8:00pm.  Print pass from http://live1053.com/sunset_pass2.pdf

After the Movie:  ** 1/2 No other critics seemed to care for this film except for me, so here goes.  This film was eye candy.  Scene after scene of this gorgeous Paradise Island hotel.  I didn't care if it was a movie sell, I saw it when I needed a vacation and escape, and it worked for me.  I also was able to see a very clear plot and reason for actions that seemed implausible to some critics.  I needed an escape, but I was fully awake when I saw the film.  It was worth the $1.50.

Thursday, October 21
Special Event

3 Stars Cinema presents
 
The Golem
 
 
with live music by
¯¯¯     BL Lacerta       ¯¯¯
 
 
Thursday, October 21
7:30pm
Dallas Museum of Art
(1717 N. Harwood St.)
 
 
Come see this 1920 German classic about a clay statue who is brought to life in order to save the Jewish ghetto of Prague, but soon turns against his master.

FREE for 3 Stars Cinema members (please RSVP)
Tickets are $8 in advance, $10 at the door (museum members receive 20% off)
 
(Parking is available in the underground parking facility. Free for museum members, $5 for non-museum members)
 
E-mail Stacy3Stars@aol.com or call 214.443.1957 for more information
 
Wednesday, October 20

The Grudge.
Free Screening at Loews Keystone Park at
13933 N. Central Expy at Spring Valley Rd., Dallas, TX 75243 Phone: 972-671-1020.  Pick up complimentary passes at Just for Play, 6846 Greenville Ave., Dallas just south of Park Ln. on Saturday, October 16 at noon.

Comments:  Passed and saw Ju-on, the original, instead.  Grudge is same film as Ju-on, but with Sarah Michelle Gellar. **1/2 for Ju-on.  Keeps you on the edge of your chair.

Tuesday, October 19

Alfie.
Free Screening at Loews Keystone Park at 13933 N. Central Expy at Spring Valley Rd., Dallas, TX 75243 Phone: 972-671-1020.  Pick up complimentary passes at Juice Zone, 3001 Knox, Suite 1811, Dallas just west of N. Central Expwy. on Saturday, October 16 at 2:00pm.

After the Movie:  **  Sorry, but I really liked the original Alfie, the movie, that is.  Back in the day, his final cut down was really a tragedy for him.  Jude Law's addresses to the audience became annoying quickly, and outside of that gimmick, what was left seemed to be all surface.  Please put this new version with the new version of the Stepford Wives.

Tuesday, October 19

Surviving Christmas. 
Free Screening at Loews Cityplace at 2600 N. Haskell Ave Dallas, TX 75204 just east of N. Central Expwy. Phone: 214-828-6008.  Pick up complimentary passes at Plato's Closet, NW Hwy at Abrams in Medallion Center on Saturday, October 16 at 2:00pm.

Monday, October 18

Vera Drake.
Free Screening
at the Angelika in Plano at 7:30 PM for tickets email:  Sam the mailman

Thursday, October 14

Team America. 
Last Minute Screening on Thursday at Loews Keystone
75 and Central.  For a free pass email Sam the mailman

Thursday, October 7

Primer.
Free screening at the Angelika, in Dallas at 7:30pm with a Q and A after the screening with Shane Caruth, the Writer, Director and Producer.    Pick up complimentary passes at Tru Gamerz, 19009 Preston Rd. Suite 204 at Lloyd, just south of George Bush Frwy on Monday, October 4 at noon. 

See
October 4 information for movie description, comments on ***1/2 film, and how to get more free passes.

Hope to see you there!

Wednesday, October 6

Taxi. 
Free screening at the Cinemark 17 at 7:30pm.  Pick up complimentary screening pass at Paint Yer Pottery, 17194 Preston Rd. Ste. 109, Dallas, (972) 248-0001 on Saturday, October 2 at 11:00am.

Monday, October 4 and Thursday, October 7

Primer. 
Free screening at the Angelika, in Dallas. Screening is at 7:30 PM, with a Q and A after the screening with Shane Caruth, the Writer, Director and Producer. 

Winner of the Sundance Film Festival Alfred P. Sloan Prize and the Dramatic Grand Jury Prize.

Starring Shane Carruth, David Sullivan, Casey Gooden, Anand Upadhyaya

www.primermovie.com
Contact Betty Jane at bookies@gte.net to get email pass to screening.

PRIMER is set in the industrial park/suburban tract-home fringes of an unnamed contemporary city where two young engineers, Abe and Aaron, are members of a small group of men who work by day for a large corporation while conducting extracurricular experiments on their own time in a garage.  While tweaking their current project, a device that reduces the apparent mass of any object placed inside it by blocking gravitational pull, they accidentally discover that it has some highly unexpected capabilities--ones that could enable them to do and to have seemingly anything they want.  Taking advantage of this unique opportunity is the first challenge they face.  Dealing with the consequences is the next.

PRIMER is a mesmerizing thriller that introduces a gifted new filmmaker with an exciting new sensibility. Thirty-one-year-old Shane Carruth, a former engineer who spent three years teaching himself filmmaking, conceived, wrote, directed, edited, and scored PRIMER and also plays one of the lead roles. His impressive feature debut – set in the very world Carruth abandoned to make movies -- tells the story of two engineers who stumble upon a remarkable invention which changes their lives in unimaginable ways. Engrossing and provocative in its exploration of the dark side of human nature and science, PRIMER electrified audiences at the 2004 Sundance Film Festival, winning the Grand Jury Prize and the Alfred P. Sloan Foundation Award for films dealing with science and technology.

The story of the making of PRIMER is as unusual as the movie itself. Carruth, who had a degree in mathematics and worked briefly at three engineering companies, was unhappy with his career choice and decided he wanted to become a writer. He tried his hand at short stories and was halfway through a novel when he realized that he was more interested in working with images than with words. At this point, he made up his mind to pursue a career in film, even though he had no background in the subject.

