Dreamers Rise
An Open Notebook

And for those who choose the twisty road, prefer it to the straight
Let joy beat out old misery, as love will conquer hate.

The Goblin Snob

Illustration by Henry L. Stephens from The Goblin Snob (ca. 1855)


A sort of electronic broadside, composed of rants and reviews, conceits and speculations, and whatever else feels the need to be here. Issued as chance will have it.


Syd Straw: Pink Velour


Pink Velour It's been twelve years since Syd Straw's last CD of new material, but Pink Velour, long promised and oft delayed, is here at last, and it's good to have it. Released on Syd's own label, Earnester Records, it contains twelve songs (some of them surprisingly long) of which ten are either entirely or collaboratively written by Syd, the other two being covers of Neil Young's “Harvest” and Brian Eno's “By This River.” It can take me months or years to decide what (if anything) I want to say about a record, but since this is a special occasion a quick note is in order.

Born in 1958 and raised in Vermont and California, Syd first earned notice in the mid 1980s as a featured vocalist for the avant-garde rock project known as the Golden Palominos. Her debut solo album, Surprise, in 1989, featured Michael Stipe, Richard Thompson, Van Dyke Parks, and other well-known supporting players; her second, War and Peace, most of which was inspired by an ill-fated marriage, was recorded with a relatively obscure Missouri band called the Skeletons. In between and since then she's been active as a musical collaborator, backup singer, and occasional actress (she played Miss Fingerwood on The Adventures of Pete & Pete), and doing a handful of gigs a year, notably her annual “Heartwreck” performances scheduled to coincide with Valentine's Day. Always a strong, if idiosyncratic, singer, with a impressive interpretive range, she's probably not usually thought of as being a songwriter, but just as some singers are their own best interpreters, Syd is arguably at her best doing her own material, which tends to be fairly personal.

One of the highlights here is the unabashedly sentimental title track, which is addressed to Syd's mother, who relocated the family to California, possibly without her husband or ex-husband (the musical theatre actor Jack Straw). The song perfectly evokes a late '60s or early '70s American childhood, tinged with a mix of optimism and disappointed dreams:
Into the rain, which turned to snow,
modern wagon train, westward ho!
Jump in the back, wear your blue dress,
and pack the pink velour —
we'll save the best for when we get there.
Mama never did say why,
she just said “we have to try.”

In California there's room to spare,
we'll have lemon trees in our back yard there.
But somehow she ran out of luck
and in the middle of it all, we got stuck,
stuck in quicksand.
Please don't take away my pretty dreams,
they are all I have.

I try to honor you, sometimes it's tough.
Could anyone ever love you enough?
And to my mother's deep chagrin
I am my father's girl,
I look so much like him.

Of all the dreams I ever had
my favorite one's the one
where Mom and Dad and my big brother Pete,
my sister Sally and I
rattle down the highway
in our blue Volkswagen bus,
the five of us,
happy together, if only for once.

And I wish for you
when I'm wishing on a star,
and I always check the weather where you are.

You never know
You think you do
Your whole life can fall
and land on you.
It's hard to ask for help
when you really need it
I've loved you all this time
I wonder if you can feel it

Where in the world are you now?
We only see you in movies.
And I wish for you
when I'm wishing on a star,
and I always check the weather where you are.
There are one or two weaker cuts towards the end of Pink Velour, but overall it's a treat. (And no, I'm not going to say “it's worth the wait,” because twelve years without Syd Straw is too damn long!) Syd herself is credited as producer, and the arrangements are original and spot-on, featuring, in addition to the usual rock instruments, ukulele and bass clarinet (at the same time, no less), mandolin, fiddle, some kind of resonator guitar, and melodica. (The last is played by Syd herself, simply but to great effect, on “Storm Warning.”)

Advance copies of Pink Velour were reportedly circulating nearly a year ago; more recently it was offered as a download for several months before being released, very quietly, on CD. Syd's not a particularly aggressive self-promoter, and this one could easily fall under the radar. It deserves a chance to be heard.


PS: According to a January 2004 interview (in the course of which Straw reported, prematurely, that Pink Velour was almost finished) the title track “is about my family moving back and forth between the east and the west, and my being kidnapped by my mother on Valentine's Day in 1969, and about not seeing my dad for almost seven years.”

Update (April 2009): There is an excellent two-part background article and interview with Syd Straw at Popdose (Part I) (Part II). Don't miss the embedded MP3s, especially of Syd's early records with the Golden Palominos.


December 19, 2008


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