Orb of Djenra

The Color Codes

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Kongo Kosmogram II:  The  Esoteric Origins of the *Color Codes* Used in  Slavery and Colonialism.

*If you're Black -get back!
If you're white- you alright
 
If you're Brown -stick around
If you're Yellow- you must be one mellow fellow!*
 
*I don't want nuthin' black - but a Cadillac* 
                                           -African in Amerikkka  popular expressions of color stratification circa 1940.
 
The issue of skin tone  for African's in the Diaspora is the direct result of rape and brutality of  enslavement. This result has been used  to *divide and conquer* the  dark peoples by racist Imperialists. 
 
One's skin tone and hair texture is part of an imagery that is used as a tool of politics. Politics is the public mask of those who secretly manipulate and control  the leaders of the masses. 
 
African in amerikka leaders are selected from the masses and are a part of the problem never a solution. The debasement of all African Culture for financial gain is all that we see around us.
 
One will find that the original African's were color coded as pure black. This is echoed in the anti-African parody of Blackface.  In the USA we have  various shades of browns or  our *muddy waters* the mixtures of Blacks forced to breed on the plantations.
 
We all have heard the term  *red bone*, a category which originally indicated  the children of African's who escaped slavery and mixed with the Native peoples of America.
 
Yellow or *high yellow* or  light skin slaves  were firstly the result of  white men who released their violent ardor  in the slave quarters at night.
 
Another category was the *bright, light and damn near white* which are very fair complexed Blacks who though they are pale still carry recognizable African features and traits. In New Orleans and in Haiti these were the Creoles.
 
Lastly we have those mixed blacks who somehow looked just as white as any white person carried no  distinction or marking of the African genotype. In New Orleans these people were the   *passe bon*. They had the option of living in the world as a white person or PASSING FOR WHITE.
 
In Brazil the color code of skin tone categories are preto or black; escuro- dark skinned; mulato escuro - medium browns to reds; and mulato claro- lightskinned.
 
The Nation of Islam's story of Yacub was a reverse-engineered version of  slavery's color code that attempted to turn the tables and remove the effects of self-hatred and image rejection in the thinking of persons of color in urban America.
 
Unfortunately critics who say the story of Yacub  served only to evoke  hatred and racism miss the point. The Myth was a major Work, a strong, fast acting  Medicine, put together by a  Master  Hoodoo (W.D. Fard) to  purge in one generation the cummulative effects of enslavement, Blackface and the Minstrel Shows on the African in amerikkka psyche.
 
The First Color Wheel : The Kongo Cosmogram
 
If the various shades of brown are looked at in the diagram of the Kongo cosmogram as being located between the black sun or KALA point and  the red sun of  TU KULA and the various shades of yellow are seen as being found between the red of TU KULA  and  white  LUVEMBA sun we will have graphed the full spectrum of human skin shades.
 
Of course the MUSONI POINT is said to be *yellow* by Fu-Kiau which will confuse. We see the Musoni Point not as the color yellow but as being  part of the SPIRITWORLD and therefore colorless.  We say that Musoni is metaphorically golden  as in the golden strands of DNA, as in the cache memory of the SOUL or the permanent atom of the SOLAR DISK.
 
Of Locks and Top Knots
 
The secondary indicator of slave rank was HAIR. The  texture,  length and color of the hair were direct keys to how African you were. The African woman in amerika 's obsession with her hair texture made Madame C.J. Walker into the first black millionaire.
 
 All people of color are being manipulated in an all out  war on their self-concepts, a war that continues to be fought in the media  especially in MUSIC VIDEOS with the continued elevation of the fair over the dark, the long haired over the short, the lighter eye over the dark, the thin over the *thick*. 
 
The slave color rankings and other genetic markers  exist   in some form throughout the whole of the Diaspora and now due to the export of printed and electronic media have reached back into Africa. 
 
Today Black women want blonde hair and blue eyes, red hair and green eyes while European women add collogen to their lips and buttocks. What madnesss what insanity we live in where the masses have managed to hate themselves FOR others,  even MORE than the others who  hate them!!!
 
So it sounds like Yacub's Color Science should not have been dismissed without  symbolic analysis. The information held within Itself teachings that when unwound or decoded could trace the source of foreign  principles and concepts  which were added to the African group mind and  the effects they had  over time which were destructive to the entire race.
 
The Orb of Djenra says: 
 
This subject is our  HOLY WAR.  It is the result of the hate that created slavery and served   to faciliate a destructive self-hatred in ALL African's in the America's.  The legacy of enslavement is MASOCHISM, a masochism which lies under the  varying degrees of self-hatred which have been keyed into a color scale.
 
Africans are the Mothers and Fathers of all HUE-MANITY.  People of African descent are marked and recognized by their genetic code but not defined or limited by it. It is not the hue or shade of your skin that makes one  African in the 21st century, but the contents of  heart and   mind.   
 
How correct you are depends on how much of your Real Self you have retrived/ reclaimed/ salvaged from the ruined temples of an interior Motherland.

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