Fortunately, Carruth’s extensive training in math and science had made him proficient in problem-solving. He cleverly applied these skills to the study of filmmaking. “A lot of math isn’t just the numbers,” he explains. It’s the fact that there is this problem that is seemingly unsolvable in front of you, and yet if you take it apart, it can be solved.” Devising his own lesson plan, he taught himself screenwriting, directing, cinematography, sound mixing, editing, and acting. “I read a lot of scripts, just to see what they’re supposed to look like, and I went to town writing,” he recalls. To learn the basics of film production, Carruth visited production houses in his native Dallas, watched carefully, and asked lots of questions. He experimented with cameras and lighting and devised his own form of storyboarding. Most importantly, he worked on his script.

The inspiration for PRIMER came to Carruth at a time when he was reading books about discoveries. He observed that “whether it involved the history of the number zero or the invention of the transistor, two things stood out. First, the discovery that turns out to be the most valuable is usually dismissed as a side-effect. Second, prototypes almost never include neon lights and chrome. I wanted to see a story that was more in line with the way real innovation takes place.”

While developing the concept of two engineers caught up in a realistic and life-changing discovery, Carruth saw ALL THE PRESIDENT’S MEN for the first time and was both amazed and inspired. As he watched the little clues and pieces of the investigation converge into a larger conspiracy, he knew he could develop his story in this way. “I had a car accident that laid me up for about a month, and I found myself watching a lot of Turner Classic Movies,” he recalls. “For the first time, I watched films like THE CONVERSATION, NORMA RAE, ALL THE PRESIDENT’S MEN -- and I was amazed. ALL THE PRESIDENT’S MEN, in particular, is a procedural -- all the drama is in the revelation, not some actor pushing it over the top. It’s about how these small details are revealed to make up the bigger picture. That validated for me that PRIMER could be a compelling narrative without neon or special effects or smoke screens. I don’t care much for the aesthetic of lasers and aliens and that kind of thing. Science Fiction is one of the best tools that any writer has available because it allows you to freely address universal themes, qualities of being alive on this planet -- and that’s what’s incredibly interesting to me.”

His concept in place, Carruth spent a year developing and writing PRIMER’s screenplay. From the start, he wanted his dialogue to sound absolutely authentic. The only way to accomplish this goal was to immerse himself in the study of physics -- the shared fixation of his characters -- until he became “conversant” in it. “I had never taken a physics course,” recalls Carruth. “but I read a lot about it and consulted graduate student research projects I had found online.” In the movie, conversations among the characters are extremely realistic: they talk to each other using the kind of techno-speak that would come naturally to work-obsessed scientists.

In fact, Carruth faced quite a challenge in finding actors who could manage his low-key, conversational dialogue. “That was a terrible process -- trying to break actors of the habit of filling each line with so much drama.” he recalls. Dallas-based actor David Sullivan was cast in the role of Abe, while Carruth, who had no acting experience, decided to play Aaron himself. “By that point,” he explains, “I had memorized the script anyway. And I figured I could count on myself to be there every time we shot!” Carruth conducted month-long rehearsals, going through each scene hundreds of times before the camera started rolling because there was no room for retakes in his frugal budget.

The fact that he had very little money for his production might have prompted Carruth to follow the lead of cost-conscious independent filmmakers who economize by making digital films. But he had very definite ideas about the way he wanted PRIMER to look and knew he could not accomplish it by shooting digitally. “I knew early on that I didn’t want to go digital,” he explains. “It’s not something that, aesthetically, I think is there yet. It works for a lot of subjects, and perhaps it could have worked for PRIMER. But what I wanted, in terms of how the images looked, was pretty straightforward. Because the story gets so fantastical, I didn’t want to be experimental when it came to the medium itself.” Carruth shot PRIMER on Super 16mm, which was later blown up to 35mm. The finished film has a distinct visual style, a flat, contemporary, cold, and intentionally over-exposed look that pays homage to Carruth’s favorites from the 1970s.

Carruth was determined to make PRIMER sound as realistic as it looked. When creating the hum of the time travel machine, for example, he used a mechanical grinder and a car, among other machines. “I knew whatever it was, it couldn’t be a digital sound made in a computer,” he says. “It had to be something that sounded very analog and realistic and felt like it might explode.”

Amazingly, given the film’s impressive production values, PRIMER cost about $7000, or, as Carruth says, “the price of a used car.” Consequently, the crew was very small and very versatile. Like their multi-talented director, members of the production team had to wear many different hats, operating sophisticated equipment one day and moving furniture the next. The film was shot over a period of five weeks in Dallas, where Carruth depended on the kindness of family homes and friends’ apartments for his locations,

Ironically, Carruth’s maverick yet retro approach to filmmaking -- deriving inspiration from the 1970’s, and avoiding digital effects in what is essentially a science-fiction thriller -- has produced a work that is utterly cutting edge. Described by Film Comment Magazine as “a succession of brainstorms, held together by a nearly sublime overlay of sound effects and music,” PRIMER is a fast-moving brain-teaser that challenges its audience to be smart, alert, and open to new experiences. The plot is, at times, confounding, but in a way that leaves the viewer wanting to know more yet comfortable with not always knowing. The sense that facts, information, and what we refer to as “truth” are, in fact, ephemeral, hard to grasp, and frequently just out of reach, characterize both the form and the content of PRIMER.

The film is about one of those turning points in life after which nothing is the same. Carruth has experimented, and many will say he has succeeded, in making a work of art that is itself just this sort of turning point. Following a viewing of PRIMER -- and it may not be one’s last viewing of the film -- nothing about the experience of watching movies is likely to be the same.

After the Movie: ***1/2  Both the director and actor, Shane Carruth and the other main actor, David Sullivan, were at the screening and shared with us how this film came about.  It felt good to have a movie setting (physics project/garage) that we could identify with.  One of our members, who may not have been familiar with our webpage at the time wholeheartedly recommended it to other members of the group.  Keep up the good work, Shane and David.


Thursday, September 30

The Motorcycle Diaries. Free screening at the Magnolia at 7:30p.m. Contact Movie SIG for one available pass for 2 people. See movie description under Modern Art Museum of Ft. Worth Film Festival.

After the Movie: *** The person who was to become Che Gueverra takes a motorcycle road trip with his friend through South America. They meet people and find out about conditions that provide seeds to shape their characters. I particularly enjoyed his working with the leper colony. Then the trip ends and they go their separate ways. We are then given a few paragraphs printed on the screen that say what happened to them later. I expected to see more development in the movie to understand getting from Point A (the trip) to Point B (Cuba) in a few short years.

Tuesday, September 28

Shall We Dance.
Free screening at the Angelika Film Center 5321 E. Mockingbird Lane #230, Dallas TX  75206 11:00am and 7:30pm. Contact Betty Jane at bookies@gte.net to get email pass to screening.

The director, Peter Chelsom, will be available for a Q&A after the screening. Please remain seated after the film ends as a courtesy to Mr. Chelsom.
For longer than he can remember, John Clark (Richard Gere), has led a dull existence... and even with a successful career, charming wife (Susan Sarandon) and a loving family, he still feels like something is missing as he makes his mind numbing commute through the city each day.

But one night, on his evening ride home, he looks up to see a beautiful woman (Jennifer Lopez) staring through the window of a dance studio. Haunted by her gaze, John impulsively jumps off the train and signs up for dance lessons... and his whole life begins to change.

Now, he is entering a world he never imagined- the colorful world of competitive ballroom dancing. It's a place filled with grand passions, bitter rivalries, great friends and strange couples and it's about to re-ignite the excitement in John's life- not to mention the lives of his family, dance instructors and fellow classmates- in ways he's never dreamed.

Directed by Peter Chelsom from a screenplay by Audrey Wells, SHALL WE DANCE? is a story about dreams we follow and the lives we change along the way.

After the Movie: *** 1/2.  A very good movie for you to just sit back and become a part of.  The dance studio and the characters will linger in your mind.  Very entertaining.  Tom, Heather, and I enjoyed it thoroughly.  A great story.  Dancers from Arthur Murray entertained everyone while we waited in line and in the theater before the performance.  Shall We Dance makes you want to dance.  Group dance lesson passes were given out.  Hmmmm.  Peter Chelson was delightful, and he has a hit on his hands.  I do want to check out the original movie in Japanese, to see the impact of a different ending.  I liked Peter Chelson's ending just fine and felt it completed the momentum of the film.  The original movie has been a classic for years, but without having seen it first, I was fully contented with Peter Chelson's new version and recommend it to all. --bj

Monday, September 27

it was one of the most moving, caring and compassionate films I have ever seen. I would encourage everyone to go see it." -- Clive Miskin
 
Film Poster - Click Here
 
Monday, September 27th
Angelika Film Center PLANO
7:30 pm
 
Join us and Ami's family for this very special screening.
Cookies and discussion with the family after the film.
 
View a trailer of the film http://www.39poundsoflove.com/filminfo.htm
 
Since this is a PRIVATE SCREENING, tickets must be pre-paid. (3 Stars Cinema members, as always, can see this film for FREE, but please RSVP.) Non-member price is $10.
 
Pay by check or credit card.
Checks can be mailed to:
3 Stars Cinema
3401 Armstrong Ave.
Dallas, TX 75205
 
Credit card information can be e-mailed to Stacy3Stars@aol.com or call us at 214.443.1957. This is a voice-mail line only, but calls will be returned within 24 hours.
 
HOPE TO SEE YOU ON MONDAY!

Monday, September 27


Sideways.
Free screening at the Magnolia Theater at 7:30pm. 
Contact Betty Jane at bookies@gte.net to get email pass to screening.

A wine tasting road trip to salute Jack’s (Thomas Haden Church) final days as a bachelor careens woefully sideways as he and Miles (Paul Giamatti) hit the gas en route to mid-life crises. The comically mismatched pair, who share little more than their history and a heady blend of failed potential and fading youth, soon find themselves drowning in wine and women (Sandra Oh and Virginia Madsen). Emerging from a haze of pinot noir, wistful yearnings and trepidation about the future, the two inevitably collide with reality.

SIDEWAYS was helmed by the critically acclaimed Alexander Payne, who wrote the screenplay with his longtime screenwriting partner Jim Taylor based on the novel of the same name by Rex Pickett.

On the road trip of a lifetime are Paul Giamatti, whose leading role in last year’s AMERICAN SPLENDOR earned him the National Board of Review Award for Breakthrough Performance by an Actor, and Thomas Haden Church from television’s “Wings” and “Ned and Stacy” and the feature film 3000 MILES TO GRACELAND. Along the way the men are joined by Virginia Madsen (DUNE, THE RAINMAKER) and Sandra Oh (UNDER THE TUSCAN SUN, LAST NIGHT).

SIDEWAYS was produced by Michael London (THIRTEEN, HOUSE OF SAND AND FOG) with George Parra, a seasoned assistant director on such films as LEGALLY BLONDE 2 and ABOUT SCHMIDT, as co-producer. The director of photography is Phedon Papamichael, ASC (MOONLIGHT MILE, IDENTITY). The editor is Kevin Tent, A.C.E., and the production designer is Jane Ann Stewart, both of whom worked with Payne on ABOUT SCHMIDT, ELECTION and CITIZEN RUTH.

After the Movie:  *** 1/2. Tom, Paul, and I enjoyed this one a lot.   What a foursome!  You'll laugh from way down deep at some of the situations.  A tour de force.  And, the most delightful introduction to wines you could ever wish for.  You will smell and taste them.  Plus, characters you come to care for. --bj

Wednesday,September 22
The Forgotten free screening at Cinemark 17 at 7:30pm.  The pass pickup, while supplies last, begins on Saturday, September 18 at 11:00am at Vermillion Restaurant at 4447 N. Central Expwy. at Knox.

Tuesday, September 21

Shaun of the Dead free screening at AMC Valley View at 7:30pm. The pass pickup, while supplies last, begins on Saturday, September 18 at 12:00 noon at Fat Straws, 6509 W. Park in Plano, phone number (972) 403-7403.

9/20 Two tickets are available. Email the Movie SIG. I've heard this movie referred to as a great romantic zombie date movie. I'm curious. Just what does that mean?

Wednesday, September 15

BRIGHT YOUNG THINGS at the Angelika Film Center 5321 E. Mockingbird Lane #230, Dallas TX  75206 7:30pm. Contact Betty Jane at bookies@gte.net to get email pass to screening.

"A glittering cast...slick, excellent." - Derek Elly, Variety

"A delightful whirl of a movie that fizzes with energy and poignancy."
- Natasha Poliszczuk, InStyle

An eagerly anticipated directorial debut of distinguished actor and
writer Stephen Fry, this stylistic and charming film has impressed critics
everywhere. Based on Evelyn Waugh’s early novel “Vile Bodies,” it
follows a group of young London aristocrats in the 1930s who are known to the
tabloids as the ‘Bright Young Things.’ This party-going and party-throwing
circle of friends adopt all modernisms available to them, creating a delightful
mix of satire and farce, until they are forced to discover what they value most
in life. The incredible cast includes Jim Broadbent, Richard E. Grant,
Stephen Campbell Moore, Emily Mortimer, Dan Aykroyd, Stockard Channing, Sir John Mills, and Peter O’Toole. (Rated R; 105 min.)

After the Movie: ***1/2 Very entertaining. Reminiscent of The Great Gatsby. Captures a slice of London life in the 30's. Makes you want to know more about this historical period. But even more than capturing the period, if captures people learning what is really of value to them in a most unusual way. A good double feature with Sky Captain from the 40's. Evelyn Waugh has inspired many writers and this movie shows why. --bj

Thursday, September 16
Ray at the Angelika Film Center, 5321 E. Mockingbird Lane #230, Dallas TX  75206.  Tickets available at the Angelika Film Center box office anytime after 6:00p.m. on Friday, September 10, 2004.  Please contact Betty Jane Ferguson at bookies@gte.net for a copy of the email that is to be traded for a free pass.

There will be a Q&A with Jamie Foxx immediately following the screening.

Comment:  There were only 30 passes given out.  Everyone else got a Wednesday morning without Jamie pass, which was also separately advertised as not needing a pass at all.  Should be interesting.

Wednesday morning pass for two available; call Betty Jane.

Ray is the never-before-told, musical biographical drama of American legend
Ray Charles. Featuring a remarkable performance from Jamie Foxx in the
central role, Ray follows the inspiring story of a one-of-a-kind genius.

Born in a poor town in Georgia, Ray Charles went blind at the age of seven shortly after witnessing his younger brother's accidental death. Inspired by
a fiercely independent mother who insisted he make his own way in the world,
Charles found his calling and his gift behind a piano keyboard. Touring
across the Southern musical circuit, the soulful singer gained a reputation
and then exploded with worldwide fame when he pioneered incorporating
gospel, country, jazz and orchestral influences into his inimitable style.
As he revolutionized the way people appreciated music, he simultaneously
fought segregation in the very clubs that launched him and championed
artists' rights within the corporate music business. Ray provides an
unflinching portrait of Charles' musical genius as he overcomes drug
addiction while transforming into one of this country's most beloved
performers.

Ray is directed by acclaimed filmmaker Taylor Hackford (An Officer and a
Gentleman); screenplay by James L. White, from a story by Hackford and
White; and produced by Hackford, Stuart Benjamin, Howard Baldwin and Karen Baldwin.

After the Movie:  ****  Ray is the star of the show, but look out for Margie, and you'll never hear "Hit the Road, Jack" the same again.  Nominations please for best actor and best supporting actress.  The movie  progresses conventionally using flashbacks to capture Ray's history and using his hallucinations to capture his mental state because of his past.  The efforts Jamie Foxx went through to capture the real Ray are amazing and show through in his performance.  This biography binds both the songs and the man together for generations to understand and enjoy.
Tuesday September 14



2 seats still available - Silver City at the Magnolia Theater
at 7:30 on Tuesday, September 14.  Admission Free.  Pick up tickets at Bodum at 3103 Knox, Dallas 75205 on Thursday, September 9 at 2:00pm. Or get tickets by email from http://www.live1053.com/movies.asp

Comments:  We have some extra tickets as well.

Set against the backdrop of a mythic "New West," Silver City follows grammatically-challenged, "user-friendly" candidate Dicky Pilager (Chris Cooper), scapegrace scion of Colorado's venerable Senator Jud Pilager (Michael Murphy), during his gubernatorial campaign.

When Pilager finds that he's reeled in a corpse during the taping of an environmental political ad, his ferocious campaign manager, Chuck Raven (Richard Dreyfuss), hires former idealistic journalist turned rumpled private detective Danny O'Brien (Danny Huston) to investigate potential links between the corpse and the Pilager family's enemies. In the tradition of the great films noir, Danny's investigation pulls him deeper and deeper into a complex web of influence and corruption, involving high stakes lobbyists, media conglomerates, environmental plunderers, and undocumented migrant workers.



Tuesday, September 14

1 seat still available  for Sky Captain and the World of Tomorrow
free screening Stars Jude Law, Gwyneth Paltrow, and Angelina Jolie. Contact bookies@gte.net.

Famous scientists around the world have mysteriously disappeared and Chronicle reporter Polly Perkins (Gwyneth Paltrow) along with ace aviator Sky Captain (Jude Law) are on the investigation. Risking their lives as they travel to exotic places around world, can the fearless duo stop Dr. Totenkopf, the evil mastermind behind a plot to destroy the earth? Aided by Franky Cook (Angelina Jolie), commander of an all-female amphibious squadron, and technical genius Dex (Giovanni Ribisi), Polly and Sky Captain may be our planet’s only hope.

After the Movie:  Three of us saw it at the relatively new Valley View multiplex on the third floor of Valley View Shopping Mall at Preston and LBJ.  The theaters are all state of the art with comfortable stadium and love seat seating (love seat seating allows everyone to push back the arm rests for more relaxed seating--it's not the old desirable theater seats build for two scattered among the seats at better theaters that I first experienced in the late 50's).  The full service concession and games area even has a Dance Dance Revolution machine.

***1/2 The movie was very refreshing and enjoyable, and it complemented the physical looks of Jude Law, Gwyneth Paltrow, and Angelina Jolie perfectly.  It pulled out all the stops to recreate the 40's, using make up (that softly  powdered look), hairstyles, clothes, sets, and props (down to tiny details like Hallicrafter radio equipment).  Most of the scenes were done against blue screens, but you'll never notice it (well, maybe in the Shangri-La scene for a moment). While we were filled with nostalgia, I heard one audience member afterwards reveling in the newness of everything in the movie.  It's all in the perspective, I guess.  Definitely something for everyone to like.  The characterizations also recalled certain characters from the past.  People really were that simply drawn on the screen, but we accepted and related to them.  Unfortunately, I think that same simple characterization replayed many times created many stereotypes. Tom noticed a lot of Terry and the Pirates.  It is gentle "sci-fi" of that era adventure, but you can see all the seeds for everything that has come since.  And it is clean, wholesome fare for the whole family.  Only for a few seconds did I hear what resembled the sound of arcade science fiction.  I liked it.  Of the same ilk as Rocket Man. -bj

Wednesday, September 8

Prescreening of Resident Evil: Apocalypse.
  Pick up tickets at ZEUS COMICS at Turtle Creek Village, 3878 Oaklawn Ave. Suite 100E, Dallas 75219 on Saturday, September 4th after 12 pm.

Picking up where the end of the first movie left off, an elite military agent, Alice (Jovovich), finds herself stranded in the ruins of Raccoon City folowing a virus outbreak which has turned the city's inhabitants into bloodthirsty zombies. Searching for a way to contain the virus, Alice also teams up with other survivors, who include Jill Valentine (Guillory), who finds herself being hunted down by a massive monster called Nemesis (Mabius) with ties to Alice, and the tendency to moan 'Starrrrssss' a lot.

Tuesday September 7



Cellular at Loews City Place 14
at 7:30 on Tuesday, September 7.  Admission Free.  Get tickets by email from http://www.live1053.com/movies.asp

After the Movie:  This is a slick presentation using the cell phone as a gimmick throughout.  OK, but not as good as Criminal, The Bourne Conspiracy, or Collateral, and not to be confused for a minute with the excellent movie The Telephone Booth from a few years back..


Tuesday, September 7

Prescreening of Criminal. Pick up tickets at TITAN COMICS at 3701 W. Northwest Highway Suite 125, Dallas  75220 on Friday, September 3rd after 12 pm

9/7 Tickets still available for September 7 screening of Criminal at the Angelika Film Center, 5321 E. Mockingbird Lane, Dallas.  Contact Betty Jane at bookies@gte.net


 John C. Reilly ("Chicago"), Diego Luna ("Y Tu Mama Tambien") and Maggie Gyllenhaal ("Secretary") star in a contemporary caper movie set in Los Angeles. It's the story of an extremely odd couple: a young Latino man who will do anything for his family (Luna) and a 30-something scheming white guy who will do anything to his family (Reilly). One wants to save his father. The other wants to get rich, in any way possible. So when they come across one of the most valuable pieces of currency in U.S. history, they're suddenly stuck together, and that's just... criminal. All they have to do is sell it, which is where the real problems begin. And of course the only way out is family: the one person who can help them, hates them: the schemer's sister (Gyllenhaal). CRIMINAL is directed by Gregory Jacobs. Written by Gregory Jacobs and Sam Lowry. -- © Warner Independent

After the Movie:  ***1/2 Very satisfying caper movie.  Based on the 2000 Argentine hit Nine Queens (You'll want to rent it.)  John C. Reilly and Diego Luna work very well together, as does the whole cast.  Should be a case study for how to do this genre right. --bj

Tuesday September 7

Prescreening of Ladder 49. 
Pick up tickets at ZEUS COMICS at Turtle Creek Village, 3878 Oaklawn Ave. Suite 100E, Dallas 75219 on Saturday, September 4th after 12 pm.

Trapped in a fire that looks likely to kill him, a fireman (Phoenix) takes the opportunity to look back over his life, career and marriage, while he waits for his company, Ladder 49, to rescue him, if they can... (Travolta plays Phoenix's fire chief and mentor; Barrett plays his wife).

Tuesday,  August 31

Prescreening of Vanity Fair one more time at 7:30pm at the Angelika.  I have 4 available seats.  Email me if you would like to go and I will come very early (you too) and save a place in line because the demand for this movie is so high.

Review:  **1/2 The sets and costumes should get a nomination.  The supporting players are wonderful.  But Reese Witherspoon does not seem up to the part.  A more complex actress is desired.  Perhaps Leelee Sobieski could handle it.  Reese speaks Thackeray's words, but she does not show enough complexity to make the character burn and the words resonate.  Also the choppy, or at least slipshod  editing, especially near the end, detracts from the unfolding.  --bj

Tuesday, August 31

Prescreening of the Hunting of the President at 7:30pm at the Regent (Preston and Mockingbird).  No passes required; first come, first served; so be there between 6:00 and 6:30pm or you might not get in.

Tuesday August 31



Wicker Park at AMC Valley View
at 7:30 on Tuesday August 31.  Admission Free.  Pick up tickets Saturday, August 28 at 11:00am at Sidewalk Cafe, 5030 Addison Circle, Addison, Texas  75001.

Monday August 30

Festival Express at the Magnolia at 7:30 on Monday, August 30.
Admission Free.  Pick up tickets Thursday, August 26 at 2:00pm at CD Universe, 4043 Trinity Mills and Midway Suite 104, Dallas 75287,
(972) 307-3337

Filmed in 1970 -- and consisting largely of previously unseen footage -- director Bob Smeaton documents the eponymous happening that was conceived as Canada's answer to Woodstock.  What made it unique was that it was portable: for five days, the bands and performers--including the Grateful Dead, Janis Joplin, The Band, among others--lived, slept, rehearsed and did countless unmentionable things aboard a customized train that traveled from Toronto to Winnipeg to Calgary, with each stop culminating in a mega-concert.

Review:  **** Go see it, if you can.  Janis Joplin can make you cry.  The audience swayed to the music and applauded after several numbers.  It's the way music should be presented.  Don't miss it. --bj


A VERY SPECIAL EVENT:
Thursday, August 26 - 7:30pm
A Benefit For The North Texas Food Bank
BBQ: A TEXAS LOVE STORY
OCEAN FRONT PROPERTY
$5 - Admission
$6 - Pitchers

When their appetites got the best of them, a group of Austin-based filmmakers hit the road in search of Texas Barbecue.   3,350 miles later, they deliver one of the most entertaining and humorous documentary films about Texas culture to ever emerge from the Lone Star State, and audiences are responding with sold-out crowds, festival wins and special awards.  

BBQ: A TEXAS LOVE STORY is a 46-minute documentary film that explores the true passionate spirit of Texans that makes them… well, Texans.   A number of notable Texans, such as Dan Rather, Kinky Fridman, Ray Benson, Liz Carpenter, Cactus Pryor and many more, join the film crew along the way.   Governor Ann Richards narrates the film and San Antonio-based rockabilly group Two Tons of Steel provides the soundtrack.   From the church (of the Holy BBQ) in Huntsville, that raises money four days a week with its world-famous cue, to a volunteer fire department BBQ dinner complete with lawnmower drag races.

Along their journey, the crew realized that barbecue in Texas is less about food and more about bringing people together in the community.

www.bbqfilm.com

OCEAN FRONT PROPERTY stars Lizzie Lander who began to make her mark in local films with roles in THE ANARCHIST and TWELVE HOT WOMEN and has been trained by some of the best acting coaches from Dallas to L.A.  She teams up with a talent local cast led by writer, director, actor Joe Scott to spend "One week, in One house with One chance to change everything." 

There is a house in Galveston, Texas, right on the shores of the Gulf of Mexico where Rick Noonson (Joe Scott) spent many summers with his ex-girlfriend, Valerie (Lizzie Lander).  The house belongs to her parents, but a year ago, she left him for another guy.   The only change to their long awaited wedding, Rick was not the groom and he has been a mess ever since.

Rick has been invited to stay at the beach house for a week with two of his friends… Valerie mistakenly shows up with her new husband.   A story of finding yourself, choices made and how to move on.

www.nightanddayfilms.com

A portion of this screening's proceeds will be donated to the North Texas Food Bank (NTFB).  NTFB, a nonprofit center for food distribution, is a member of America's Second Harvest and recognized as 2001 Food Bank of the Year.   NTFB procures donated surplus food and transfers it in usable quantities to over 400 nonprofit agencies in 13 North Texas counties including Kids Cafes, after-school programs, residential treatment programs, food pantries emergency shelters, soup kitchens, senior citizen centers, low-income daycare centers and other social service centers.

Each $1 Donation =
" $12 of distributed food
" 7 pounds of food
" 6 meals
" 97 cents in food distribution; 3 cents in administration/fundraising


The Dallas Film Series highlights some of the best independent films from around the world.   The Studio Movie Grill is located at 5405 Beltline Road and Prestonwood in Dallas.   The Studio Movie Grill may be contacted at 972-991-MOVIE or www.studiomoviegrill.com.


Brandon Jones
FilmFrog Productions
214-498-2238

Comments:  A lot of people are interested in going to this one.  You can buy your tickets at the theater.  One of our NTM members stars in the second film.  Brandon Jones, who heads up their Dallas Film Series, which shows independent films at the theater once a month, says it will be showing Thursday's movies in their large auditorium, which holds 225 people.  He will be keeping us posted on the upcoming movies there.

After the Event:  A lovely event for the four of us who went.  Great meeting the members of the casts, writers, and directors afterwards.  I'd like to see both movies again.  Barbecue was my favorite, as I sat there enjoying my barbecue rib basket.  Good cause.  Let's do it again soon! -bj


Wednesday, August 25

Donnie Darko, The Director's Cut Wednesday, August 25 at 7:30 PM at the Magnolia pass pickup: Saturday, August 21 at 1:00 PM at Abyssinia Restaurant & Bar, 7015 Greenville Avenue in Dallas, near Holly Hill Dr. one block north of Park Ln. phone (214) 691-0033

After the Pickup:   Abssinia is a very small restaurant tucked back behind the other buildings around it and has some booths with beaded curtains, as well as tables.  Haven't tried the food yet, but it looked like a good date setting.  They started the giveaway early (this was their first time to do it and they didn't get any instructions about waiting for the official giveaway time from the Dallas Observer).  Luckily, Tom and I got there early, and we still have 4 available seats.  Contact me quickly if you are interested.  We will be there, using other passes we got, so we can hold your ticket and place in line.  Invite others to come with you.  I didn't see the original movie when it came out, but Heather says it is very bizarre, a cult classic all by itself.  Sort of like Fear and Loathing in Las Vegas meets Igby Goes Down.  You'll love it!

After the Movie:  **** I did love it, and it's now at the top of my recommended list for this year.  It is visionary.  If you ever thought as a teenager that you were losing it, this film is for you, and for everyone else, of course.  A richly textured, wonderfully thought out and acted gem that deserves to be seen again and again.  Too bad it was undervalued when it was first released and can't be nominated this year.  You'll have to seek it out, but it's well worth the effort.--bj

Tuesday, August 24

Vanity Fair at the Magnolia at 7:30pm (Oops, should have said the Angelika instead.)

To get a free pass to a prescreening of Vanity Fair go to Vanity Fair.
Or email bookies@gte.net by 5pm on 8/24 and find Betty Jane (blue and white NTM shirt) at the theater before 6:30 for screening pass.   Reese Witherspoon stars in this adaptation of a William Makepeace Thackeray novel.

After the Event:  Going early helped when we discovered we were at the wrong theater; still arrived at the Angelika by 6:55pm, but even going up to the parking lot elevator, people were coming  saying 600 people had showed up for a 250-seat auditorium.  Someone definitely needed to count the tickets better.  We went on up to the auditorium and were given two tickets apiece to the same  show, same time next week.  So, see Tuesday, August 31 listing for the comments for this **1/2 movie.

Saturday, August 21

Hero, run-of-engagement pass (very rare--you have a wider selection of times to see the movie) pickup: Saturday, August 21 at 2:00 PM at Ozona Bar & Grill, 4615 Greenville Avenue in Dallas, between Yale and University, phone (214) 265-9105

After the Pickup:  Ozona's was also doing this for the first time.  They were just given tickets to give out for a certain day.  They didn't even know what time to give them out, so they graciously started giving them out to people who came in and asked for them.  It was just down the street from Abssinia, so we arrived early around 12:40 and decided to have a light lunch.  I got a pass for two, but Tom parked the car and by the time he came in, there was a short line and he didn't get a pass.  We were very pleased to find out that Ozona's is the old Cardinal Puff's we had gone to several times about 20 years ago.  For those of you from UT or Austin, it is like Shult's Beer Garden.  For the rest who don't know it, Ozona's has multiple seating areas, both inside and outside, lots of trees and multi-leveled decks, lots of good food to choose from, even an outdoor fireplace.  They even have a party room hidden away deep inside with a dance floor, band and bar area that can hold about 250 people seated and 450 standing.  Very nice people work there.  And, because it is in Dallas, alcohol is available, and it is smoke free inside and out.  All the good things you can learn by volunteering to go on a Saturday morning ticket pickup.  Email me if you want to participate in picking up tickets (they hand out passes good for two people to each person at the pickup).

After the Movie:  ***1/2 Brings new considerations for the use of colors in movies.  They are so integral that you can tell which version of the story you are in by the colors alone.  Poetic;balletic.  It felt a bit short, but it was based on past legend and focused on loyalty, and ushers in a new way of seeing, so I enjoyed it.  House of Flying Daggers, by the same director, carries this style much further and feels more personal and complete, despite its drawn out resolution.

Thursday, August 19
Exorcist, The Beginning at Lowe's Keystone Park at 7:30pm
Admission free - tickets must be picked up at Rage Store 3235 Forest Ln. at Jupiter (Southeast Corner) at noon on Saturday, August 14.
Thursday, August 19
Danny Deckchair at the Magnolia at 7:30pm
Admission free - arrive between 6:00 and 6:30 to be seated
Contact Betty Jane for tickets.

Comments:  Paul played host to the other mensans who came, holding their tickets and a place in line for them.  He wore a bowler hat, a la The Thomas Crown Affair, with a smart tag from Target, for easy recognition.

Review from Paul:  Danny Deckchair indicated two simultaneous and apparently contradictory feelings in the hero. He wanted to do something extraordinary, but didn't wish to be expected to do so (by someone else). Other's expectations did not drive him, his own expectations did. Being famous simply because his ex-girlfriend was attracted to famous people and had herself become famous that way was not his bailywick, yet somehow he felt that his to be girlfriend should be endeared to him because he fell into trees twice for her or parasailed on her motorcycle.

Suffice it to say, I understood deeply his contradictory nature and have it myself!

The introduction said he had a history of wanting to do things extraordinary (human slingshot), but he wound up caring for the woman who didn't want to know about his history and, in fact, since she didn't know his history, lied about his being a professor to her friends and didn't demand he be extraordinary. Somehow he felt he could share an adventure with such a woman, an adventure outside the ordinary person's expectations. --ps

Thursday, August 19
Exodus  at Angelica at Mockingbird Station at 7:00pm
Admission $3.00  -- tickets must be purchaced in advance.  If you mail in a check, send Stacy an email so she will reserve spots for you.
Stacy Barnett
3 Stars Cinema
3401 Armstrong Ave,
Dallas, TX 75205
stacy@3starscinema.org

Note: Stars Paul Newman and the late Sal Mineo.

After the Movie: **** This was a wonderful event. The movie was three and a half hours' long, and the full house was mesmerized. Much of this period of Jewish history has been fading in recognition since one probably had to be born in the 40's to even have seen its debut in 1960, and it is rarely screened, although it should be shown often because it is an excellent epic film. Based on the novel by Leon Uris, it was directed by Otto Preminger. Comedian Mort Sahl supposedly stood up in the middle of a premiere screening of the film with Director Otto Preminger present and shouted. "Otto, let my people go" in reference to the length of the film. Paul Newman and Lee J. Cobb represent the moderate Zionist Haganah and Sal Mineo and David Opatoshu represent the romantic partisans of the radical terrorist Irgun Zvai Leumi. From watching this movie, you could see that Sal Mineo could have been the next Marlon Brando, if his life hadn't been cut short. He was nominated for the Best Actor Academy Award for his performance, but lost out to Peter Ustinov in Spartacus. The epic film is really three stories in one: the hunger strike aboard the Exodus, the prewar days and the idyllic kibutzniks, and the UN proclamation and the beginning of the war for indepenence. Eva Marie Saint, Jill Haworth, Peter Lawford, and John Derek also had great performances.

After the movie, Bart Weiss, 3 Stars Cinema's artistic director, led a great discussion with the audience.

A good follow up film would be Cast a Giant Shadow with Kirk Douglas. It takes up the story where Exodus ends. -bj

Wednesday, August 18

FINDING NEVERLAND Free Screening date: Wednesday, August 18 Time: 7:30pm Theatre: Angelika Film Center Rated PG for mild thematic elements and brief language Opens in Dallas in November * The director, Marc Forster who also directed Monster's Ball, will be available for a Q&A after the screening. Please remain seated after the film ends as a courtesy to Mr. Forster. Please RSVP to lacy@gaylersmith.com if you would like to attend. Theater is subject to overbooking and not guaranteed; please arrive early in order to ensure your seat. RSVPing does not ensure a seat; seating is on a first come first served basis. FINDING NEVERLAND (Miramax Films) Director Marc Forster's follow-up to "Monster's Ball" is FINDING NEVERLAND, a tale of magic and fantasy inspired by the life of James Barrie, the real-life author of the children's classic Peter Pan. Set in London in 1804, the film is a fictional account of Barrie's creative journey to bring Peter Pan to life, from his first inspiration for the story up until the play's premiere at the Duke of York's Theatre - a night that will change not only Barrie's own life, but the lives of everyone close to him. David Magee's screenplay is based on the play "The Man Who Was Peter Pan" written by Allan Knee. The film stars Johnny Depp, Kate Winslet, Julie Christie, Radha Mitchell and Dustin Hoffman.

After the Movie:  ****  This one was a real joy to attend!  All the actors were at their top form.  Peter Pan will never be the same.  Take children or go by yourself.  You will be moved by its goodness and truth.  I cried and cried; take tissues.  Director Marc Forster was also inspirational answering questions from the audience for a long time after the movie.  He is a young man who is filled with an incredible talent and zest for life and  he is also very humble and gracious.  I left there inspired to write screenplays or become an actor just to be in the same magical, artistic world he conveyed to us.  --bj


Wednesday, August 18
WE DON’T LIVE HERE ANYMORE.  The FREE SCREENING will be held this Wednesday, August 18 at 7:30pm at the Angelika Film Center – Dallas.  Contact Betty Jane at bookies@gte.net for email pass.

College instructors in a small university town, Jack Linden and Hank Evans have an easygoing friendship involving runs between classes and drinks at the pub after work.  Jack’s wife Terry is best friends with Hank’s Edith, and the four have dinner parties where, once the kids have gone to bed, the wine flows freely and the record collection is in constant rotation.  

But the Evanses and the Lindens are not the happy couples they appear to be. For Jack and Terry, the everyday tribulations of being parents of young children and trying to make ends meet have taken their toll on the once passionate couple. And Hank, a self-absorbed writer at heart, is fond of his daughter and family life, but not all that interested in monogamy, it turns out. Trying to find a way to make her marriage work under the new circumstances, Edith turns to Jack for comfort. What begins as a playfully lascivious affair erupts into a season of infidelity, leaving all four to sift through the emotional wreckage to find their way home.

Based on the novellas of Andre Dubus, WE DON’T LIVE HERE ANYMORE stars Mark Ruffalo, Naomi Watts, Laura Dern and Peter Krause.

After the Movie: Comments needed.

Tuesday, August 17th - at dusk

WITHOUT A PADDLE AT ADDISON CIRCLE PARK - FREE!! No TICKET REQUIRED

Cast: Seth Green, Matthew Lillard, Dax Shepard, Ethan Suplee, Abraham Benrubi, Rachel Blanchard and Burt Reynolds

Synopsis: A high-speed comedy-adventure in which three young guys go into the Oregon wilderness in search of lost treasure. They take a canoe upriver and everything that can go wrong does. Hunted by two backwoods dope farmers, they encounter death-defying rapids, tree-hugging hippie chicks and a crazy old mountain man played by Burt Reynolds.

First come, First seated. No photographic equipment (including cell phones with cameras) will be admitted. All bags and persons will be subject to search.

Invite your friends! Chair rental will be available - and benefits "Cinema Fighting Cancer" Cash concessions will be available. Addison Circle Park: 15650 Addison Road, Addison Texas

After the Movie: Has anyone seen this yet? Outdoor movies are always fun. Has anyone checked out the drive-in movie in Granbury?

Tuesday, August 17
Code 46 at the Magnolia at 7:30pm
Admission free - tickets must be picked up at Royal Liquor Beer and Wine 4034 Cedar Springs Rd. on Saturday, August 14 at 1:00p.  To get there going south on Central, exit at Haskell-Blackburn and Lemmon.  Turn right on Lemmon, left on Oak Lawn, and right on Cedar Springs and the store will be on you right a short distance.  Arrive early for this one!

Stars Tim robbins and Samantha Morton.  Our story is set in an eerily possible near-future where cities are heavily controlled and ony accessible through checkpoints.

After the Movie:  **1/2 Very disappointing; I expected so much more.  Tim Robbins' performance is adequate, but nothing like his performance in Mystic River.  Samantha Morton gets all the attention from the camera with her Mia Farrow photogenic beauty.  The sets and atmosphere are also well done.  But what is missing is characters who develop and a plot that develops; instead, we have a short story thumb nail sketch that needs to be fleshed out.  Did have a few new approaches though:  people locked into cities and needing hard-to-come-by passports to go to another city; instead of plastic surgery or behavior modification, the people use designer viruses; and cloning has gotten so far out of hand that they passed a Code 46, stipulating punishment if you have intimate relations with a 25 or 50 or 75% genetic match.  If you do it knowing in advance, it is a criminal offense. The movie could have been so much more, but it is memorable for its future vision, atmospheric cinematography, and Samantha Morton. --bj




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